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'It's funny how quick it happens and without you really noticing. Anton said once that it's like walking out into the sea, and you think everything's fine and the water's warm, but when you turn back you're suddenly miles from shore. I've never been much of a swimmer, but I get what he means. Like, being caught in a current or something. A rip.' A young woman living on the street has to keep her wits about her. Or her friends. But when the drugs kick in that can be hard. Anton has been looking out for her. She was safe with him. But then Steve came along. He had something over Anton. Must have. But he had a flat they could crash in. And gear in his pocket. And she can't stop thinking about it. A good hit makes everything all right. But the flat smells weird. There's a lock on Steve's bedroom door. And the guy is intense. The problem is, sometimes you just don't know you are in too deep, until you are drowning.… (meer)
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Toon 3 van 3
A simple conversational flowing style. A homeless drug addict narrates her story.
It starts off very simply with casual self talk. I wondered if the book was worth persisting with. But then an element of danger is introduced to suck you in.
The colloquial narrative gives you a good picture what it is like being on the street and on drugs. The pearls of street philosophy gives it warmth and depth.
"They're (dogs) probably better at being human than any of us really." p201.
It was worth persisting past the scene setting early dialog. ( )
  GeoffSC | Aug 20, 2023 |
Great read! Smother, more rounded than Brandi's book Wimmera ( )
  Faradaydon | May 23, 2019 |
Toon 3 van 3
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AuteursnaamRolType auteurWerk?Status
Mark Brandiprimaire auteuralle editiesberekend
Brandi, Markprimaire auteuralle editiesbevestigd
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'It's funny how quick it happens and without you really noticing. Anton said once that it's like walking out into the sea, and you think everything's fine and the water's warm, but when you turn back you're suddenly miles from shore. I've never been much of a swimmer, but I get what he means. Like, being caught in a current or something. A rip.' A young woman living on the street has to keep her wits about her. Or her friends. But when the drugs kick in that can be hard. Anton has been looking out for her. She was safe with him. But then Steve came along. He had something over Anton. Must have. But he had a flat they could crash in. And gear in his pocket. And she can't stop thinking about it. A good hit makes everything all right. But the flat smells weird. There's a lock on Steve's bedroom door. And the guy is intense. The problem is, sometimes you just don't know you are in too deep, until you are drowning.

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