Edward Lucas WhiteBesprekingen

"The Snout" doesn't sound exciting by title alone, but it quickly gets interesting. The current characters meet in a park far from prying eyes and address what's "in the cage." The main character tells his story, and subsequent chapters take place in the past on the same grounds. The past characters don't talk much and there's a lot of physical, mundane description. But gradually I connected the dots.

The dots are well spaced out and the language has good flow, so the story overall is more interesting than most short, short stories. I think this is my first--to say without spoilers--"snout" fiction.

I had never heard of Edward Lucas White which I suppose is not surprising considering he lived a century ago. The description intrigued me, since as a child I watched those old Vincent Price movies that were based on stories by Edgar Allen Poe and then later read everything by him that I could find in the library. I did enjoy these stories though you must keep in mind that people spoke (and wrote) differently all those years ago. I especially loved the first story Nightmare House about a man who seeks shelter in a run down house after an accident. The Message On The Slate was also very good, about a woman unhappy in her marriage who seeks advice from a clairvoyant who is a self proclaimed charlatan. I loved Lukundoo which concerned a curse. It gave me chills. In The Pig-skin belt a circus comes to town, as does a man with some strange and mysterious habits. My absolute favorite was The Picture Puzzle, in which a man and his wife find solace and perhaps something more when they occupy their time with puzzles after their daughter is kidnapped. I also loved The Ghoula, a poem about a female ghoul.
All in all well worth a read. 4 out of 5 stars from me.

I received an advance copy for review.

Since there are no other eligible candidates, Brinnaria agrees, albeit unwillingly, to serve as a Vestal Virgin for the next 30 years and the novel is the story of her time in office.

The author doesn't seem to have quite got the hang of writing historical fiction and often addresses the reader directly to explain social and cultural matters by comparison to early 20th century equivalents. This bumps the reader out of the story quite a bit.

The romantic element is also rather disconcerting. Brinnaria is 9 when the story opens but is apparently mature enough mentally and physically to pass for 18 and she already has a love interest, Almo, who agrees to wait for her which he does but not very patiently. Quite honestly, in the end the ordeal by sieve seems the most natural and reasonable incident in the book.

Having said, all that if one can suspend belief enough, the book is actually very readable and enjoyable. I'm not sure how many stars to give it as complete nonsense but an enjoyable read.½

What a wonderful story, and to think it has been on my TBR for well over 12+ years! I was really tired of everything modern I've been reading, so I chose something different.

Brinnaria, is her father's favorite child. She intelligent, articulate, impetuous, & high spirited beyond her 10 years of age. In the first chapter her father begins his talk to her of marriage and she acknowledges him with the response that she plans on marrying her best friend Almo, upon which her father informs her that she will marry her nemesis, Calavaster.

When Brinnaria refuses, her father takes her to the Temple of Vesta and petitions for her acceptance. As there are only ever six Vestal Priestesses at any given time and for her to be accepted one must either die or leave after her time served, Brinnaria is comforted, but not for long... as one of the six immediately dies leaving an opening & space for Brinnaria.

As time progresses, Brinnaria becomes friends w/ Emperor Aurelius.. She often acts out, thus causing consternation throughout Rome, but she is always able to defend herself w/ her complete knowledge of Roman law & Vestal regulations.

Her love for Almo undergoes many a test and Calavaster spends no small amount of time attempting to undermine her and her position.

This book was well written and definitely held my interest. The Vestals had more freedom than any other woman and most everyone else in Rome save the Emperor, and we learn quite a bit of their duties and manner of life.

I am taking off 1/5 ★ due to the fact that the ending was a bit overdone.½

Brief review only of the short story...

House of the Nightmare

Classic ghost story. After an auto accident, a stranded motorist encounters an odd boy who allows him to stay in his home overnight. The next day, after finding a mechanic, an eerie - but utterly predictable - revelation ends the tale.

Classic ghost story. After an auto accident, a stranded motorist encounters an odd boy who allows him to stay in his home overnight. The next day, after finding a mechanic, an eerie - but utterly predictable - revelation ends the tale.

An old-fashioned, but effectively creepy tale. A group of anthropologists in search of unknown tribes in 'deepest, darkest' Africa unexpectedly encounters an old colleague - who has fallen victim to a grotesque curse.

Fairly certain I'd read this one before, long ago.

'Shawn' wrote, in a conversation about this story: "White seems, in fact, to be deliberately vague about the source of the curse. In Stone’s final conversation he asks one of the minnikins, “Has she forgiven me?” The response: “ ‘Not while the moss hangs from the cypresses,’ the head squeaked. ‘Not while the stars shine on Lake Pontchartrain will she forgive.’ ” It’s difficult to see how this reply relates in any way to the fetish-man. It seems instead to hint that the origin of the curse harks back to States and is somehow tied to the romantic entanglements described at length earlier in the story."

I would have to agree. The victim, Stone, also specifies that the curse was not laid on him from 'without,' but that it emanates from within his bones, which is why he has no hope of it being lifted. The poison that has ruined his life is within, part of his character, and he has taken that poison, and the knowledge of the people he has wronged and the ill deeds he has done, to Africa with him. Yes, his evil 'demons' manifest in a way that is "appropriate" to the setting, but I don't think that the reader is supposed to believe that a native shaman is responsible. Although certainly the story references and owes much to the genre involving fear of "primitive witchcraft," it's more about how people are unable to escape their own natures.

A deaf seaman tells a sailor's tale of a tragic encounter with those Sirens of Greek myth, which he claims are all too real. And indeed, his encounter, deaf though he is, seems to have changed him...

The story's not bad, but I love reading older fiction for the little throwaway bits likes this:
"How do you pronounce, D-u-m-a-s?" he inquired?
"I am no Frenchman," I told him, "but Dumás is pretty close to it."
"That's what I said," he shouted, "and they all laughed at me and said, 'Doomus, ye damn fool.' Have you any of his books?"

Fans may wish to be aware that this collection is nearly the same as White's collection, "Lukundoo," with the exception of two 'swaps.'

*** The House of the Nightmare
Classic ghost story. After an auto accident, a stranded motorist encounters an odd boy who allows him to stay in his home overnight. The next day, after finding a mechanic, an eerie - but utterly predictable - revelation ends the tale.

*** The Flambeau Bracket
In an Italian Renaissance setting, an experienced duellist tells the tale of what led him to kill his first opponent. Some nicely horrific moments, but the story ends abruptly, with some plot holes and unanswered questions that kept it from being wholly satisfying.

*** Amina
Rhode Island is quite different from Persia. New to a diplomatic posting in this hot desert land, a young New Englander chafes at the restrictions placed on him in his new job, and one day, against advice, decides to go for a solitary walk. When he meets an unusually bare-headed, barefooted woman in an isolated location, he will finally learn what it is that both his colleagues and the local residents kept warning him about.
(One fascinating aside: "He remarked the un-European posture of her feet, not at all turned out, but with the inner lines parallel"... Who knew that walking pigeon-toed was considered to be "European"!?!?)

*** The Message on the Slate
Although she's known for her intelligence and rationality, a dream drives a woman to do something utterly out of character for her - to consult a clairvoyant. Her unhappy marriage, she believes, has something to do with the burial of her husband's first wife. Since the funeral, the man's been no more than a ghost of the young man she once knew - and insistently loved.
There's a good story here, but the telling of it is a bit unnecessarily long-winded.

**** Lukundoo
An old-fashioned, but effectively creepy tale. A group of anthropologists in search of unknown tribes in 'deepest, darkest' Africa unexpectedly encounters an old colleague - who has fallen victim to a grotesque curse.
Fairly certain I'd read this one before, long ago.
'Shawn' wrote, in a conversation about this story: "White seems, in fact, to be deliberately vague about the source of the curse. In Stone’s final conversation he asks one of the minnikins, “Has she forgiven me?” The response: “ ‘Not while the moss hangs from the cypresses,’ the head squeaked. ‘Not while the stars shine on Lake Pontchartrain will she forgive.’ ” It’s difficult to see how this reply relates in any way to the fetish-man. It seems instead to hint that the origin of the curse harks back to States and is somehow tied to the romantic entanglements described at length earlier in the story."

I would have to agree. The victim, Stone, also specifies that the curse was not laid on him from 'without,' but that it emanates from within his bones, which is why he has no hope of it being lifted. The poison that has ruined his life is within, part of his character, and he has taken that poison, and the knowledge of the people he has wronged and the ill deeds he has done, to Africa with him. Yes, his evil 'demons' manifest in a way that is "appropriate" to the setting, but I don't think that the reader is supposed to believe that a native shaman is responsible. Although certainly the story references and owes much to the genre involving fear of "primitive witchcraft," it's more about how people are unable to escape their own natures.

*** The Pig-skin Belt
This one is more of historical interest than entertainment value, due to the casual racism displayed here. Sure, it's undoubtedly accurately reflective of the attitudes of the time and place portrayed (the American South) but it is present to such a degree that it will likely make most modern readers uncomfortable.
After a lengthy time away, a man returns to his hometown, and hires an old schoolmate to help him buy an estate. However, he's become strangely eccentric. He refuses to sleep indoors or attend social events at others' homes, and he's disturbingly insistent on constantly wearing a brace of pistols - loaded with silver bullets. Has he become mentally ill - or is there a valid reason for these quirks?

*** The Song of the Sirens
A deaf seaman tells a sailor's tale of a tragic encounter with those Sirens of Greek myth, which he claims are all too real. And indeed, his encounter, deaf though he is, seems to have changed him...
The story's not bad, but I love reading older fiction for the little throwaway bits likes this:
"How do you pronounce, D-u-m-a-s?" he inquired?
"I am no Frenchman," I told him, "but Dumás is pretty close to it."
"That's what I said," he shouted, "and they all laughed at me and said, 'Doomus, ye damn fool.' Have you any of his books?"

**** The Picture Puzzle
After their young daughter disappears; kidnapped, a couple subsumes their grief in an all-consuming obsession with jigsaw puzzles. The mindless activity helps keep them distracted from their loss. But then, the girl's mother develops a manic belief that her daughter will be home for Christmas. Her husband fears she is going mad - but then, the encounter a strange puzzle. In it, each sees a picture that reveals a clue that the other cannot understand.
The resolution is sweet - almost saccharine - and there's one unnecessary insult to immigrants that was a real speed-bump to the reading experience - but I couldn't help really enjoying this heartwarming Christmas story with an eerie twist.

*** The Snout
Upon encountering an old acquaintance while visiting the zoo, a young man is overcome by shock and collapses. When he recovers, this is the tale he tells. He has recently been released from jail for his part in a burglary/heist gone bad. He was recruited by two acquaintances to take part in the crime: a robbery of a reclusive and fabulously wealthy heir. But what he encounters in the commission of the crime is most peculiar - and yes, related to the beginning of the story.

*** Sorcery Island
Very dreamlike feel to this one. A man finds himself stranded on a tropical island. His solo biplane is aflame, and he has no memory of how he came to land on this island. By odd coincidence, the island is owned and its villages 'managed' by an old classmate of his, who was known for being eccentric, even as a boy. The island is now some sort of odd combination of wildlife refuge and James-Bond-villain-esque fortress/retreat. The stranded aviator is given every comfort - even luxury - but his old acquaintance seems to be in no hurry to offer him a means of getting home. And the longer he stays, the more he suspects that something ominous lies beneath the facade of this seeming paradise island.

Azrael
A poem.

The Ghoula
A poem (really liked this one). Relates to the earlier story 'Amina' - but from the opposite perspective.

Edward Lucas White on Dreams
A bit of writing or writing, formerly published as introductory material or Afterwords to some of the stories included here.


Many thanks to NetGalley and Dover Publications for a copy of this book, and allowing me to become more familiar with this author. As always, my opinions are solely my own.

Fans may wish to be aware that this collection is nearly the same as White's collection, "Lukundoo," with the exception of two 'swaps.'

*** The House of the Nightmare
Classic ghost story. After an auto accident, a stranded motorist encounters an odd boy who allows him to stay in his home overnight. The next day, after finding a mechanic, an eerie - but utterly predictable - revelation ends the tale.

*** The Flambeau Bracket
In an Italian Renaissance setting, an experienced duellist tells the tale of what led him to kill his first opponent. Some nicely horrific moments, but the story ends abruptly, with some plot holes and unanswered questions that kept it from being wholly satisfying.

*** Amina
Rhode Island is quite different from Persia. New to a diplomatic posting in this hot desert land, a young New Englander chafes at the restrictions placed on him in his new job, and one day, against advice, decides to go for a solitary walk. When he meets an unusually bare-headed, barefooted woman in an isolated location, he will finally learn what it is that both his colleagues and the local residents kept warning him about.
(One fascinating aside: "He remarked the un-European posture of her feet, not at all turned out, but with the inner lines parallel"... Who knew that walking pigeon-toed was considered to be "European"!?!?)

*** The Message on the Slate
Although she's known for her intelligence and rationality, a dream drives a woman to do something utterly out of character for her - to consult a clairvoyant. Her unhappy marriage, she believes, has something to do with the burial of her husband's first wife. Since the funeral, the man's been no more than a ghost of the young man she once knew - and insistently loved.
There's a good story here, but the telling of it is a bit unnecessarily long-winded.

**** Lukundoo
An old-fashioned, but effectively creepy tale. A group of anthropologists in search of unknown tribes in 'deepest, darkest' Africa unexpectedly encounters an old colleague - who has fallen victim to a grotesque curse.
Fairly certain I'd read this one before, long ago.
'Shawn' wrote, in a conversation about this story: "White seems, in fact, to be deliberately vague about the source of the curse. In Stone’s final conversation he asks one of the minnikins, “Has she forgiven me?” The response: “ ‘Not while the moss hangs from the cypresses,’ the head squeaked. ‘Not while the stars shine on Lake Pontchartrain will she forgive.’ ” It’s difficult to see how this reply relates in any way to the fetish-man. It seems instead to hint that the origin of the curse harks back to States and is somehow tied to the romantic entanglements described at length earlier in the story."

I would have to agree. The victim, Stone, also specifies that the curse was not laid on him from 'without,' but that it emanates from within his bones, which is why he has no hope of it being lifted. The poison that has ruined his life is within, part of his character, and he has taken that poison, and the knowledge of the people he has wronged and the ill deeds he has done, to Africa with him. Yes, his evil 'demons' manifest in a way that is "appropriate" to the setting, but I don't think that the reader is supposed to believe that a native shaman is responsible. Although certainly the story references and owes much to the genre involving fear of "primitive witchcraft," it's more about how people are unable to escape their own natures.

*** The Pig-skin Belt
This one is more of historical interest than entertainment value, due to the casual racism displayed here. Sure, it's undoubtedly accurately reflective of the attitudes of the time and place portrayed (the American South) but it is present to such a degree that it will likely make most modern readers uncomfortable.
After a lengthy time away, a man returns to his hometown, and hires an old schoolmate to help him buy an estate. However, he's become strangely eccentric. He refuses to sleep indoors or attend social events at others' homes, and he's disturbingly insistent on constantly wearing a brace of pistols - loaded with silver bullets. Has he become mentally ill - or is there a valid reason for these quirks?

*** The Song of the Sirens
A deaf seaman tells a sailor's tale of a tragic encounter with those Sirens of Greek myth, which he claims are all too real. And indeed, his encounter, deaf though he is, seems to have changed him...
The story's not bad, but I love reading older fiction for the little throwaway bits likes this:
"How do you pronounce, D-u-m-a-s?" he inquired?
"I am no Frenchman," I told him, "but Dumás is pretty close to it."
"That's what I said," he shouted, "and they all laughed at me and said, 'Doomus, ye damn fool.' Have you any of his books?"

**** The Picture Puzzle
After their young daughter disappears; kidnapped, a couple subsumes their grief in an all-consuming obsession with jigsaw puzzles. The mindless activity helps keep them distracted from their loss. But then, the girl's mother develops a manic belief that her daughter will be home for Christmas. Her husband fears she is going mad - but then, the encounter a strange puzzle. In it, each sees a picture that reveals a clue that the other cannot understand.
The resolution is sweet - almost saccharine - and there's one unnecessary insult to immigrants that was a real speed-bump to the reading experience - but I couldn't help really enjoying this heartwarming Christmas story with an eerie twist.

*** The Snout
Upon encountering an old acquaintance while visiting the zoo, a young man is overcome by shock and collapses. When he recovers, this is the tale he tells. He has recently been released from jail for his part in a burglary/heist gone bad. He was recruited by two acquaintances to take part in the crime: a robbery of a reclusive and fabulously wealthy heir. But what he encounters in the commission of the crime is most peculiar - and yes, related to the beginning of the story.

*** Sorcery Island
Very dreamlike feel to this one. A man finds himself stranded on a tropical island. His solo biplane is aflame, and he has no memory of how he came to land on this island. By odd coincidence, the island is owned and its villages 'managed' by an old classmate of his, who was known for being eccentric, even as a boy. The island is now some sort of odd combination of wildlife refuge and James-Bond-villain-esque fortress/retreat. The stranded aviator is given every comfort - even luxury - but his old acquaintance seems to be in no hurry to offer him a means of getting home. And the longer he stays, the more he suspects that something ominous lies beneath the facade of this seeming paradise island.

Azrael
A poem.

The Ghoula
A poem (really liked this one). Relates to the earlier story 'Amina' - but from the opposite perspective.

Edward Lucas White on Dreams
A bit of writing or writing, formerly published as introductory material or Afterwords to some of the stories included here.


Many thanks to NetGalley and Dover Publications for a copy of this book, and allowing me to become more familiar with this author. As always, my opinions are solely my own.

Brief review only of the short story...

House of the Nightmare

Classic ghost story. After an auto accident, a stranded motorist encounters an odd boy who allows him to stay in his home overnight. The next day, after finding a mechanic, an eerie - but utterly predictable - revelation ends the tale.

Classic ghost story. After an auto accident, a stranded motorist encounters an odd boy who allows him to stay in his home overnight. The next day, after finding a mechanic, an eerie - but utterly predictable - revelation ends the tale.

An old-fashioned, but effectively creepy tale. A group of anthropologists in search of unknown tribes in 'deepest, darkest' Africa unexpectedly encounters an old colleague - who has fallen victim to a grotesque curse.

Fairly certain I'd read this one before, long ago.

'Shawn' wrote, in a conversation about this story: "White seems, in fact, to be deliberately vague about the source of the curse. In Stone’s final conversation he asks one of the minnikins, “Has she forgiven me?” The response: “ ‘Not while the moss hangs from the cypresses,’ the head squeaked. ‘Not while the stars shine on Lake Pontchartrain will she forgive.’ ” It’s difficult to see how this reply relates in any way to the fetish-man. It seems instead to hint that the origin of the curse harks back to States and is somehow tied to the romantic entanglements described at length earlier in the story."

I would have to agree. The victim, Stone, also specifies that the curse was not laid on him from 'without,' but that it emanates from within his bones, which is why he has no hope of it being lifted. The poison that has ruined his life is within, part of his character, and he has taken that poison, and the knowledge of the people he has wronged and the ill deeds he has done, to Africa with him. Yes, his evil 'demons' manifest in a way that is "appropriate" to the setting, but I don't think that the reader is supposed to believe that a native shaman is responsible. Although certainly the story references and owes much to the genre involving fear of "primitive witchcraft," it's more about how people are unable to escape their own natures.

A deaf seaman tells a sailor's tale of a tragic encounter with those Sirens of Greek myth, which he claims are all too real. And indeed, his encounter, deaf though he is, seems to have changed him...

The story's not bad, but I love reading older fiction for the little throwaway bits likes this:
"How do you pronounce, D-u-m-a-s?" he inquired?
"I am no Frenchman," I told him, "but Dumás is pretty close to it."
"That's what I said," he shouted, "and they all laughed at me and said, 'Doomus, ye damn fool.' Have you any of his books?"

Andivius Hedulio is falsely denounced to the Emperor Commodius as a conspirator and has to go into hiding in various disguises.

Books could take a more leisurely pace in 1920 and although not without incident this book takes full advantage of that leisurely pace to look at Roman society as people then thought it was probably like. It's rather less brutal and sex-drenched than the picture we are given today. The picture of Commodius is also rather more sympathetic than we are given elsewhere as well. A very enjoyable adventure story.

Weird is not the word!
I was given a digital copy of this book by the publisher Dover Publications via Netgalley in return for an honest unbiased review.

I found this novel – set in Rome from the 160s to the 180s – good in some parts yet tedious in at other times. The first chapter proved amusing and entertaining, engaging me immediately, but the second chapter bored me senseless. This up-down pattern continued from here onwards and the further into the story I delved, the more often I began to skip paragraphs.

I liked Brinnaria – the main character – and found her offbeat nature appealing. She starts off as a nine-year-old yet is described as looking like and behaving like an eighteen-year-old, including sitting on her boyfriend’s lap, giving him ‘loud’ kisses, which I found somewhat uncomfortable reading, as no matter how old she appears to be she’s still only nine.

Brinnaria declares she’d hate to become a Vestal, as it would mean giving up Almo – the love of her life – for 30 years, such is the time a Vestal virgin must live-out her service. The narrative covers this extensive period, skipping along a few years every so often, finishing when Brinnaria is 40.

The ending is clever in that the author creates a scene in which the reader can’t be sure if Brinnaria will perish when her new life is just beginning or whether she’ll emerge a true heroine.

Story of a fashionable young woman of Rome made a Vestal for wanting to marry the wrong man (in her father's opinion). It is written with conversations in "modern" slang of the time it was published, which is rather dated now.