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Superfan: How Pop Culture Broke My Heart: A Memoir (2023)

door Jen Sookfong Lee

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301793,902 (4.13)12
A sharply observed and moving memoir-in-pieces that uses one woman's life-long love affair with pop culture as a revelatory lens to explore family, identity, belonging, grief, and the power of female rage. For most of Jen Sookfong Lee's life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams, and Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her--the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths. Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.… (meer)
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Through a series of essays with a loose theme of pop culture, Sookfong Lee talks about growing up in Vancouver, Canada as the daughter of Chinese immigrants. When she was 12 and her father died after a lengthy battle with cancer, she found comfort in watching Bob Ross with his soothing ASMR voice; when her mother disappeared into deep depression, she identified with the orphan [Anne of Green Gables]. Princess Diana helped her navigate the expectations of having to be the "good girl" that is expected of Chinese girls in Canada, and Awkwafina showed her that she could be herself and break out from stereotypes. The most interesting chapter for me was "The Boys on Film" and her early crushes on white boys in movies, such as John Cusack in Say Anything, and then growing up to date too many white guys who treated her as their fetish. I don't think of myself as someone who cares about pop culture (now as an adult), but she uses it in an interesting way to explain how she figured out how to fit into her surroundings and the overriding whiteness everywhere around her.

The recurring struggles she deals with are absent parents (father through illness and death; mother through mental illness), racism (lots of racism), fitting in and not fitting in, divorce, single motherhood, and life as a struggling writer. This memoir is raw, sometimes angry, and intimate. ( )
1 stem Nickelini | Jan 26, 2023 |
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A sharply observed and moving memoir-in-pieces that uses one woman's life-long love affair with pop culture as a revelatory lens to explore family, identity, belonging, grief, and the power of female rage. For most of Jen Sookfong Lee's life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams, and Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her--the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths. Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.

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