This was a strange book for me to read since it was a discovery after other. When I browsed my reading folder to pick up a book, my eyes caught the name of Maia Strong: it was not a new name for me, I read another book, a fantasy gay romance, and I remembered that I liked it, so I picked that one. Usually before starting I go to the publisher website to read the blurb (not reviews, I don't like to be even unwillingly lead on my judge): the blurb serves me to be mentally ready to the story, it's a contemporary, a paranormal, a fantasy, it's a romance, a thriller, it's angst, light... something like that. The blurb in this case was strange, it seemed an ordinary story about a man from a very religious jewish family who has not the courage to come out to them. Nothing strange or odd there. But then there was a word, brothel... I'm not so skilled in the matter to know if "brothels" are legal or not in every country of the world, I know they aren't in Italy, but I think they are in some northern European country, even if maybe they are not called brothel. So first question on my mind: where the book was set? and in which era? Then there was the issue of the law, a changing in love troubled the main character, a clear reference to homosexuality and prejudice... so again, my question was: I was starting a contemporary romance? or an historical? or something other? Knowing, if if slightly the author, I had an advantage point, I knew it was possible that the book was a fantasy. The cover didn't help, it was "neutral", even if, I don't know, that cover makes me thing to a contemporary romance... it's something in the men, the hair cut, even the physique.

Anyway, long preface to say that Client Privileges is a fantasy romance; more, it's setting in the same universe of The Ballad of Jimothy Redwing, the previous fantasy romance I read by Maia Strong, and one secondary character, that has only a reference cameo here, is a main character in the other story, and an event that happens here is also a main event in there. The time span of the two story is in parallel, so they are both stand alone, but I think that, if your read the previous one, and you liked it, it will be nice for you to read this one, and viceversa.

There are common elements in the two stories, above all the way the author deals with the fantasy setting. It's actually an "ordinary" way, she seems so familiar with her universe that she feels like unnecessary to spend time in details, the city, the environment in which the characters live, is out there, plain and clear, without forced imaginary. It's a point of strength for me, I actually don't like very much fantasy or futuristic novel since usually I'm bothered by all the heavy set around: more the author build a complicated universe, more he needs to explain it to the readers, and more he risks to overdo. Maia Strong built a fantasy universe that is basically a feudalism society, each municipality is ordered by a town council or by guilds; the overall feeling is of something neat and pleasant to live, even with its trouble. There is poverty, there are difference in social status, there is prejudice.

There is also an hanging feeling, it's very hard for me to explain: it's like the setting is "ancient" but the characters are modern. People move in a town where houses, shops, and vehicle are "old", but they behave and think with a "modern" mind. It's not a criticism, I think it's a very difficult balance to maintain, and not an easy task to write a believable story, something I think the author reached. These words, balance, believable, are the essence of the story, this is not a "rollercoast" type of story, but more a pleasant travel in a coach along the country.

http://elisa-rolle.livejournal.com/827531.html