Steven D. Carter

Auteur van Traditional Japanese Poetry: An Anthology

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Over de Auteur

Steven D. Carter is Yamato Ichihashi Chair in Japanese History and Civilization, emeritus, at Stanford University. His Columbia University Press books include Haiku Before Haiku: From the Renga Masters to Basho (2011) and The Columbia Anthology of Japanese Essays: Zuihitsu from the Tenth to the toon meer Twenty-First Century (2014). toon minder

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Werken van Steven D. Carter

Populair Recent

Traditional Japanese Poetry: An Anthology (1991) 72 exemplaren

Haiku Before Haiku: From the Renga Masters to Basho (Translations from the Asian Classics) (2011) 19 exemplaren

The Columbia Anthology of Japanese Essays: Zuihitsu from the Tenth to the Twenty-First Century (2014) 14 exemplaren

Just Living (2002) 12 exemplaren

Waiting for the Wind (1989) 9 exemplaren

Waiting for the wind : thirty-six poets of Japan's late medieval age (1989) 7 exemplaren

How to Read a Japanese Poem (2019) 7 exemplaren

Literary patronage in late medieval Japan (1993) 5 exemplaren

Medieval Japanese Writers (Dictionary of Literary Biography) (1999) 2 exemplaren

Three Poets at Yuyama (Japan Research Monograph) (1983) 2 exemplaren

The Road to Komatsubara: A Classical Reading of the Renga Hyakuin (1988) 2 exemplaren

Householders : the Reizei family in Japanese history (2007) 2 exemplaren

Dictionary of Literary Biography: 203 Medieval Japanese Writers (Dictionary of Literary Biography) 1 exemplaar

Regent Redux: A Life of the Statesman-Scholar Ichijo Kaneyoshi (Michigan Monograph Series in Japanese Studies) (1996) 1 exemplaar

BASHO AND THE MASTERY OF POETIC SPACE IN OKU NO HOSOMICHI.(Critical Essay): An article from: The Journal of the… (2000) 1 exemplaar

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Gerelateerde werken

Unforgotten Dreams (1997) — Vertaler, sommige edities — 26 exemplaren

Conversations With Shotetsu (Michigan Monograph Series in Japanese Studies) (1992) — Introductie, sommige edities — 6 exemplaren

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Traditional Japanese Poetry: An Anthology door Steven D. Carter

From the ancient "songs" of the manyoushuu, to 20c modern poems, it is all there except for the obscene senryu (which no one has translated to date!). Carter does not explain how he selects what he selects but i think he does a good job of picking up on those that push the envelope on new trope or provide the best example of a certain metaphor. His introductions for the poets of each period are fine, but some poems could use a bit more explanation imho (but he, doubtless thinks my books explain too much). The translations are good, sometimes brilliant and sometimes hurt by trying too hard to get five or seven syllables rather than paying attention to beat, alone. That is a problem endemic to the McCullough school. If you were to buy one book on Japanese poetry, this would be it.… (meer)

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keigu | Mar 1, 2007 |

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