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Wizardry & Wild Romance: A Study of Epic Fantasy (1987)

door Michael Moorcock

Andere auteurs: Zie de sectie andere auteurs.

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348474,917 (3.77)12
Newly revised and expanded by the author, this study of epic fantasy analyzes the genre from its earliest beginnings in Medieval romances, on through practitioners like Tolkien, up to today's brightest lights.
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Toon 4 van 4
A survey of epic fantasy through the lenses of the author's biases, stated in various places. He is scathing about the Inklings: Tolkien, C S Lewis and Charles Williams. One of the things he dislikes about Tolkien is the latter's supposedly small minded environmental concerns and yet this is one of the aspects that probably appeals the most to modern readers given the ongoing loss of habitat and biodiversity. He views them as Oxford snobs. As someone who obsessively re-read Lewis ' Narnia series as a child, despite being working class myself, that all went over my head at the time and I just enjoyed the stories and characters. I've yet to re-read them but doubt I'll develop the antipathy towards them that the author demonstrates.

He highly rates the late Fitz Leiber, as do I, having discovered his work when at high school, and he points out the male dominated nature of the genre and the good work being done by women at the time of publication (my copy is the first edition). But a singular omission in his discussion of women fantasy writers of the period is Tanith Lee who was very prolific at the time although her early work was published in the States since she couldn't get UK publishers interested. I found it odd - she wasn't even mentioned in passing, unlike Katherine Kurtz who at least had her surname included, though frustratingly nothing more. Another odd omission is that despite discussing some of the work of André Norton, he fails to even mention her Witch World series, her biggest contribution to the genre.

A lot of the book consists of quotes from various works but with not much critical input. He also states up front that he has excluded his own writing so anyone hoping for insights into the development of the Eternal Champion canon will be disappointed. Given the uneven nature of the book, for me it rates an OK 2 stars
  kitsune_reader | Nov 23, 2023 |
Since the long gone days of me reading Elric and Corum I always thought Michael Moorcock is some kind of pulp writer but actually he is very clever - which also explains why I loved Corum and Elric ;). So I read through his little journey into the world of fantasy and enjoyed it quite much. Besides pointing out some nice reading recommendations (Broken sword) I am was also impressed about his thoughts about the future of the genre which isn´t repeating old stereotpyes and cliches but about writing better fantasy that doesnt treat women as subject and features heroes that never really grow up. Worth reading! ( )
  iffland | Mar 19, 2022 |
Ultimately unsatisfying... Moorcock's argument against Tolkien and his ilk is unconvincing when it is on the basis of writing and immaterial when on the basis of politics. Many of the more recent fantasy fictions influenced by the British left have been equally silly. Also, dismissing Cabell and Vonnegut as contrived? I shouldn't really bring up Moorcock's own writing, but... dude shouldn't front. ( )
2 stem selfnoise | Jul 22, 2007 |
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» Andere auteurs toevoegen (4 mogelijk)

AuteursnaamRolType auteurWerk?Status
Michael Moorcockprimaire auteuralle editiesberekend
Edwards, LesArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
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And you love take my right hand,
Come join the faery folks' last dance;
Then we'll sleep and dream of Elfland,
Her wizardry and wild romance.


Wheldrake,
The Elvish Rune,
1877
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For Jim Cawthorn
who introduced me to so many good writers and whose illustrations over the past forty years have given me so much pleasure
and inspiration . . .

And for Brian Tawn, Pete Knifton, Dave Britton, Charles Partington, John Coulthart and other discriminating readers of fantastic fiction who will continue to disagree with a fair amount of the arguments in this essay . . .

And to the memory of
Bill Butler, who died in
his sleep, aged 43, 20th
October, 1977.
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It would be refreshing, however, to see a few more good hero-villains in modern epic fantasy. Even better would be some full-blooded heroine-villainesses! Their presence might improve a form which is already showing signs of sterility.
It´s probably no coincidence that the majority of writers best known as fantasts, at least until the present couple of generations, were introverted, reclusive, misanthropic, or that a strong vein of misogynism built itself into the conventions of the genre over the years, so that women were unbelievably beautiful goddesses, treacherous jades or silly slave-girls. Much fantasy was characteristically bachelor-fiction.
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Newly revised and expanded by the author, this study of epic fantasy analyzes the genre from its earliest beginnings in Medieval romances, on through practitioners like Tolkien, up to today's brightest lights.

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