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The Curiosities (2019)

door Susan Gloss

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The follow-up to Susan Gloss's successful debut, Vintage, is a charming mid-western story of artists, inspiration, and how to reinvent your life with purpose and flair. Nell Parker has a PhD in Art History, a loving husband named Josh, and a Craftsman bungalow in Madison, WI. But her last pregnancy ended later in the second trimester, and rather than pausing to grieve, she pushes harder for testing and fertility treatments. Urging Nell to apply for jobs, Josh believes his wife needs something else to focus on other than a baby that may never be. Finding a job turns out to be difficult for an art historian . . . until Nell sees the ad seeking a director for a new nonprofit called the Mansion Hill Artists' Colony. The colony is the brainchild of the late, unconventional society dame Betsy Barrett, who left behind her vast fortune and a killer collection of modern art to establish an artist-in-residency program to be run out of her lakeside mansion. The executor of Betsy's estate simply hands Nell a set of house keys and wishes her luck, leaving her to manage the mansion and the eccentric personalities of the artists who live there on her own. Soon one of the artists, a young metal sculptor named Odin, is keeping the other residents awake with his late-night welding projects. Nell is pretty sure that Annie, a dreadlocked granny known for her avant garde performance pieces, is dealing drugs out of the basement "studio." Meanwhile Paige, an art student from the university, takes up residence in the third-floor turret, experimenting with new printing and design techniques, as well as leading a string of bad boyfriends upstairs when she stumbles home late at night.  Despite all the drama, Nell finds something akin to a family among the members of the creative community that she's brought together. And when her attraction to Odin begins to heat up, Nell is forced to decide what will bring her greater joy--the creative, inspired world she's created, or the familiar but increasingly fragile one of her marriage.  … (meer)
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1-5 van 10 worden getoond (volgende | toon alle)
Very wholesome. A fascinating art commune aspect, and the idea that not everyone wants children while for some people it's worth the world. A relationship that is harmed, but heals. Someone who learns to trust.

Also, I'm not normally one to gush over covers, but this one is truly gorgeous. And the title is so very clever! ( )
  whakaora | Mar 5, 2023 |
The beautiful cover of this new novel by Susan Gloss is what attracted me to it initially (covers matter!), and the storyline was also intriguing. A woman who is mourning the loss of the life she hoped to have finds an unexpected new purpose as the director of an artists' colony. When Nell Parker finally accepts that her infertility treatments are not going to work, and recognizes that the debt she has accrued on those treatments (which she has hidden from her husband) needs to be paid off, she takes a job as the director of Mansion Hills Artists' Colony. The job distracts her from her sorrow and also introduces her to a variety of interesting artists who have come to stay at the colony. The well-developed and quirky characters and the satisfying resolution of the story are what pleased me as a reader.

Thank you to the author and publisher for an opportunity to review a digital galley of this heart-warming novel. ( )
  KellyWellRead | Dec 17, 2020 |
I won this book in a giveaway and was nervous to read it. I typically don't enjoy contemporaries very much. However, this book turned out to be really good! I definitely recommend reading it! Especially if you like anything to do with art! ( )
  Yodareads12 | Nov 30, 2020 |
Nell looks for a job after all their efforts with fertility treatments fail (and after she has wracked up huge debt without telling her husband). In a remarkably easy job hunt that happens only in fiction(!) she lands a job as the first director of a new nonprofit artist's colony. I love Nell, as she struggles to learn how to lead a non-profit, come to terms with the loss of her infant child, save her marriage, and bring an old mansion up to 21st century standards. The artists who live in the colony all present their own special challenges--culminating in a tragic incident that brings the police to the colony/mansion. Characters are well drawn, and once again the Madison setting is a bonus. ( )
  cherybear | Sep 19, 2020 |
I loved "Vintage" and gave it fours stars when I read it back in 2014 and kept my eye out to see when Susan Gloss would publish another book. Unfortunately, I found this follow-up to "Vintage" to be disappointing. This book doesn't do a good job of linking all of the stories to each other. Artists living together in a "colony" didn't help link things since they were all going through so many things and felt like roommates that passed in the night. It didn't help that one of the POVs we get is from a character who has passed away. I just felt jumbled the entire time I read this and ended up disliking most of the characters too.

"The Curiosities" follows Nell Parker who after dealing with losing her baby in the second trimester, throws herself into fertility treatments leaving her and her husband (without his knowledge) deeply in debt. Nell finds a job hoping that she can start chipping away at their debt. She ends up getting a job as a director of a new artist's retreat. For readers who read "Vintage" we know that the character that did this was Betsy. Nell ends up focusing on her new artists that are staying at the mansion turned colony. The other characters are Paige (young and self absorbed), Annie (older and self absorbed) and Odin (harboring romantic feelings towards Nell).

Nell suffered a devastating loss and I thought the one scene we get to show her and her husband holding their daughter as she dies was heartbreaking. If we had gotten more of that maybe I would have liked Nell more. She lies to her husband and seems to be entertaining thoughts about Odin (that name you guys). Her husband Josh felt more present to me as a character and I wish we had gotten some POVs with him as well.

Annie was a jerk. I hated her whole story-line. Her studying addiction series sounded pretentious as hell. The fallout from it seemed like an after thought to other characters though. How no one went off on her is baffling.

Paige was boring. She meets a guy she likes him and then runs away from it. Ho-hum.

Odin was just there. I found myself skimming his chapters.

The writing wasn't as engaging as it was in Vintage. Gloss does the same thing here she did with calling out who is "speaking" by chapter and including some information on art while doing that. In "Vintage" she included description of clothes, hats, etc. and when they were first bought and sold. The flow was awful in this one. Probably because I found myself only really caring about Betsy's POV chapters. I wish that Gloss had included more from the characters she introduced us to in Vintage. We only see a brief scene that includes Violet.

The setting of Madison doesn't get a lot of play in this one unfortunately. We have Paige going to college and there's a little bit here and there. However, most of the book takes place in Betsy's old mansion now turned colony. We hear a lot about how beautiful it is and the art work, but I couldn't picture it very well which was a shame.

The ending leaves things on a slightly hopeful note for Nell. I just didn't much care by the time the end came about what becomes of the other characters.

I tend to only talk about price when I am disappointed in a book and this costing $14.99 was too much. Especially for a follow-up. The last book was $11.99 and I recall thinking that was too high. Considering how lackluster this was I am going to just pass on any more books from Gloss unless I can borrow from the library. ( )
  ObsidianBlue | Jul 1, 2020 |
1-5 van 10 worden getoond (volgende | toon alle)
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The follow-up to Susan Gloss's successful debut, Vintage, is a charming mid-western story of artists, inspiration, and how to reinvent your life with purpose and flair. Nell Parker has a PhD in Art History, a loving husband named Josh, and a Craftsman bungalow in Madison, WI. But her last pregnancy ended later in the second trimester, and rather than pausing to grieve, she pushes harder for testing and fertility treatments. Urging Nell to apply for jobs, Josh believes his wife needs something else to focus on other than a baby that may never be. Finding a job turns out to be difficult for an art historian . . . until Nell sees the ad seeking a director for a new nonprofit called the Mansion Hill Artists' Colony. The colony is the brainchild of the late, unconventional society dame Betsy Barrett, who left behind her vast fortune and a killer collection of modern art to establish an artist-in-residency program to be run out of her lakeside mansion. The executor of Betsy's estate simply hands Nell a set of house keys and wishes her luck, leaving her to manage the mansion and the eccentric personalities of the artists who live there on her own. Soon one of the artists, a young metal sculptor named Odin, is keeping the other residents awake with his late-night welding projects. Nell is pretty sure that Annie, a dreadlocked granny known for her avant garde performance pieces, is dealing drugs out of the basement "studio." Meanwhile Paige, an art student from the university, takes up residence in the third-floor turret, experimenting with new printing and design techniques, as well as leading a string of bad boyfriends upstairs when she stumbles home late at night.  Despite all the drama, Nell finds something akin to a family among the members of the creative community that she's brought together. And when her attraction to Odin begins to heat up, Nell is forced to decide what will bring her greater joy--the creative, inspired world she's created, or the familiar but increasingly fragile one of her marriage.  

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