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Bezig met laden... The End of the Salon: Art and the State in the Early Third Republic (Cambridge Studies in New Art History and Criticism)door Patricia Mainardi
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The End of the Salon examines the cultural forces that contributed to the demise of the most important exhibition centre for art in Europe and America in the late nineteenth century. Tracing the history of the salon from the French Revolution, when it was taken away from the Academy and opened to all artists, to the 1880s, Patricia Mainardi shows that its contradictory purposes, as didactic exhibition venue and art market place, resulted in its collapse. She also situates the salon within the shifting currents of art movements, from modern to traditional, and the evolving politics of the Third Republic, when France definitively chose a republican over a monarchic form of government. The book, which was originally published in 1993, demonstrates how all artists were forced to function within the framework of the social, economic and cultural changes then taking place and how art and social history are inextricably linked. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)709.44The arts Modified subdivisions of the arts History, geographic treatment, biography Europe France & MonacoLC-classificatieWaarderingGemiddelde: Geen beoordelingen.Ben jij dit?Word een LibraryThing Auteur. |
What is Florida? Where does its image come from, and what is involved in the selling of that image? The myths and realities of Florida unfold in these seventeen essays documenting the history and culture of the Sunshine State from 1875 to 1945. Since the time of Ponce de Leon, who sought the fountain of youth there, explorers, entrepreneurs, inventors, and visionaries have viewed Florida as a place where dreams come true. Florida's restorative powers were perhaps best expressed through the orange, which, though not native to the state, seduced myriad investors and served as a promotional icon. No other state mastered the art of propaganda—the ability to invent and promote itself—so well. Networks of trains, ships, and luxury hotels spawned a real estate boom and, with it, a distinctive architecture as fanciful as Araby, as classical as Mediterranean, and as enlightened as Modernist.