Afbeelding van de auteur.

Lena Constante (1909–2005)

Auteur van The Silent Escape: Three Thousand Days in Romanian Prisons

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Algemene kennis

Geboortedatum
1909-06-18
Overlijdensdatum
2005-11-02
Geslacht
female
Nationaliteit
Romania
Geboorteplaats
Bucharest, Romania
Plaats van overlijden
Bucharest, Romania
Woonplaatsen
Bucharest, Romania
Iasi, Romania
Odessa, Ukraine, Russian Empire
Paris, France
London, England, UK
Opleiding
National University of Arts, Bucharest
Beroepen
artist
essayist
memoirist
actor
illustrator
Korte biografie
Lena Constante was born in Bucharest, the daughter of a journalist and his wife. Her family fled the city during World War I, and Lena spent much of her childhood in Odessa, London and Paris. After the war, she returned to her native city and studied painting at the National University of Arts. She became part of a circle of intellectuals and entered left-wing politics. For a sociology project, she visited rural Romanian villages and learned about traditional folk art, which she later used as inspiration in her work. She became a book illustrator, and began exhibiting her artwork in 1934. After World War II, she worked as a stage designer for the newly founded Ţăndărică Theater. In 1954, during a wave of Communist political terror, she was arrested on trumped-up charges of treason and espionage, and after a secret trial, sentenced to 12 years in prison. She was released in 1962 but denied the right to work publicly as an artist before being "rehabilitated" in 1968. She married Harry Brauner, a musicologist. Her memoir The Silent Escape: Three Thousand Days in Romanian Prisons (1990), first published in France, described her years of solitary confinement, torture, starvation, and daily humiliation.
She starred as herself in Nebunia Capetelor, a 1997 film based on the book.

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Besprekingen

In 1945, an artist named Lena Constante collaborated with a major Romanian Communist figure's wife to create a puppet theater in Bucharest. As a result, in January 1950 Lena was arrested, convicted of trumped-up charges of espionage, and imprisoned for the next twelve years under miserable circumstances. Her first eight years, spent in solitary confinement, are the subject of this memoir. Lena writes modestly -- she claims to have no talent for writing, which is obviously untrue -- and without self-pity. The format of the book, with each section headed "Day __ of My Detention," forces the reader to count the days with her.

I cannot help admire Lena and the other prisoners in the story for their ingenuity and fortitude. Although, aside from a few isolated incidents, there wasn't any physical torture, the mental torture and isolation were crushing. Lena had to fend off sexual abuse from the male guards, she was never adequately fed and often outright starved, she had to wear the same clothes until they quite literally disintegrated, and she contracted tuberculosis. Yet somehow, she was able to keep from giving in to the despair or going insane. She was able to maintain a rich inner life by writing stories and poetry in her head, and by drawing when she got the opportunity. Any little scrap she got her hands on could be made into something useful -- she made a comb out of soap and broom straws, for example, and a little backgammon game out of pieces of bread. And, though she almost never saw anybody besides her guards and her interrogators, when there were prisoners in adjoining cells she was able to communicate with them and sometimes have actual conversations with them by rapping on the wall and stomping on the floor -- always under the threat of seven days in "the hole" on bread and water if they were caught. Once, some women in another cell were even able to sneak her a pair of socks they had knitted for her themselves.

In spite of the terrible injustice done to her, Lena doesn't seem to have carried any bitterness from her experience, and even tries to give her interrogators and the prison staff the benefit of doubt, pointing out that most of them weren't really vicious and were just trying to do their jobs, and they would be subject to severe punishment if they were caught being nice to a prisoner.

In the afterword, Lena explains briefly the larger circumstances going on in Romania at that time that lead to her show trial and imprisonment. To her, locked up in solitary, these were hardly relevant, but the reader is able to get some context from what she said and could look up more information about her trial if necessary.

If you're interested in political prisoners and Stalinist ones in particular, I would HIGHLY recommend this book.
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meggyweg | Jun 15, 2010 |

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