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The Clan Corporate (2006)

door Charles Stross

Andere auteurs: Zie de sectie andere auteurs.

Reeksen: Merchant Princes (3)

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1,0611519,404 (3.35)19
Fantasy. Fiction. Science Fiction. HTML:

The third book (after The Family Trade and The Hidden Family) in the saga of the Merchant Princes by Charles Stross, in which Miriam gets into deadly trouble.

Miriam Beckstein has gotten in touch with her roots and they have nearly strangled her. A young, hip, business journalist in Boston, she discovered (in The Family Trade ) that her family comes from an alternate reality, that she is very well-connected, and that her family is a lot too much like the mafia for comfort. In addition, starting with the fact that women are family property and required to breed more family members with the unique talent to walk between worlds, she has tried to remain an outsider and her own woman. And start a profitable business in a third world she has discovered, outside the family reach (recounted in The Hidden Family). She fell in love with a distant relative but he's dead, killed saving her life. There have been murders, betrayals.
Now, however, in The Clan Corporate, she may be overreaching. And if she gets caught, death or a fate worse is around the bend. There is for instance the brain-damaged son of the local king who needs a wife. But they'd never make her do that, would they?

.… (meer)
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1-5 van 15 worden getoond (volgende | toon alle)
Frustrating! I really am enjoying this series, but this book was maddening! The first two stood reasonably well alone, and had satisfying stories that each had a beginning, middle, and end. But this one starts in the middle of things without providing lot of background for new readers, and ends with the cliffiest cliffhanger to ever cliff! Which was particularly annoying since I thought it the series was a _trilogy_, and hence was expecting a big finish :-(. So, to avoid my mistake, don't read this until the next one is ready at hand. ( )
  JohnNienart | Jul 11, 2021 |
Miriam has to fight against everything: the family pressured by the secret services, her grief over Roland, the looming marriage … and nothing happens. Miriam spends most of the book locked in the second world, unable to do anything, and events unfold painfully slow (save for the last pages). Didn't really know what to do with this book. ( )
  _rixx_ | Aug 30, 2018 |
huh. well, that's a precipitous decline in quality from the first two in the series. also the book goes a long way to destroying the series' lead character. with at least three books to go, that's a bold move. ( )
  macha | Sep 19, 2014 |
I have mixed feelings about this book. I continue to be satisfied with the world-building; this actually puts some thought into the economic and political consequences of parallel universes with restricted travel between them. Characterization is acceptable. The plot didn't grab, somehow, and there is no wrap-up or closure at the end, just a "and in the next chapter ... you'll have to buy the next book to find out!".

I probably will buy the next book, but not a new hardcover. ( )
  sben | Feb 11, 2014 |
I am starting to think Mr. Stross is playing a game with his readers in this series. I'm imagining him saying to himself, "let's see how far I have to go to lose every single reader's suspension of disbelief." My other rationale is maybe someone else wrote parts of this series. Or it was an exercise for National Novel Writing Month.

He mires his wonderful protagonist character down in so much muck that she doesn't have room to breathe as a character. He goes further and begins to betray the confident woman he created. She is now continuously weak, lacks foresight, and has a child's sense of consequences.

The ending of this book is a three ring circus, an Irwin Allen-sized disaster movie. The coincidences pile on far too high for me to suspend my disbelief. Mike's first assignment in the middle world happens to be with Mirriam (who he dated in the past) and the wedding announcement party is crashed by the prince at exactly the same time Mike is there to see her. Stop! Just... no. There are other similar issues but the ending was most egregious. This is the sort of plotting a teenage boy writes, not one of my favorite authors.

Going back, there was the whole episode with Matthias trying to escape. That sequence was so stupid it hurt. A smart security-conscious type does WHAT? The nuclear threat alone would have been enough to get closer to the front door than he got.

I'm invested enough in the story to continue but I'm hoping this is the lowest point in the crafting of this series. ( )
  Penforhire | Feb 29, 2012 |
1-5 van 15 worden getoond (volgende | toon alle)
The book starts slowly, filling in background detail for new readers (who would be advised to start with book one), picks up pace with some startling plot twists and ends with a clever cliff-hanger.
toegevoegd door andyl | bewerkThe Guardian, Eric Brown (Jan 10, 2009)
 

» Andere auteurs toevoegen (1 mogelijk)

AuteursnaamRolType auteurWerk?Status
Charles Strossprimaire auteuralle editiesberekend
Youll, PaulArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd

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Nail lacquer, the woman called Helge reflected as she paused in the antechamber, always did to things to her: it reminded her of her mother, and it made her feel like a rebellious little girl.
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Back home in the United States, most people had an overly romantic view of what a monarchy -- not the toothless, modern constitutional monarchies of Europe, but the original l'etat c'est moi variety -- was like. In reality, a monarchy was just a fancy name for a hereditary dictatorship, Miriam decided. (chapter 8, "Reproductive Politics", p. 138)
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Wikipedia in het Engels (2)

Fantasy. Fiction. Science Fiction. HTML:

The third book (after The Family Trade and The Hidden Family) in the saga of the Merchant Princes by Charles Stross, in which Miriam gets into deadly trouble.

Miriam Beckstein has gotten in touch with her roots and they have nearly strangled her. A young, hip, business journalist in Boston, she discovered (in The Family Trade ) that her family comes from an alternate reality, that she is very well-connected, and that her family is a lot too much like the mafia for comfort. In addition, starting with the fact that women are family property and required to breed more family members with the unique talent to walk between worlds, she has tried to remain an outsider and her own woman. And start a profitable business in a third world she has discovered, outside the family reach (recounted in The Hidden Family). She fell in love with a distant relative but he's dead, killed saving her life. There have been murders, betrayals.
Now, however, in The Clan Corporate, she may be overreaching. And if she gets caught, death or a fate worse is around the bend. There is for instance the brain-damaged son of the local king who needs a wife. But they'd never make her do that, would they?

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