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Bezig met laden... The Oxford Guide to Arthurian Literature and Legend (Oxford Quick Reference)door Alan Lupack
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The Oxford Guide to Arthurian Literature and Legend is both a critical history of the Arthurian tradition and a reference guide to Arthurian works, names, and symbols. It offers a comprehensive survey of the legends in all of their manifestations, from their origins to their adaptation in modern literature, arts, film and popular culture. Not only does it analyse familiar Arthurian characters and themes, it also demonstrates the tremendous continuity of the legends by examining the ways that they have been reinterpreted over the years. This indispensable guide contains seven essays that trace the development of the Arthurian legend, encyclopedic entries, bibliographies and a comprehensive index. The essays explore the chronicle and romance traditions, the influence of Malory, the Grail legend, the figures of Gawain and Merlin, and the story of Tristan and Isolt. The entries offer quick and easy reference and extensive bibliographies augment the general bibliography of Arthurian resources. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)809.93551Literature By Topic History, description and criticism of more than two literatures By topic Other aspectsLC-classificatieWaarderingGemiddelde:
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This massive survey (nearly 500 pages in the 2007 paperback edition) aims to introduce the general reader to a study of the Arthurian legends. As well as a general bibliography of basic resources for such a study, each of its seven chapters concludes with its own more detailed bibliography. These seven chapters deal with historical approaches to Arthur from early literature through to historical novels, followed by the romance tradition inaugurated by Chrétien de Troyes. Then come specified chapters on Malory, the Holy Grail, Gawain, Merlin and, last but not least, Tristan and Isolt. As well as an indispensable index, the author includes a cross-referencing dictionary of Arthurian people, places and things, ranging from Accolon to Yvain.
Lupack’s approach is typically North American in its thoroughness: wide-ranging research, spot-on synopses and punchy summaries. For all its encyclopaedic coverage I would still have liked a more personal response at times, the sort of response that indicates what drives an academic to root around in all those obscure corners of the Arthurian mythos and which occasionally surfaces, as in his Afterword: “The stories of Arthur and the knights and ladies of his court are so enduring because their themes are universal... In its great variety of tales and characters, the Arthurian legend seems a perfect medium for expressing concerns that are both personal and global, ideals as well as fears, aspirations as well as anxieties.”
Authoritative but also fascinating, and perfect for dipping into as well as for reference, this Oxford Guide to Arthurian Literature and Legend surely is to the Arthurian enthusiast as the Roman Virgil was to the medieval Dante. Whether this leads you to purgatory, hell or paradise is another matter however; for me, this took me into that wonderful limbo that libraries encapsulate, where one reference draws you to another, and another, and so on till you risk losing track of time.
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