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Sh*tshow!: The Country's Collapsing . . . and the Ratings Are Great

door Charlie LeDuff

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History. Politics. Nonfiction. Media Studies. HTML:A daring, firsthand, and utterly-unscripted account of crisis in America, from Ferguson to Flint to Cliven Bundy's ranch to Donald Trump's unstoppable campaign for Presidentâ??at every turn, Pulitzer-prize winner and bestselling author of Detroit: An American Autopsy, Charlie LeDuff was there
In the Fall of 2013, long before any sane person had seriously considered the possibility of a Trump presidency, Charlie LeDuff sat in the office of then-Fox News CEO Roger Ailes, and made a simple but prophetic claim: The whole country is bankrupt and on high boil. It's a shitshow out there. No one in the bubbles of Washington, DC., New York, or Los Angles was talking about itâ??least of all the media. LeDuff wanted to go to the heart of the country to report what was really going on. Ailes baulked. Could the hard-living and straight-shooting LeDuff be controlled? But, then, perhaps on a whim, he agreed. And so LeDuff set out to record a TV series called, "The Americans," and, along the way, ended up bearing witness to the ever-quickening unraveling of The American Dream.
For three years, LeDuff travelled the width and breadth of the country with his team of production irregulars, ending up on the Mexican border crossing the Rio Grande on a yellow rubber kayak alongside undocumented immigrants; in the middle of Ferguson as the city burned; and watching the children of Flint get sick from undrinkable water. Racial, political, social, and economic tensions were escalating by the day. The inexorable effects of technological change and globalization were being felt more and more acutely, at the same time as wages stagnated and the price of housing, education, and healthcare went through the roof. The American people felt defeated and abandoned by their politicians, and those politicians seemed incapable of rising to the occasion. The old way of life was slipping away, replaced only by social media, part-time work, and opioid addiction.
Sh*tshow is that true, tragic, and distinctively American story, told from the parts of the country hurting the most. A soul-baring, irreverent, and iconoclastic writer, LeDuff speaks the language of everyday Americans, and is unafraid of getting his hands dirty. He scrambles the tired-old political, social, and racial categories, taking no sidesâ??or prisoners. Old-school, gonzo-style reporting, this is both a necessary confrontation with the darkest parts of the American psyche and a desperately-needed reminder of the country's best i
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The Insanity of Daily Life in America

Reporters are privileged. They get to talk to people in the street and at their homes. No one else can do that. They get to query politicians and corporate executives. They get to talk to the actors in standoffs, protests and riots. They visit people 20 years after their 15 minutes of fame in some crime or incident. They find out things that others can’t even imagine. And they have a platform to tell the world about it all.

Unfortunately, television news reporters like Charlie LeDuff then distill it down to a formulaic minute and a half, glossing over the truth and featuring any sort of violence as the main point (“If it bleeds, it ledes”). So the real truth doesn’t necessarily make it to air. A longer format show allowed him to fill in those details. Shitshow! follows him all over the country over the three years of the show. It made him into a war correspondent.

LeDuff describes himself as a “street reporter … The story was and always will be the American people scratching it out from Ferguson to Flint.” He proposed a series to Fox, his employer, that would be broadcast by its 18 owned major-market stations (as opposed to a cable network), and would focus on what was happening across the country at street level. He called it The Americans.

He found all kinds of commonalities on the street, including racism, frustration, boredom and above all poverty. The middle class had been melting away, as decent paying jobs became minimum wage (or less). The races clashed, but it was poverty that put them in that position. Even in North Dakota, where stories of fracking fortunes drew thousands north, he found pathetic poverty. Yes, some were making $100,000. But they were working the equivalent of three jobs to do it. And their expenses were enormous as everyone wanted a cut. And then there was government.

The government had betrayed everyone too many times to ever be trusted again. It cut their pay, crippled them with taxes, rolled back their pensions, took away social programs, robbed their tax dollars, kneecapped their unions and even poisoned their water. And if that weren’t enough, governments, in the form of police, were shooting at them.

As a journalist, LeDuff dug deep and was persistent, as well as creative. He got his stories, often at great risk to his own life and of his cameramen. He got into Cliven Bundy’s camp, and made it into Reynosa, Mexico, to talk to would-be emigrants. He was in Ferguson for the riots. And all the time, he was battling his employer Fox, which was redirecting his efforts, denying his expenses and calling him off when political pressure was applied. It was almost a race against not being able to complete the task. He quit the night Trump was elected, and has been writing this book ever since.

LeDuff is perceptive. On union-busting states, he points out there are only four non-union Volkswagen plants in the world: in Russia, China and Tennessee. Hypocrisy is a way of life in the USA. The everyday corruption is depressing. And Americans’ views are at best suspect: “The American is generally poorly instructed in his own history, not because it is especially difficult to learn, but rather because it is difficult to hear.” It all forms part of the shitshow he sees everywhere.

For a working definition of a shitshow, there is the story of a Detroit police sergeant, shot trying to stop a mad killer. In 20 years, he had never fired a shot on duty, and was both highly respected and effective. The police “brotherhood” and politicians took over his funeral and made the usual big deal of it, but his widow still had to pay for it. They promoted him posthumously to captain, but did not give the family a captain’s pension or benefits. They magnanimously extended his healthcare for the whole family, including his five year old son, but only for five years. Then they were on their own. That’s a shitshow.

Interestingly, while LeDuff looks like a Sean Penn, and writes like a Damon Runyon, he is actually largely black. He has a hard time filtering all the prejudice he sees, and is plainly disgusted with politicians as an entire class. The book is as breezy as his speech – street level, straight talking, and salty. It’s a reading pleasure that makes the content easier to take.

There is a running joke, at the expense of both Fox and officious security. Everywhere LeDuff went, he inevitably couldn’t complete his reporting without resorting to a fake Press ID he had assembled himself, printed and laminated to look official. It says “News Media Press Official Identification”. He had to kludge something together, because his Fox News employer wouldn’t issue them to the news team. It has his name, photo, and a barcode from a candy bar. It got him past absolutely everyone and in to see absolutely everyone. Again and again. For years. Another shitshow.

LeDuff is a fine storyteller, a hardworking journalist and an honest witness (with all the weaknesses of honest witnesses). I wouldn’t want him running the country (he actually recommended himself to Donald Trump as VP), but he’s a great one to have on your side.

David Wineberg ( )
1 stem DavidWineberg | May 8, 2018 |
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History. Politics. Nonfiction. Media Studies. HTML:A daring, firsthand, and utterly-unscripted account of crisis in America, from Ferguson to Flint to Cliven Bundy's ranch to Donald Trump's unstoppable campaign for Presidentâ??at every turn, Pulitzer-prize winner and bestselling author of Detroit: An American Autopsy, Charlie LeDuff was there
In the Fall of 2013, long before any sane person had seriously considered the possibility of a Trump presidency, Charlie LeDuff sat in the office of then-Fox News CEO Roger Ailes, and made a simple but prophetic claim: The whole country is bankrupt and on high boil. It's a shitshow out there. No one in the bubbles of Washington, DC., New York, or Los Angles was talking about itâ??least of all the media. LeDuff wanted to go to the heart of the country to report what was really going on. Ailes baulked. Could the hard-living and straight-shooting LeDuff be controlled? But, then, perhaps on a whim, he agreed. And so LeDuff set out to record a TV series called, "The Americans," and, along the way, ended up bearing witness to the ever-quickening unraveling of The American Dream.
For three years, LeDuff travelled the width and breadth of the country with his team of production irregulars, ending up on the Mexican border crossing the Rio Grande on a yellow rubber kayak alongside undocumented immigrants; in the middle of Ferguson as the city burned; and watching the children of Flint get sick from undrinkable water. Racial, political, social, and economic tensions were escalating by the day. The inexorable effects of technological change and globalization were being felt more and more acutely, at the same time as wages stagnated and the price of housing, education, and healthcare went through the roof. The American people felt defeated and abandoned by their politicians, and those politicians seemed incapable of rising to the occasion. The old way of life was slipping away, replaced only by social media, part-time work, and opioid addiction.
Sh*tshow is that true, tragic, and distinctively American story, told from the parts of the country hurting the most. A soul-baring, irreverent, and iconoclastic writer, LeDuff speaks the language of everyday Americans, and is unafraid of getting his hands dirty. He scrambles the tired-old political, social, and racial categories, taking no sidesâ??or prisoners. Old-school, gonzo-style reporting, this is both a necessary confrontation with the darkest parts of the American psyche and a desperately-needed reminder of the country's best i

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