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Lasker's Manual of Chess (1927)

door Emanuel Lasker

Andere auteurs: Mark Dvoretsky (Voorwoord)

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Emanuel Lasker was probably the greatest chess player of modern times. Certainly no man has ever held the world championship longer - 28 years - or kept his powers so long. In his sixties, Lasker began what amounted to a fresh career in chess by playing his first serious game in ten years, and defeating Max Euwe, the man who was the following year to become world champion. The secret behind his extraordinary abilities may perhaps be found in Lasker's wide knowledge of every phase of the game, and his ability to be independent of schools or fashions.This knowledge is reflected in the Manual of Chess, making it one of the great studies of the game, acclaimed by the chess world almost from the day it appeared. The book is one of the most thorough studies ever written, and though its main appeal is to the intermediate to skilled player, it begins its explanations at a level that can be understood by the beginner. Lasker analyses basic methods of gaining advantages, exchange value of pieces, combinations, position play, the aesthetics of chess, and almost every other important aspect of the game. He examines dozens of different openings, including the Petroff Defense, the Hungarian Defense, King's Bishop, Ponziani, Giuoco Piano, and Four Knights' Game. He constantly illustrates his discussions with games played by the great modern masters. Lasker is always delightful reading, revealing a mind as quick to entertain and philosophize as it is to explain.One of the most rewarding features of the book is Lasker's illumination and elaboration of the theories of William Steinitz. An interesting sidelight is that although Lasker always thought of himself as a disciple of Steinitz, he was actually an original, more versatile player, inclined to take calculated risks. His exposition of Steinitz's thought and maxims, his principles of attack and evaluation, however, cannot help but be profitable to any chess player.… (meer)
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3/3/22
  laplantelibrary | Mar 3, 2022 |
I guess he was amazing. But, let's face it, he was a complete wanker too. The sort of person who, if starting up a magazine, would first think of purchasing a paper mill in order to have a better price available on paper. Dead set. We aren't talking Time magazine here. We are talking ponderous chess mag in which he attempts to aggrandize the game. Another money making venture was breeding pidgeons. Better, it is generally agreed, however, if one has both genders in play.

If I sound irritated, I am. I lived with somebody for 11 years who was not only like Lasker, but deliberately modelled himself on the great chess player. I have an idea that if Lasker hadn't been a complete prat neither would my ex-partner.

The trouble with Lasker is that he thought chess was life. But it isn't. ( )
  bringbackbooks | Jun 16, 2020 |
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AuteursnaamRolType auteurWerk?Status
Lasker, Emanuelprimaire auteuralle editiesbevestigd
Dvoretsky, MarkVoorwoordSecundaire auteuralle editiesbevestigd
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Emanuel Lasker was probably the greatest chess player of modern times. Certainly no man has ever held the world championship longer - 28 years - or kept his powers so long. In his sixties, Lasker began what amounted to a fresh career in chess by playing his first serious game in ten years, and defeating Max Euwe, the man who was the following year to become world champion. The secret behind his extraordinary abilities may perhaps be found in Lasker's wide knowledge of every phase of the game, and his ability to be independent of schools or fashions.This knowledge is reflected in the Manual of Chess, making it one of the great studies of the game, acclaimed by the chess world almost from the day it appeared. The book is one of the most thorough studies ever written, and though its main appeal is to the intermediate to skilled player, it begins its explanations at a level that can be understood by the beginner. Lasker analyses basic methods of gaining advantages, exchange value of pieces, combinations, position play, the aesthetics of chess, and almost every other important aspect of the game. He examines dozens of different openings, including the Petroff Defense, the Hungarian Defense, King's Bishop, Ponziani, Giuoco Piano, and Four Knights' Game. He constantly illustrates his discussions with games played by the great modern masters. Lasker is always delightful reading, revealing a mind as quick to entertain and philosophize as it is to explain.One of the most rewarding features of the book is Lasker's illumination and elaboration of the theories of William Steinitz. An interesting sidelight is that although Lasker always thought of himself as a disciple of Steinitz, he was actually an original, more versatile player, inclined to take calculated risks. His exposition of Steinitz's thought and maxims, his principles of attack and evaluation, however, cannot help but be profitable to any chess player.

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