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Bezig met laden... The Complete Peanuts 1957-1958 (editie 2005)door Charles M. Schulz, Charles M. Schulz, Jonathan Franzen (Introductie), Jonathan Franzen (Ontwerper), Seth (Ontwerper)
Informatie over het werkThe Complete Peanuts: 1957-1958 Dailies & Sundays door Charles M. Schulz
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Peanuts Completo reúne tiras do período de transição para os anos 60. Nesta obra, além das atitudes caninas, o beagle passa a interagir mais com as crianças da turma. Charlie Brown, Linus, Lucy, Schroeder, Violet, Patty e Chiqueirinho vivem suas próprias aventuras. Ainda neste volume o leitor poderá encontrar histórias como a da decepção de Charlie Brown ao não receber nenhum cartão de dia dos namorados This edition marks the turning point, where Peanuts really comes together into the strip I never liked that much. I can appreciate it for what it is, but it doesn't appeal to me. The gags get repetitive, the characters become archetypes, and the art becomes tighter--which is a negative in that the Peanuts gang loses that "kid" look and starts looking like the tribe of really short 35-year-olds they act like. (The early strips had much looser lines and the kids looked more like kids (albeit hydrocephalic ones); their faces now have gained a maturity that I suppose reflects their characters but not their ages.) I fully expect to be flogged for disliking Peanuts. This probably isn't the time to confess I'm also not fond of apple pie, and I kick puppies in my spare time. geen besprekingen | voeg een bespreking toe
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As the 1950s close down, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week "Lost Weekend" sequence of blanketlessness. Charlie Brown cascades further down the hill to loser Dom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes "the Goat" and is driven from the field in a chorus of BAAAAHs); at least his newly acquired "pencil pal" affords him some comfort. Pigpen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder. But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star of this volume. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)741.5973The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections North American United States (General)LC-classificatieWaarderingGemiddelde:
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Beyond this, all of the supporting characters prove their worth. Lucy and Linus, obviously, stand out, with the rest of the cast - Schroeder, Pig-Pen, Violet, Patty and Shermy - contributing well. Snoopy finally steps up to become more than a one-joke character, impersonating all kinds of animals, and developing trademark quirks and personality.
Schulz also further matures his style, using entire weeks to play out running gags or mini-storylines. These first 8 years of the "Peanuts" cycle have already had me chortling to myself many a night; I look forward to the remaining 42... ( )