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Bezig met laden... Among the Liliesdoor Daniel Mills
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A collection of 12 grotesqueries inspired by the natural and psychological landscapes of New England and by the ghosts that walk the places in-between. The long-awaited new collection of short stories from Daniel Mills, whose literary antecedents include Poe, Hawthorne, Vernon Lee, and John Darnielle. A visionary and poetic stylist. Contains the long out-of-print novella "The Account of David Stonehouse, Exile," and two new stories written expressly for this collection."Daniel Mills is a master of telling tales. . . ."--The New York Journal of Books"Daniel Mills is a writer to watch"--Black Static Magazine"Mills has a poetic and visionary style of his own, capable of uncovering the beauty in horror and the horror in beauty."- Reggie Oliver, Author of The Sea of BloodA pleasure to read, Daniel Mills's fiction would draw approving nods from any of the austere presences in whose literary footsteps he is following."- John Langan, Author of The Fisherman"If you like your horror well written, haunting and resonant, look no further: Daniel Mills is your Man!"- Rue Morgue Magazine"Daniel Mills is a modern master of the unspoken, a classical horror miniaturist whose writing references the bleak and existentially dread-full gothic Americana of Edgar Allan Poe, Nathaniel Hawthorne, Charlotte Perkins Gilman. Best read out loud around a failing fire on a darksome plain, as night sets in."- Gemma Files, Shirley Jackson award-winning author of Experimental Film Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)813.6Literature English (North America) American fiction 21st CenturyWaarderingGemiddelde:
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The triumph of this collection is the weight of dread that builds and builds as one progresses through its stories. Mills’s impeccable prose wastes nary a word as he spins his webs of enigmatic fear, entangling readers in mysteries without explanation that somehow reveal the world as a place both inexplicable and horrifying. Readers who appreciate beautiful writing will find much to admire here.
The only jarring note for me in an otherwise seamless collection was the sequencing that placed a story set partly in 1997 after several stories set in what sometimes appears to be and is sometimes explicitly stated to be the mid-to-late 1800s. While the tone of that story, “The Lake,” settled into something that fit the book, its rather more 20th-century themes of boys and bikes and traumatic coming-of-age experiences felt a little at odds with the other stories’ recurring themes of ill, dying, mad, and illicitly—often incestuously—sexual women and the men who are in some way ruined by proximity to such women’s pregnancies, birthings of children, and inevitable deaths. I also could not help feeling a little put off by the collection’s preoccupation with the horrors adjacent to female sexuality and illness—why is it that men must always find such horror in feminine existence?—though Mills certainly does not treat these horrors lightly, and I will add that my distaste and unease in some ways served to make the stories even more frightening, which may well have been the author’s intent.
Ultimately, though I did not always enjoy this collection’s themes, I could not help being swept away by its captivating style and the sheer quality of its sentence-level writing. I imagine I will keep an eye out for other books by Mills, and will recommend this volume to readers in search of something both excellently written and truly frightening.
I received a free digital advance copy of this title from Undertow Publications via Edelweiss+ in exchange for my review. ( )