Bice CurigerBesprekingen

This catalog documents an exhibit devoted to Georgia O’Keeffe mounted by the Kunsthaus Zürich from October 24, 2003 to February 1, 2004. The show was a sign that O’Keeffe had been admitted to the pantheon of great modern artists in Europe after long enjoying this status in North America.
Along with more than seventy of O’Keeffe’s paintings and drawings were photographs of her, notably those by her promoter and husband, Alfred Stieglitz. Although his figure studies contributed to a reductionist interpretation of her flower paintings, my take after reading the essays in this book is that these were not exploitation but that O’Keeffe worked with Stieglitz in forming her public persona. Her life, her work, and the photos interpret each other. Taken together, they present the image of an autonomous personality.
The essays by Bice Curiger, Carter Ratcliff, and Peter J. Schneemann reiterate this. While the reading “flowers equal genitalia” is too simplistic, it seems that O’Keeffe’s denial of this view should not be taken at face value either.
The book includes “Momentaufnahmen,” short reactions by sixteen artists. While most are positive, some indicate they admire the person and what she represents more than the work. This seems related to her delayed reception in Europe. Her work is too abstract to be representational, too representational to be abstract.
O’Keeffe has been a favorite since I first saw her paintings in the 1960s. I enjoyed the Zurich retrospective, a mix of familiar work and many I hadn’t seen before. And I’m glad I can revisit the exhibit through the pages of this book.

Published for the exhibition at Swiss Pavilion as part of the Venice Biennial 1995. All texts in Italian and English.

Birth of the Cool presents art that developed in subtle deviation from the familiar movements of 20th century American painting through retaining their main characteristics as points of reference. The accentuation of the surface, the breaking up of illusionistic space, the opening up of the painting's format to new dimensions in space and time are the lasting constants of American painting. The American tradition in painting is a tradition that is both sensual and severe, intellectual and emotional and above all open to modern society.
Published on the occasion of the exhibition 'Birth of the Cool', Amerikanische Malerei : von Georgia O'Keeffe bis Christopher Wool : 14. Februar - 11. Mai 1997, Deichtorhallen Hamburg, 18. Juni - 7. September 1997, Kunsthaus Zürich

Centro Galiego de Arte Contemporanea, Santiago de Compostela

The catalog shows forty works of Sigmar Polke (1941-2010) from the period 1964-1992. Polke is one of the most well known actual German artists. He uses images from the massa media and he experiments with unknown materials and techniques. In the words of Wim Beeren: "Sigmar Polke is a free man. He moves independently throught the world of phenomena, making his own choices from the immense store of things material, the universe as one can disconsern it, history - as it describes our lot in poetry and images ,science - which underwrites the natural laws, and the mystical which seek the way to invisible forces, sometimes employing magical formulas". With texts by Peter Sloterdijk, Bice Curiger, Ursula Pia Jauch and Gary Garrels.

Exhibition held at Tate Modern, London, Sept. 7 to Dec. 5, 2001