Guerino Mazzola
Auteur van The Topos of Music: Geometric Logic of Concepts, Theory, and Performance
Over de Auteur
Fotografie: Guerino Mazzola [credit: A.J. Wattamaniuk]
Reeksen
Werken van Guerino Mazzola
Comprehensive Mathematics for Computer Scientists 1: Sets and Numbers, Graphs and Algebra, Logic and Machines, Linear… (2004) 28 exemplaren
Comprehensive Mathematics for Computer Scientists 2: Calculus and ODEs, Splines, Probability, Fourier and Wavelet… (2004) 16 exemplaren
Cool Math for Hot Music: A First Introduction to Mathematics for Music Theorists (Computational Music Science) (2016) 7 exemplaren
Musical Creativity: Strategies and Tools in Composition and Improvisation (Computational Music Science) (2011) 5 exemplaren
The topos of music. geometric logic, classification, harmony, counterpoint, motives, rhythm / I, Theory (2017) 5 exemplaren
Musical Performance : A Comprehensive Approach: Theory, Analytical Tools, and Case Studies (2010) 3 exemplaren
Computational Counterpoint Worlds : Mathematical Theory, Software, and Experiments (2015) 2 exemplaren
Tagged
Algemene kennis
- Geboortedatum
- 1947
- Geslacht
- male
- Nationaliteit
- Switzerland
- Woonplaatsen
- St. Paul, Minnesota, USA
Dübendorf, Switzerland - Opleiding
- University of Zurich
- Beroepen
- mathematician
musicologist
jazz pianist
author - Organisaties
- University of Minnesota
Society for Mathematics and Computation in Music
University of Zurich
ETH Zurich
American Mathematical Society
Swiss Mathematical Society (toon alle 9)
IEEE Computer Society
German Society for Music Psychology
Internet Institute for Fundamental Research in Music
Leden
Besprekingen
John Roeder: Perspectives of New Music, Vol. 31, No. 2, Summer, 1993
http://www.jstor.org/stable/833391
http://www.jstor.org/stable/833391
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Statistieken
- Werken
- 16
- Leden
- 109
- Populariteit
- #178,011
- Waardering
- 3.3
- Besprekingen
- 2
- ISBNs
- 35
- Talen
- 2
The math is advanced, and so is the obscurity of the encyclopedic and voluminous prose. This is a pity, since Mazzola makes a number of fascinating and deep observations. Fighting through the dense, barely edited, text to find these gems, however, is an activity best left to the most masochistic of PhD candidates in music theory, especially given the heft and price of the book.