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Final Cut: Dreams and Disaster in the Making of Heaven's Gate

door Steven Bach

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Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood's major studios--United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film's evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.… (meer)
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Toon 4 van 4
  pivic | May 19, 2021 |
This is basically the story of how Michael Cimino was able to charm, bluff, and bully his way to making the film "Heaven's Gate" his way, and the disaster that resulted not just for him, but for everyone involved in the debacle.

And all the way through, I was asking myself "WHY doesn't someone just say no???"

An intriguing, infuriating and, in the end, rather sad read. ( )
  Devatipan | Nov 29, 2010 |
I really loved this. If you're interested in film, the film industry, egos or even just things-running-out-of-control through huge financial mismanagement, this is well worth reading. ( )
  stevedell | Oct 23, 2009 |
In-depth account of the disastrous film project 'Heaven's Gate.' Excellent reading for cinemaphiles and film history buffs. ( )
1 stem fanoula | Nov 9, 2008 |
Toon 4 van 4
Heaven’s Gate brought nothing but torment to the executives of United Artists, which is now virtually defunct. (Transamerica, humiliated by the publicity, sold the company to Kirk Kerkorian’s M-G-M, which wanted it because of its distribution apparatus, and dismantled the production side.) About the only good that has ever come from the movie is the new book Final Cut: Dreams and Disaster in the Making of “Heaven’s Gate” (Morrow), by Stephen Bach—perhaps the best account we have of American moviemaking in the age of conglomerate control of the studios, and (though this isn’t made explicit) in the druggy age.
toegevoegd door SnootyBaronet | bewerkThe New Yorker, Pauline Kael
 
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Within three years of the Heaven’s Gate debacle, with only one exception noted below, the management of every major company in the motion-picture industry had changed. Not one production head in Hollywood today is where he was three and a half years earlier. Such instability precludes continuity and development not only in the industry but in "the art form of the 20th century” itself, and one might fairly ask how discipline and responsibility can be expected from artists who know that the only continuities in the business are those of their own work and those derived from conglomerates who, for the most part, own Hollywood and are not, as we have seen, afraid to walk away.
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Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood's major studios--United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film's evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.

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