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Mater 2-10 (2020)

door Hwang Sok-Yong

Andere auteurs: Zie de sectie andere auteurs.

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443577,408 (3.5)8
Fiction. Literature. HTML:

International Bookernominated virtuoso Hwang Sok-yong is back with another powerful story an epic tale that threads together a century of Korean history.

In contemporary Seoul, a laid-off worker stages a months-long sit-in atop a sixteen-storey factory chimney. During the long and lonely nights, he talks to his ancestors, chewing on the meaning of life, on wisdom passed down the generations.

Through the lives of those ancestors, three generations of railroad workers, Mater 2-10 vividly portrays the struggles of ordinary Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. It is at once a gripping account of a nation's longing to be free from oppression, a lyrical folktale that reflects the blood, sweat, and tears shed by modern industrial labourers, and a culmination of Hwang's career a masterpiece thirty years in the making.

A true voice of a generation, Hwang shows again why he is unmatched when it comes to depicting the roots and reality of a divided nation and bringing to life the trials and tribulations of the Korean people.

.
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Toon 3 van 3
115000
  FILBO | Apr 25, 2024 |
I didn't finish this book. I got about half-way through and then it had to go back to the library. I might take it out again once I don't have so many books that "must be read".
  gypsysmom | Jan 2, 2024 |
Well…wouldn’t you know it. The little I knew about the Korean war from my U.S. education was shamefully wrong. No wonder governments and the people who shill for them are afraid of writers.
In her piece for The Nation marking the 70th anniversary of the Armistice between the bifurcated Koreas, Grace M. Cho states that “writers such as Hyun Ki-Young and Hwang Sok-Yong, who shed light on civilian massacres through their fictional works, faced imprisonment, torture, and exile. To be a south Korean citizen who did not actively disavow communism or who was related to a suspected communist was to risk a terrible fate at the hands of the state.”
Hwang Sok-yong faced some or all of that for his works. The brilliant Mater 2-10 is my first encounter with his writing.
Mater 2-10 is a multi-generational novel that highlights the struggles of the Korean people and workers for independence from Imperial powers and against the oppression of elite capitalism and the state mechanisms that support it. The clever narrative mechanism to relate the story is a striking worker staging a sit-in atop a factory chimney and his conversations with the ghosts of his ancestors and other family acquaintances who take him back generations to tell the story of his family and nation(s). I had no real idea of how the Koreans were used and suffered from the imperial Japanese and U.S. occupations. I highly recommend this book to anyone trying to fill in the huge holes in how most of us understand this history.
I’ll be on the lookout for other books of his, especially the one about his reluctant service in the Republic of Korea Marine Corps supporting the U.S.
1 stem jveezer | Jul 26, 2023 |
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» Andere auteurs toevoegen

AuteursnaamRolType auteurWerk?Status
Hwang Sok-Yongprimaire auteuralle editiesberekend
Bae, Youngjae JosephineVertalerSecundaire auteursommige editiesbevestigd
Kim-Russell, SoraVertalerSecundaire auteursommige editiesbevestigd
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Fiction. Literature. HTML:

International Bookernominated virtuoso Hwang Sok-yong is back with another powerful story an epic tale that threads together a century of Korean history.

In contemporary Seoul, a laid-off worker stages a months-long sit-in atop a sixteen-storey factory chimney. During the long and lonely nights, he talks to his ancestors, chewing on the meaning of life, on wisdom passed down the generations.

Through the lives of those ancestors, three generations of railroad workers, Mater 2-10 vividly portrays the struggles of ordinary Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. It is at once a gripping account of a nation's longing to be free from oppression, a lyrical folktale that reflects the blood, sweat, and tears shed by modern industrial labourers, and a culmination of Hwang's career a masterpiece thirty years in the making.

A true voice of a generation, Hwang shows again why he is unmatched when it comes to depicting the roots and reality of a divided nation and bringing to life the trials and tribulations of the Korean people.

.

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