"The Revolution will have your heart - and all of it - or it will have none of it"

Open to almost any spot in Gautam Bhatia's speculative sci-fi novel The Wall, and you will find language that is both beautiful and heartbreaking. The entire book is filled with a strong sense of yearning amidst entrapment, and prose like poetry pours from the pages. The story, the characters, the conflicts - all feel timeless and yet incredibly timely.

The city of Sumer is enclosed by a massive Wall, and for 2,000 years no one has gone out or come in. Mithila, obsessed with knowing what lies beyond, resolves to breach the Wall with a band of like-minded companions. Unfortunately, there are many in the city who like life just the way it is, with its laws and hierarchies, and will do anything to stop her.

This is a story of layers, both in the complexities of the plot and in the world that Bhatia is building for us. It's a little confusing at first to keep it all straight. So many character names, rival factions, organizational features to the city, and so on. But thankfully the author provides a detailed map and character list at the beginning of the book, which were very helpful. And once you get a few chapters into the story it all starts to stick, and suddenly I found myself fully immersed. Bhatia does a fantastic job with this immersion, interspersing the main narrative with songs, poems, quotes, manuscript excerpts, and side stories - all from the history/culture of the world he has created. It made me think of RPGs like Skyrim (although obviously without the "open world" concept haha), where you're constantly coming across items/texts which reveal additional details that help flesh out the world.

I absolutely love the main character Mithila, whose passion is infectious and whose desire for truth, knowledge, and freedom is deeply relatable. I rejoiced in her successes and cried out in frustration at her setbacks (side note: I also appreciate the inclusion of same-sex relationships where the emphasis is entirely on the relationship and not the fact that it's same-sex). There are a lot of great side characters as well, but Mithila will always have my heart as we are kindred souls of a kind.

Honestly, because there is so much going on in this book I could write pages for this review. To put it briefly: the characters are compelling, the mythology/lore is intriguing, the concept of the city is unique, and even though there's a lot of political subplots and meetings-in-forums they are never boring (actually, for someone who normally doesn't care for such, I was super engaged during those moments). The ending of the book is both perfect and perfectly frustrating (as epic cliffhangers go), but from what I understand this is just the first part of a larger story and I cannot wait to see what happens next!

Massive thanks to the author for sending me a copy all the way from India in exchange for an honest review! ( )

The Publisher Says: Mithila’s world is bound by a Wall enclosing the city of Sumer—nobody goes out, nothing comes in. The days pass as they have for two thousand years: just enough to eat for just enough people, living by the rules. Within the city, everyone knows their place.

But when Mithila tries to cross the Wall, every power in Sumer comes together to stop her. To break the rules is to risk all of civilization collapsing. But to follow them is to never know: who built the Wall? Why? And what would the world look like if it didn’t exist?

As Mithila and her friends search for the truth, they must risk losing their families, the ones they love, and even their lives. Is a world they can’t imagine worth the only world they have?

For fans of Isaac Asimov’s Nightfall and Ursula Le Guin’s The Dispossessed comes an astonishingly powerful voice in speculative fiction that explores what it means to truly be free.

I RECEIVED A DRC FROM THE AUTHOR. THANK YOU.

My Review: The author is a social-media acquaintance of mine, one whose work in the world of Indian Constitutional law I admire unreservedly. He is also among those who run Strange Horizons magazine, which work I admire immoderately as well. I think it's fair to say I approached this read with the dread of a fan...

...who then became a stan. The pace of this book probably puts a lot of sci-fi fans off but, for me, it was a perfect and languorous introduction to a two-thousand-year-old utopia whose principles hadn't changed but whose use of them had. The oppressive weight of a society that is sure that it's Right can not be overdramatized. What Author Gautam did, choosing a pace for its affect on the reader, was evoke a deep and abiding dread, a building sense of wrongness, that worked so much better than a more whiz-bang approach would have done. I found the legal sections, pertaining to Sumer's laws, to be the grace notes I've always enjoyed in my speculative fiction. They set the stakes of the rebellion against the status quo better than any other choice...rebelling against a government, after all, is rebelling against its laws.

Mithila, our PoV character, is a woman on a mission: GET OUT OF SUMER. Her rebellion isn't against intolerable and burdensome living conditions, there's enough food and plenty of stuff that one actually needs. It's a deeper rebellion: Mithila needs to be free, to have the chance to make her own choices and decisions. It's simply too much for her spirit to bear to conform.

Young people have ever felt thus, it's true. In a utopian society where you simply can not speak your mind or ask questions that deserve and require answers, it really becomes a Hell for the Mithilas of the world. She and some like-minded friends aren't glad to be safe inside the walls of Sumer. They want OUT, and the ever-threatened consequences seem like small potatoes to them.

The Powers That Be can't take that challenge lying down...and don't...but the end of the story sees Mithila and her faction winning the war because, once you introduce doubt into the world, things fall apart pretty quickly. The eternal verity that monoliths aren't stable and can fall with a well-placed shove is demonstrable using physics (Stonehenge hasn't always been the way it is now). People's hearts and minds, once engaged on a project of destruction, are very powerfully motivated to see the project through. (There's a recent example of this in the US.)

But in the end, even a novel of ideas needs to bring its concerns to a personal level or it fails to entertain...a novel's first duty. The concepts of Wallrise and Wallset, exactly what you are thinking they are, break a seaside-dwelling ocean lover's heart. The concept of a horizon is so utterly beyond the ken of people who have always lived inside encircling walls...Imagine water extending from your feet, buildings and fields receding and disappearing, imagine the water filling the empty space elicits exhilaration in a few, terror in many...and doesn't that just scare you! And, lest you wonder if the world-building is dry and flavorless, I present you the concept of the Towers of Rebirth...remembering that Sumer is a closed society, with limited resources, imagine what "rebirth" might entail for a *real* scare....

Enough to move on to the sequel, it did, and procure same with my very own United States dollars. ( )