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Bezig met laden... Fear on the Phantom Specialdoor Edward Marston
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Onderdeel van de reeks(en)Railway Detective (17)
"Halloween 1861. A special train with two carriages steams across the Lake District at night on its way to a place notorious for its record of supernatural incidents. Most of those on board have been fortified by alcohol so the mood is boisterous. Lighting inside the carriages is poor and without warning, the lamp goes out in the last compartment of the second carriage, plunging it into darkness. When the special reaches the end of its journey, the passengers pour out on to the station platform. There are almost sixty of them in all, laughing and jostling. The prevailing excitement is shattered by a cry - a dead body has been discovered in the seats. This will prove to be a very puzzling new case for the Railway Detective."--Provided by publisher. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.914Literature English English fiction Modern Period 1901-1999 1945-1999WaarderingGemiddelde:
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In this story he is called to the English countryside to investigate the mysterious disappearance of Alexander Piper on Hallowe'en. Piper vanished into a wall of fire which suddenly appeared in front of his train, which was dubbed the Phantom Special. Colbeck and his loyal sergeant Victor Lemming travel to England's Lake District to solve the mystery. Piper's a troublemaker with many enemies, but is protected from any consequences of his bad acts: he's he nephew of Lord Culverhouse, a powerful local aristocrat. Colbeck and Lemming chase down clues and interview many people from a collection of interesting characters. There's plenty of false starts, diversions and red herrings, before the culprit is unmasked, in a subdued but fatal conclusion.
The story is told against a background of the natural beauty of the Lake District and its people. Readers get a view of life in rural England in Victorian times. Unlike some other Victorian mysteries (e.g. Anne Perry), the social commentary is thin. There's some commentary about the debates over building the railways into the countryside. One of the characters, a poet, is an avid opponent of their construction. The gentry does not escape getting an unflattering portrayal: it's not too much disclosure to reveal that Lord Culverhouse cannot be left alone with young women.
This is the 17th in a series (plus a collection of short stories) and has numerous recurring characters from previous books. While it helps to have read a prior book to be acquainted with the backstories this one can be read as a standalone without difficulty.
Marston is a good storyteller. This is a fast-moving story that is enjoyable and entertaining. Recommended ( )