StartGroepenDiscussieMeerTijdgeest
Doorzoek de site
Onze site gebruikt cookies om diensten te leveren, prestaties te verbeteren, voor analyse en (indien je niet ingelogd bent) voor advertenties. Door LibraryThing te gebruiken erken je dat je onze Servicevoorwaarden en Privacybeleid gelezen en begrepen hebt. Je gebruik van de site en diensten is onderhevig aan dit beleid en deze voorwaarden.

Resultaten uit Google Boeken

Klik op een omslag om naar Google Boeken te gaan.

Bezig met laden...

I Lost My Girlish Laughter (1938)

door Jane Allen

LedenBesprekingenPopulariteitGemiddelde beoordelingDiscussies
311773,249 (3.9)Geen
Fiction. Literature. Humor (Fiction.) A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system. Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie. The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.… (meer)
Bezig met laden...

Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden.

Op dit moment geen Discussie gesprekken over dit boek.

A young woman moves to Hollywood in the 1930's, gets a job as a producer's secretary, and learns first-hand the insanity of the movie business. I wanted and expected to like this book, since it's a fun topic and I particularly enjoy epistolary novels, but it just didn't move me. I couldn't really get a handle on the main character, and too many of the letters just seemed like an excuse for straight-forward first-person narration. Parts are quite funny, however, including when the producer moves all of his operations to the hospital while his wife is in labor. ( )
  biscuits | Jul 31, 2010 |
geen besprekingen | voeg een bespreking toe
Je moet ingelogd zijn om Algemene Kennis te mogen bewerken.
Voor meer hulp zie de helppagina Algemene Kennis .
Gangbare titel
Oorspronkelijke titel
Alternatieve titels
Oorspronkelijk jaar van uitgave
Mensen/Personages
Belangrijke plaatsen
Belangrijke gebeurtenissen
Verwante films
Motto
Opdracht
Eerste woorden
Citaten
Laatste woorden
Ontwarringsbericht
Uitgevers redacteuren
Auteur van flaptekst/aanprijzing
Oorspronkelijke taal
Gangbare DDC/MDS
Canonieke LCC

Verwijzingen naar dit werk in externe bronnen.

Wikipedia in het Engels

Geen

Fiction. Literature. Humor (Fiction.) A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system. Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie. The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.

Geen bibliotheekbeschrijvingen gevonden.

Boekbeschrijving
Haiku samenvatting

Actuele discussies

Geen

Populaire omslagen

Snelkoppelingen

Waardering

Gemiddelde: (3.9)
0.5
1
1.5
2
2.5
3 1
3.5 1
4 2
4.5
5 1

Ben jij dit?

Word een LibraryThing Auteur.

 

Over | Contact | LibraryThing.com | Privacy/Voorwaarden | Help/Veelgestelde vragen | Blog | Winkel | APIs | TinyCat | Nagelaten Bibliotheken | Vroege Recensenten | Algemene kennis | 205,460,289 boeken! | Bovenbalk: Altijd zichtbaar