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Bezig met laden... Grievous (2019)door H. S. Cross
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St. Stephen's Academy, Yorkshire, 1931. A world unto itself, populated by boys reveling in life's first big mistakes and men still learning how to live with the consequences of their own. It is a cloistered life, exotic to modern eyes, founded upon privilege, ruled by byzantine and often unspoken laws, haunted by injuries both casual and calculated. Yet within those austere corridors can be found windows of enchantment, unruly love, and a wild sort of freedom, all vanished, it seems, from our world.As a work of literary time travel, H. S. Cross's This Age of Grace stands with the novels of Patrick O'Brian and L. P. Hartley in allowing readers to breathe the air of another era. Told from a variety of viewpoints--including that of the unhappy housemaster John Grieve--This Age of Grace takes us deep inside the crucible of St. Stephen's while retaining a clear-eyed, contemporary sensibility, drawing out the urges and even mercies hidden beneath the school's strict, unsparing surface. The academy may live by its own codes, but as with the world around it--a world that must ultimately be faced--it already contains everything necessary to either shape its people or tear them apart. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)813.6Literature English (North America) American fiction 21st CenturyLC-classificatieWaarderingGemiddelde:
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Naturally, he’s the most sensitive housemaster at the school; the others would have caned Riding black and blue until he shaped up or shipped out. But in the year 1931, John understands that though the momentous issues of the day never penetrate Saint Stephen’s gated walls, his struggle with Gray, and how he manages his own strengths and weaknesses in that effort, matter just as much in their own small way. That knowledge, however, generally offers little consolation.
Gray follows an adolescent code of honor typical of Saint Stephen’s, and of the public-school culture: never show feeling, never flinch, never make yourself vulnerable, never betray a friend. Inspired by Rudyard Kipling’s rebellious schoolboy character, Stalky, the friend he chooses is one determined to break every rule, even those the school hasn’t thought of yet.
Mind you, that’s even before John’s thirteen-year-old goddaughter, Cordelia, shows up and smites the boy in a heart that others suppose has been encased in lead.
The genius of this novel resides in the urgency with which Cross imbues John’s attempt to redeem young Riding, and why the boy resists. Didn’t such novels go out with saying goodbye to Mr. Chips? Well, no, as Cross amply proves here. This British public school resembles an infernal machine that stamps its inmates with snobbery, sadism, treachery, and cold-hearted contempt, while hunting down the homoerotic impulses it otherwise does so much to encourage.
Any sensitive soul like Gray would howl in rage and pain, but only to himself. His outlet is a Tolkienesque story he writes during class lectures, featuring characters named Valarious and the Elf Rider.
Unfortunately it takes sixty pages for the narrative to overcome obstacles that may deter even a dedicated reader. Cross explains absolutely nothing of Saint Stephen’s myriad intricacies, letting you infer them as you go along, including the schoolboy slang, which reminds me of Anthony Burgess novels in which he invents languages. How maddening.
Nevertheless, you have the sense that if you can only hang on, you’ll be rewarded; and so you will. That said, the author need not have refused to clarify more of her transitions, so that I don’t have to ask myself which character’s voice I’m tuning into right now. I could also have done without the long dashes that introduce dialogue instead of quotation marks, an affectation I dislike.
Names matter in this very literary novel. John Grieves is an apt handle for a man who suffered as a conscientious objector in the Great War and who’s never gotten over a disappointment in love. Dr. Sebastian, the headmaster, acts as though he’s been pierced by many arrows, though John, a lifelong friend, actually takes more of them.
Most importantly, I think, Gray’s first name is Thomas, and because the two names and their initials appear several times, I can’t help think of Thomas Gray, the eighteenth-century poet whose masterpiece, “Elegy Written in a Country Churchyard,” hung in the back of my mind while I was reading.
You can apply the poem’s most famous line, “the paths of glory lead but to the grave” to John’s story, and, even more significantly, Gray's father. And John’s initial motive to help Gray, one that many teachers must feel, appears in this subsequent couplet: “Full many a flow’r is born to blush unseen,/And waste its sweetness on the desert air.”
I wish Cross had given Grievous a more fully resolved ending. But, as a sequel to Wilberforce (whose title derives not from the famous British abolitionist but an older student who tries to liberate Gray from his self-imposed emotional shackles), I expect another volume in the series to bring the story further. ( )