Still liking the intrigue and everything. There was an incest plot that meh. Art's real good. I look forward to the next volume! ( )

http://nwhyte.livejournal.com/2037339.html

Yet another in the alternate history series where most Japanese men are wiped out by a mysterious plague, and a chosen few are secluded in the Ōoku as personal attendants and occasional lovers of the shōgun, who in this version of history is a woman, women having taken over all leadership positions in society.

This volume crystallised some of the problems I have with the series for me. Because it is set in the Inner Chambers, we basically have a continuing repetition of new shōgun takes power, some internal politicking in the harem, a disputed process for producing and recognising an heir, a dead child or two, then the shōgun dies and we go back to the start of the cycle. It is getting a bit repetitive.

Also, it is now clear that this is actually meant to be not an alternate history but our own timeline, a secret history of the real reason why Japan chose centuries of isolation. All the history of Japan in the early modern period which we think we know, in other words, is actually about women rather than men. That will create problems when we reach the nineteenth century, but I guess one can go with the flow for now.

But I think you do need a better knowledge than I have of the "real" course of Japanese history to appreciate this; I suspect that some of the charm of the series must be to see how the author manages to gender-flip some of the dynastic dynamics of the sixteenth and seventeenth centuries which are presumably well known to those who know anything about that period of Japanese history. Unfortunately I am not among their number, so it leaves me rather baffled. ( )

I’m still enjoying this AU Japan in which most of the men die from the Redface Plague and imperial intrigue is the order of the day, though I do have trouble with the nested flashback structure and also with telling people apart; I imagine if I knew more Japanese history, or even history of Japanese fashion, I’d be doing better, because the outfits do change with the period. Vol. 6 includes more explicit acknowledgement of lesbianism, and (different) disturbing sexual situations, in part because the story is spending more time outside the Inner Chambers where the shogun’s men are isolated. ( )