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Bezig met laden... Holy Skirts (2005)door Rene Steinke
Bezig met laden...
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. I love this book, and I am not much for nonfiction or biographies. It is an incredibly rich and fascinating read, and if even a quarter of Elsa's life was truly as it is portrayed in Holy Skirts, she lived the kind of life I an deeply in awe of. This is a book that leaves me with a fresh and joyous perspective on my own life each time I read it...highly, highly recommended! ( ) An interesting work of ‘bio-fiction’, but rather frustrating. The author takes the life of the Baroness Elsa von Freytag-Loringhoven, a woman who, at 19, travels to Berlin and takes to the stage in what is basically an artistic girly show. She takes numerous lovers, some for pay, eventually weds an artist who cannot consummate the marriage, leaves him for their friend, a poet who ends up discouraging her own poetry, they travel to New York where he leaves her, she marries a Baron who is a compulsive gambler who abandons her to go back to Germany and ends up dead. Left penniless, she takes to modeling for artists and falls in with the new Dadaist movement and occasionally selling poems. The censors of the day force the little artistic magazines out of the bookstores and out of the mail system. Her is basically one shoe falling after the other. Every time she starts looking up, a bird craps in her face so to speak. The woman was apparently a talented poet, and probably psychotic, though whether it’s from inherited syphilis or something else one can’t tell. She was a walking bit of performance art, dressing in found art jewelry and clothes altered with all sorts of materials. The book leaves her still in New York; I know she later moved to Paris and had further adventures. The author goes deeply into the Baroness’s mind & soul, making her a sympathetic, fascinating character. Other members of the Dada movement are brought to life; Man Ray uses her as a model and Marcel Duchamp is her unrequited love interest. Sadly, the book not only fills in the gaps missing from history to fill out the Baroness’s story-necessary in a story like this- but some things get changed around. Names of husbands and dates of marriages don’t follow the actual facts, and I wonder how much else was altered to make a better story. I would have thought the Baroness was an interesting enough person to not do this.
The evenly calibrated narrative voice here seems equally at ease telescoping out to describe particular scenes of early New York bohemia as it is outlining some of the outrageous artistic and philosophical designs that define Elsa’s compelling and tumultuous inner life. Prijzen
No one in 1917 New York had ever encountered a woman like the Bar-oness Elsa von Freytag-Loringhoven -- poet, artist, proto-punk rocker, sexual libertine, fashion avatar, and unrepentant troublemaker. When she wasn't stalking the streets of Greenwich Village wearing a brassiere made from tomato cans, she was enthusiastically declaiming her poems to sailors in beer halls or posing nude for Man Ray or Marcel Duchamp. In an era of brutal war, technological innovation, and cataclysmic change, the Baroness had resolved to create her own destiny -- taking the center of the Dadaist circle, breaking every bond of female propriety . . . and transforming herself into a living, breathing work of art. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC-classificatieWaarderingGemiddelde:
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