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Bezig met laden... Ukiyo-Edoor Woldemar von Seidlitz
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 Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek.  Gina-Collia-Suzuki | Jun 9, 2009 |  geen besprekingen | voeg een bespreking toe
Ukiyo-e ('pictures of the floating world') is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the movement. In 1868, Japan opened up to the West. The masterful technique, the delicacy of the works, and their graphic precision immediately seduced the West and influenced greats such as the Impressionists, Van Gogh, and Klimt. This is known as the period of 'Japonisme'. Through a thematic analysis, Woldemar von Seidlitz and Dora Amsden implicitly underline the immense influence which this movement had on the entire artistic scene of the West. These magnificent prints represent the evolution of the feminine ideal, the place of the Gods, and the importance accorded to landscape, and are also an invaluable witness to a society now long gone. Geen bibliotheekbeschrijvingen gevonden. |
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 Google Books — Bezig met laden...GenresDewey Decimale Classificatie (DDC)769.952The arts Printmaking and prints Prints History, geographic treatment, biography Asia JapanLC-classificatieWaarderingGemiddelde: (2.5)
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I have an interest in the development of the study of Japanese woodblock prints, and I enjoy reading books written in the 19th and early 20th century about the subject, so for me the fact that this book is based on writings that are a hundred years old was not a problem in itself... I find older works interesting. Unfortunately, this one is not simply a modern reprint of Dora Amsden's 'Impressions of Ukiyo-Ye', which was published in 1905. It is a joining of that book to the work of Woldemar von Seidlitz, without any indication within the book as to which parts belong to von Seidlitz and which belong to Amsden. I have the original Amsden book and on comparing the two volumes found that those parts that belong to Amsden have been edited in the new book, so the text isn't identical to the original. I can't fathom the point in taking an old work, which is so outdated that its antiquarian charm is the only thing it has going for it, and altering even that! In addition, the illustrations of artists' signatures included in Amsden's book are excluded from this one, as is the section entitled 'Hints to Collectors'.
The publisher seems to have taken two out-of-copyright books and melded them together without any regard for whether or not the finished result will be of any use to modern students of the subject. (