This originally appeared at The Irresponsible Reader.
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WHAT'S QUEST ABOUT?
Sylvalla is being raised the way most fantasy princesses should—but she's not all that interested in the finery and culture. She has fire in her and ambition—she wants to be a Hero (with a capital H) and sneaks out of the castle to pursue her dreams and find a Quest so she can get that title, even if it causes problems with the one she already has. I couldn't help but think of Princess Eilonwy daughter of Angharad, daughter of Regat of the Royal House of Llyr, just without being hampered by an Assistant Pig-Keeper.

Dirk is one of the many swordsmen out to find her and return her for the bounty. He's also one of the fiercest swordsmen around and has a long list of people he's promised to kill the next time he sees them. He's technically a Hero, but there's little heroic about him. He finds himself Sylvalla's sworn servant before too long and ends up accompanying her instead of bringing her home.

Meanwhile, Capro Goodfellow a wizard of small repute has just turned 150 and continues to try to get his son interested in wizardry. Jonathan's much more drawn to the commercial life, buying and selling—and profiting from both. But you know what they say about wizards being subtle, a vision about Sylvalla gives Capro a chance to involve Jonathan in something bigger than capitalism.

Eventually, these four end up in the same place at the same time, and Sylvalla gets her chance—can she take advantage of it? Will any of them survive it?

YEAH, THERE WAS ANOTHER THING
There was another storyline and another group of characters that I didn't mention. They were interesting enough, and the characters and story had potential, but I think they were squandered. I kept wondering how the book would've ended up had Ponder not bothered with this and had spent the space deepening the others instead.

That said, I can absolutely see where this storyline is going to pay off in a further installment of The Sylvalla Chronicle. But for now, it felt like a poor use of space and imagination.

HOW WAS THE NARRATION?
Fife did an acceptable job—there were some really strong moments. But there were a few times when the accent he was using didn't work (words he didn't know how to pronounce with a British accent, for example). When I read on his website that he comes from the same state as I do, some of that made a lot more sense to me. Also, there wasn't enough variation in his tone of voice or pacing, which got a little old after a while and made it difficult to focus (that also could be a function of how tired I was, I grant—perhaps the combination).

That comes across as more critical than I intended it to be—Fife was very strong when handling dialogue for his characters, and caught the tone of the book well. I could've used just a little more.

SO, WHAT DID I THINK ABOUT QUEST?
This was a light, fun fantasy story in a similar vein to A Wizard’s Guide to Defensive Baking by T. Kingfisher and Sir Thomas the Hesitant and the Table of Less Valued Knights by Liam Perrin (to name a couple of recently discussed books here)—Ponder's not looking to satirize the genre, just looking to tell a fun story within it. Which isn't to say there's no meat to it, by any means. I simply wanted a little more from the two main storylines, but that's likely just me.

I really liked Sylvalla as a character and enjoyed her arc through this—the same, to a lesser degree, for Capro and Dirk. I even came around to liking Jonathan—I enjoyed his arc throughout, even if I spent most of the book wanting someone to give him a swift kick in the pants.

A quick hit of fantasy that will bring a grin to your face, Quest is one to check out. Given how things wrap up, I imagine the rest of her Chronicles will deliver more of the same, too. ( )