Too much backfill for me I'm afraid. Great in parts but slow to move the story on. ( )

Full Review: http://tenaciousreader.wordpress.com/2013/10/24/heartwood-by-freya-robertson/

Just wasn't for me (and I'm a huge fan of epic fantasy). My issue(s) with it all come down to the authors style of writing/story telling. There's likely some who might enjoy it but unfortunately I'm not one of them.
( )

I would like to thank both NetGalley and Angry Robot for granting me the chance to read this eARC in exchange for an honest review. Though I received the e-book for free that in no way influences this review.

A dying tree, a desperate quest, a love story, a last stand.

Chonrad, Lord of Barle, comes to the fortified temple of Heartwood for the Congressus peace talks, which Heartwood’s holy knights have called in an attempt to stave off war in Anguis. But the Arbor, Heartwood’s holy tree, is failing, and because the land and its people are one, it is imperative the nations try to make peace.

After the Veriditas, or annual Greening Ceremony, the Congressus takes place. The talks do not go well and tempers are rising when an army of warriors emerges from the river. After a fierce battle, the Heartwood knights discover that the water warriors have stolen the Arbor’s heart. For the first time in history, its leaves begin to fall...

The knights divide into seven groups and begin an epic quest to retrieve the Arbor, and save the land.

I was excited to read this book as the description and cover both appealed to me. Unfortunately, as much as I enjoyed the characters, I felt overwhelmed by having to follow too many main characters and their stories. I could see what Ms. Robertson was aiming for with seven smaller quests making a whole quest, however I found them to be more of a distraction than a benefit. Their individual stories also created a series of rather abrupt scene transitions from my point of view. This book felt as if it could easily gave been split into a couple of shorter books that were still part of the overall arc for this story.

It wasn't until the final hundred or so pages that I began to feel invested in this book, which in a five-hundred + page book is not a good thing. Having said I would read this as an eARC I felt obligated to complete it, and suspect that only added to my frustration and feelings of building resentment toward the multiple core characters, making me more critical than I might otherwise have been.

With that said, I still think that there are some solid characters in here, and would have liked to see things develop more fully for them. Due to the arc of the main story as well as all the varied components I feel as if the characters got short-changed, being rushed through relationships and emotional discoveries that should have taken more than two or three days from start to finish. Unfortunately, while I do feel that this series could mature into something solidly worth reading, I just never became invested enough to be willing to take that next step and stick with the series as it, hopefully, grows up. ( )

Featuring exotic lands, magic and adventure and warrior knights embarking on sacred quests, Heartwood had everything I like going for it. Now that I've finished this book, I'm still amazed at the sheer scope of the story; epic doesn't even begin to describe it. Though as I soon found, "epicness" could also be something of a double-edged sword.

The book opens with a scene at the Congressus, a conference of peace talks in which representatives from all across Anguis come together in an attempt to negotiate and maintain stability between the many nations. Chonrad, Lord of Barle, joins the holy knights of Heartwood to oversee the talks in the fortified temple, where the great tree called the Arbor stands. Congressus does not go well, however, and then the gathering is ambushed by an army of warriors who seem to have materialized from the water of the river itself. In the ensuing battle many are killed, but it is the Arbor with its massive trunk split and its heart stolen away that is the worst blow of all.

Because the great tree is what binds the land and all its people, it must be saved. First, the Arbor's heart must be retrieved, but five Nodes located in five different hallowed sites across the land must also be activated in order for the tree to heal. In addition, a powerful magician called the Virimage must also be found, brought back to Heartwood so he can lend his abilities to the mending. Thus it begins; we have seven different groups, each on their own journey, each tasked with a special Quest.

Like I said, the scope of this is massive. It's what I loved best about this book, and the author Freya Robertson pulls off an impressive feat of storytelling by weaving no less than six of seven different plot threads together into a one big whole. She's also done incredible things with world building, creating this land made up of many different nations, all with their own unique population and cultures. The characters featured in this book all have ties to their own homes and histories, which also reflects in their personalities, motivations and value systems. I liked this last point a lot too, reminding me very much of the worlds in the role-playing games I like to play.

Viewed as a whole, however, the massiveness of Heartwood -- both its length and scale of the story -- can also make things a little problematic for the reader. When you have so much going on, such as half a dozen quests occurring all at once, that's a lot to take in. First, we have the introduction to the characters, of which there are many, and that shouldn't be a surprise given the intricacies of the plot. Still, I like to see momentum build in the first quarter of a book, because that's generally when I expect to be pulled in by the story as well. In Heartwood, much of the first 100-200 pages is given to establishing the characters and world, which made for a slower-paced beginning. It felt sometimes like I was encountering a new character and his or her long and detailed back-story every few pages, when what I wanted very much was for the story to move forward. Structurally, I think if some of the information could have been edited out or even just spread out more evenly, it might have improved the flow for the first part of the book.

These insertions of character history and moments of information dumping persist throughout the novel, but I think they are the heaviest in the first half. The good news is, I think the story picks up considerably in the second half, after we have the all the introductions and necessary details established. Though a little patience and determination was required of me to reach this point, I have to say it was worth it in the end. I'm still astounded by the way Freya Robertson was able to make all her quest stories come together. She manages to keep all the threads in line, never once letting any of them get away from her, and keeps up a steady level of suspense for each group throughout. With all the perspective changes and jumping around in places and time, I would have expected this book to be way more disjointed than it is, but surprisingly it wasn't, at least not for me.

I didn't get to connect to all the characters equally, since one of the downsides of this format is having to spread my attention between a whole bunch of different players. And some like Chonrad, for example, disappear for a chunk of time after Part I as the book shifts focus to the people on other quests. But over time, I did develop a few favorites. The writing is admittedly not very subtle when it comes to revealing their every thought or emotion, but regardless I came to enjoy Heartwood's female characters a lot. Their depth made them memorable, and the holy knights Procella and Beata stood out for me in particular. Both are strong leaders who are capable and competent, and yet also have their own personal battles between duty and love, what's insides their heads versus what's inside their hearts. On that note, I also want to say how much I appreciate a little romance in my epic fantasy. There's definitely an element of love here, and Freya Robertson is so good at creating passion and sexual tension between couples. I was not surprised when I found out that she has also published a number of romance novels under a different name.

Ultimately, my overall feelings towards Heartwood are positive, though it did take a little time for me to get into the flow of the story. It is, after all, an ambitious novel, and despite a few hitches in its structure and pacing, for a first book in a series I think this one does an admirable job in establishing the world and characters. The way the story unfolded and came together in the end made me curious enough to want to read more from this series and author, and I'll most likely be picking up the next book. ( )