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Touch of Evil (BFI Film Classics)

door Richard Deming

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Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the greatest noir films of Classical Hollywood cinema. Richard Deming's study of the film considers it as an outstanding example of the noir genre and explores its complex relationship to its source novel, Badge of Evil by Whit Masterson. He traces the film's production history, and provides an insightful close analysis of its key scenes, including its famous opening sequence, a single take in which the camera follows a booby-trapped car on its journey through city streets and across the border.… (meer)
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this a book explaining the film noir classic movies, a fan of the old movies I picked this book to understand the rationale of film noir in American film , yes it really was a good book explaining the genre. I think the author took to time to research this subject, great book , thanks ( )
  mgallantfnp | May 26, 2022 |
Touch of Evil (BFI Film Classics) by Richard Deming is another volume in this wonderful series on classic films. This particular entry approaches Touch of Evil as not just one of the best film noirs but also as a work influenced by expressionism.

While it has been several years since the last time I saw this film it is one that stays with a viewer for a long time. It is, broadly speaking, atmospheric as much as it is a narrative. Deming delves into what exactly this atmosphere is, and just to let you know, it isn't just the usual film noir atmosphere. There is an unease one feels while watching it, as well as periodic feelings of claustrophobia. In breaking down several of the scenes we find that Welles manipulates the viewer every bit as intentionally as he directs the actors.

Because I came to this initially as a fan of noir I hadn't given a lot of thought to what other influences or schools it might fall into. Deming makes a compelling case for this being expressionism as well, heavily influenced by German expressionism in particular. If you enjoy thinking about these elements of filmmaking, you will really like this book.

In addition, what is thematically at the heart of the movie? A murder case? Good vs bad? Moral vs immoral? Are these even distinct and separate entities when they are sought in the affairs of human beings? In fact one of the reasons the film can be a little unsettling to watch is because we don't always know who to pull for, who to despise, or even that we might be no better than the characters. Deming here discusses the ways in which ambiguity is part of every aspect of the film, from the screenplay to the shots to the rationales for actions that might otherwise signal where we should align our support. Is justice done? Did justice ever stand a chance? What even is justice?

I highly recommend this to film buffs and scholars as well as the casual film fan who happens to like this movie. There is a lot to consider and future viewings will benefit from having read this.

Reviewed from a copy made available by the publisher via NetGalley. ( )
  pomo58 | Apr 17, 2020 |
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Orson Welles' classic 1958 noir movie Touch of Evil, the story of a corrupt police chief in a small town on the Mexican-American border, starring Charlton Heston, Janet Leigh and Marlene Dietrich, is widely recognised as one of the greatest noir films of Classical Hollywood cinema. Richard Deming's study of the film considers it as an outstanding example of the noir genre and explores its complex relationship to its source novel, Badge of Evil by Whit Masterson. He traces the film's production history, and provides an insightful close analysis of its key scenes, including its famous opening sequence, a single take in which the camera follows a booby-trapped car on its journey through city streets and across the border.

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