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Mr. Moonlight of the South Seas: The Extraordinary life of Robert Dean Frisbie

door Brandon Oswald

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Mr. Moonlight of the South Seas examines the life of American author Robert Dean Frisbie who, at the age of twenty-four, left the United States for the unknown adventurous ports of the Pacific Islands in the early 1920's. He first landed in Papeete, Tahiti, which at the time was a bustling town and the start-off point for many visitors to the region. He would stay a few years learning the Tahitian language, culture, and way of life. He enjoyed sharing his experiences in numerous articles for U.S. publications such as the Atlantic Monthly. Frisbie was fascinated with the number of characters that lived or frequently visited the island. These included Tahitians, sea captains, beachcombers and writers. He would often refer to these characters in his stories. His most notable friend was James Norman Hall, who would eventually co-author the Bounty Trilogy. For the remainder of his life, Hall remained one of the few people in whom Frisbie would confide his inner-most thoughts. On their first meeting in Papeete, Frisbie was mesmerized by the setting and the different boats in port. He told Hall, "All these ships.... I suppose you can go almost anywhere from here?"After four years on Tahiti, Frisbie began to take his writing career more seriously and craved finding an isolated island where he could dedicate most of his time to writing his great novel, which he called his "Moby Dick." He settled on the lonely atoll known as Pukapuka in the Cook Islands. He got to know the islanders and their language, customs, and lifestyles. He eventually immortalized the island and some of the characters he knew in many sketches, articles and essays. Several of the pieces were collected and made into his most famous book titled The Book of Puka-Puka. Although writing occupied much of his time, Frisbie lived the life of an islander without, however, becoming what he termed, "native." He believed it was very important to respect the culture of the islanders around him by continuing to acknowledge his separate upbringing. That said, he did enjoy participating in island activities such as fishing, canoeing, and house building. Eventually, Frisbie would marry a Pukapukan girl named Ngatokorua, and together the couple would have five children. His family changed his life and created additional challenges and adventures.The years of living on this lonely atoll would take its toll on Frisbie's health and mind. He could easily go months without talking to another European man, and sometimes a year would pass between ships visiting the island. Frisbie was forced to sail away from Pukapuka due to family tragedies, poor health and a yearning to see other islands. He took his family to Tahiti, Fiji, Samoa, and Rarotonga. During his South Seas travels, he and his children barely survived a monster cyclone on the island of Suwarrow. Despite his wandering, Frisbie returned to Pukapuka on several occasions in hope of reviving some stability with his family. Frisbie was also constantly trying to justify his choice of lifestyle - simple, yet unpredictable, at a time when not many people had the courage to do so. He never lost faith in writing his "Moby Dick"; and he continued to write articles for American magazines. Before his death, Frisbie would publish six very fascinating books that memorialized the people and cultures of this very unique part of the world.… (meer)
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Rare is it to find a printed edition of the legendary Robert Dean Frisbie's works about the South Seas, although Project Gutenberg Australia has The Island of Desire and My Tahiti available for free download as ebooks. Rarer still is it to find a work devoted to the study of Frisbie's life in the South Seas. Brandon Oswald has given us such a work with Mr. Moonlight of the South Seas. It's not an academic biography. But it is a sympathetic portrayal of one of the lesser known writers in the South Seas literary genre. And it's something else, too. For Oswald has turned this brief, well written description of Frisbie's adventures into something of a personal journey as well. That is what makes it so interesting to me. Where possible, he has followed in Frisbie's footsteps. Elsewhere, he has approximated in his own life in the Cook Islands spiritual visits of a sort that recreate many of the locales, vistas, and even feelings that Frisbie himself encountered 50 to 80 years earlier. I enjoyed this book. And I'm a bit envious of Oswald's opportunity to track down Frisbie's documents and meet with his family.

Regarding the content, although the book is brief, it is full of detail. Much of its was entirely new to me. Oswald has conducted original research, here, as well as assembling appropriate commentary from Frisbie's friends and family, most notably the correspondence Frisbie maintained with the novelist James Norman Hall.

A couple of realizations emerge from reading about Frisbie's life. He was a fantasist and dreamer. And while he tried to fuse a certain romance into his own writing, sometimes successfully, other times not, it was, ironically, as a realistic chronicler of Polynesian life and customs where he was at his most powerful. Second, Frisbie's relatively early death at age 52 in 1948 may have had a poetic appropriateness. It is hard to imagine Frisbie at home in the world of the 1950s and 1960s, the modern world that would eventually make inroads into his beloved Puka-Puka island. In many ways, Frisbie was a man of the nineteenth century. He barely tolerated the twentieth. As Oswald relates, even Jack Benny on the radio was intolerable to Frisbie.

The great South Seas novelists from Frisbie's era are long gone, now. James Michener was the "newcomer" who himself passed away in 1997. But both Charles Nordhoff and James Norman Hall died within a few years around the time of Frisbie's death--Nordhoff in 1947 and Hall in 1951. And, today, even the generation that has firsthand memories of that earlier generation is passing from the scene. And that is why we are lucky to have Oswald's book, which gained much from his friendship with Frisbie's daughter, Johnny. This is an insightful and at times moving biography that merits a wide readership. Well done, Brandon Oswald. ( )
  PaulCornelius | Apr 12, 2020 |
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Mr. Moonlight of the South Seas examines the life of American author Robert Dean Frisbie who, at the age of twenty-four, left the United States for the unknown adventurous ports of the Pacific Islands in the early 1920's. He first landed in Papeete, Tahiti, which at the time was a bustling town and the start-off point for many visitors to the region. He would stay a few years learning the Tahitian language, culture, and way of life. He enjoyed sharing his experiences in numerous articles for U.S. publications such as the Atlantic Monthly. Frisbie was fascinated with the number of characters that lived or frequently visited the island. These included Tahitians, sea captains, beachcombers and writers. He would often refer to these characters in his stories. His most notable friend was James Norman Hall, who would eventually co-author the Bounty Trilogy. For the remainder of his life, Hall remained one of the few people in whom Frisbie would confide his inner-most thoughts. On their first meeting in Papeete, Frisbie was mesmerized by the setting and the different boats in port. He told Hall, "All these ships.... I suppose you can go almost anywhere from here?"After four years on Tahiti, Frisbie began to take his writing career more seriously and craved finding an isolated island where he could dedicate most of his time to writing his great novel, which he called his "Moby Dick." He settled on the lonely atoll known as Pukapuka in the Cook Islands. He got to know the islanders and their language, customs, and lifestyles. He eventually immortalized the island and some of the characters he knew in many sketches, articles and essays. Several of the pieces were collected and made into his most famous book titled The Book of Puka-Puka. Although writing occupied much of his time, Frisbie lived the life of an islander without, however, becoming what he termed, "native." He believed it was very important to respect the culture of the islanders around him by continuing to acknowledge his separate upbringing. That said, he did enjoy participating in island activities such as fishing, canoeing, and house building. Eventually, Frisbie would marry a Pukapukan girl named Ngatokorua, and together the couple would have five children. His family changed his life and created additional challenges and adventures.The years of living on this lonely atoll would take its toll on Frisbie's health and mind. He could easily go months without talking to another European man, and sometimes a year would pass between ships visiting the island. Frisbie was forced to sail away from Pukapuka due to family tragedies, poor health and a yearning to see other islands. He took his family to Tahiti, Fiji, Samoa, and Rarotonga. During his South Seas travels, he and his children barely survived a monster cyclone on the island of Suwarrow. Despite his wandering, Frisbie returned to Pukapuka on several occasions in hope of reviving some stability with his family. Frisbie was also constantly trying to justify his choice of lifestyle - simple, yet unpredictable, at a time when not many people had the courage to do so. He never lost faith in writing his "Moby Dick"; and he continued to write articles for American magazines. Before his death, Frisbie would publish six very fascinating books that memorialized the people and cultures of this very unique part of the world.

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