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Bezig met laden... Dead White Mendoor Shane Rhodes
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A vital collection that interrogates the stories of the dead white men that litter our histories and landscapes. Juxtaposing the seemingly benign names of Europeans that permeate our geographies with the details of their so-called discoveries and conquests, Dead White Men turns ideas of exploration, discovery, finding and keeping back upon themselves. Engaging with exploration and scientific texts from the fifteenth to the nineteenth centuries - texts wrapped up in the history and ongoing present of colonization - this collection builds a fascinating poetry of memory out of histories that are largely forgotten. 'A provocative and galvanizing read ... Riveting and dazzling invention is visible on almost every page: fonts shift size, language cascades and cleaves, and images disrupt order. Dead White Men should be widely read and taught.' - Eduardo C. Corral, author of Slow Lightning 'Dead White Men is not only a searing indictment of colonialism but also a painful reminder of the violence that underpins the logic of exploration. Each poem strikes at the heart of the issue: there are often unarticulated, unacknowledged Indigenous presences here that have been flattened over by the lies and mirages of empty landscapes. Dead White Men is a stinging and difficult journey, and one that continues to remind us that stolen land has always been the most pressing concern for Indigenous peoples and settlers. This is an absolutely essential book.' - Jordan Abel, author of Injun Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)811.6Literature English (North America) American poetry 21st CenturyLC-classificatieWaarderingGemiddelde:
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History, oppression, conquest, and invasion tied together with poetry presents a powerful message. Recreating explorers journals in poetic form Rhodes tells the story of the exploration and conquest of North America and, in the second half, of the South Pacific. The reading sounds and looks authentic to include the medial or long “s.” The explorers are not all well known. I had to look several up since most were in modern Canada. Martin Frobisher who made three attempts at finding the Northwest Passage is documented. Better known explorer Henry Hudson is also included.
If human suffering is not enough the explorers opened trade which included a staggering amount of animal deaths. “Imports into the Ports of London and Rochelle in 1743” include:
153,830 Beaver
110,005 Racoon
45,055 Martins
16,832 Bears
13,058 Otters and Woodshocks, or Fifhers
10,280 Grey Foxes and Cats
…
Rhodes does offer a bit of a reprieve for dead white men by including scientists like Luigi Galvani (animal electricity), Boyle (the first modern Chemist), William Gilbert (magnetism), Galileo, Mercator (maps). He follows up with Spain’s prize of the New World, Gold.
The second part of the book, which could also be the first part since it is printed upside down and backward. Covers the South Pacific and includes a running theme of Venus to include the organized observing of the transit of Venus in 1769 from the Island of Tahiti. Science meets with the seamen of the empire. Trading iron nails for sex with the native women. So many nails were missing from the ships that their seaworthiness was in question.
Rhodes opens each section with sideways text and uses the double page for some text. The upside down text of the second half was difficult on an e-reader. Also, the artwork looks like it needs the double page of a book rather than a single page display of a Kindle. Although I rarely say this, get the print version of this book. You’ll appreciate it more. Very much well worth the read. Enjoyable as art and poetry but disturbing in historical context. Very well done. ( )