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The world of Stonehenge

door Duncan Garrow

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492526,842 (4.33)1
Stonehenge is one of the best known, but most misunderstood, monuments in the world. Contrary to common belief, it was not a static, unchanging structure built by shadowy figures or druids. Rather it represents the cumulative achievement of numerous generations who were woven into a complex and widespread network of cultural interactions, environmental change, and belief systems. This publication, which accompanies the first exhibition about Stonehenge ever staged in London, uses the monument as a gateway to explore the communities and civilizations active at the time of its construction and beyond, between 4,000 and 1,000 BCE.Recent archaeological findings regarding the origin of Stonehenge's striking 'bluestones' have re-ignited interest in this ancient wonder, the people who built it, and the beliefs they held. Through the 'iconic' structure, spectacular objects of precious and exotic material and more humble, personal objects, authors Duncan Garrow and Neil Wilkin examine the dramatic cultural and societal shifts that characterized the world of Stonehenge, including the introduction of farming and development of metalworking.Covering a period of thousands of years, the publication traces the appearance of the first monuments in the landscape of Britain around 4,000 BCE, the arrival of the bluestones from the Preseli Hills in Pembrokeshire 1,000 years later, all the way up to a remarkable era of cross-Channel connectivity and trade between 1,500 and 800 BCE.Through a new study of the enigmatic and beautiful objects made and circulated during the age of Stonehenge, connections are charted in the shared religious practices and beliefs of communities from across Britain, Ireland, and continental Europe. The presence of other stone and wooden circles hundreds of miles from Salisbury Plain - including Seahenge, discovered on a beach in Norfolk in 1998 - is further evidence of these shared ways of thinking.At a critical moment in the narrative of Stonehenge, around 2,500 BCE, the significance of the cosmos and the heavens expressed through the construction of stone circles and megalithic passage tombs began to wane and portable objects gained increasing importance. This key transformation is demonstrated by a highlight object from Germany: the Nebra Sky Disc, a bronze disc inlaid with gold symbols believed to represent the Sun, a crescent moon and the Pleiades constellation. More modest items found in tombs, burials and settlements are no less important in shedding light on the development of ideas relating to identity, religious practices, and relationships between the living and dead.Monuments such as Stonehenge cannot be understood in isolation. Stonehenge was not always a static, monolithic structure: over generations it was adapted and added to by communities that changed and developed the landscape on which it still stands today.… (meer)
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This book (to accompany a 2022 British Museum exhibition) was uneven for me, as it seeks to find links between Stonehenge and other ancient monuments and artefacts.
After an introduction to the ideas behind the exhibition, the first two chapters convincingly describe the landscape around Stonehenge as a special, probably sacred, space during the mesolithic and early neolithic period leading to the construction of Stonehenge in the late neolithic, and seeking to draw connections between contemporary monuments around the British Isles which are also aligned with the summer and/or winter solstice.

The third chapter seeks to draw connections between artefacts linked to the sun. Firstly “sun-discs” and lunullas (collars or solid necklaces) made of gold. These artefacts are dated from the early Bronze Age, so after the original construction of Stonehenge, but possibly when the bluestones were being reconfigured.
Discussion then centres around Nordic bronze razors and the Trundholm sun chariot that illustrate a cycle of the sun from east to west and through the night involving fish, birds and boats. Also discussed are the Nebra sky disc and golden hats from around the North Sea. These are Bronze Age artefacts, created when the barrows were built on the hills surrounding Stonehenge, and can be argued to link back to the solar preoccupations of Stonehenge.

The final two chapters looks at various Bronze Age artefacts and for me, these chapters needed greater editing to more convincingly link them back to the Stonehenge landscape, rather than drifting through highlights from Bronze Age Britain, Ireland and Northern Europe.

In an exhibition catalogue there must always be a tension between providing a cohesive narrative based upon the exhibits and detailing the items displayed. As you can tell from my comments above, I felt that the catalogue lost its cohesion during the third chapter and wandered too far temporally from the World of Stonehenge.

As expected from the catalogue to a British Museum exhibition, this is well produced and illustrated book. ( )
  CarltonC | Nov 13, 2023 |
Written to accompany the exhibition at the British Museum in February to June 2022, this lavishly illustrated volume reveals munch about the finds that were on display. The book concentrates on the society and cultures that built Stonehenge and adapted it over the period of its greatest use from 4000 to 1000BC, rather than the transport of the sarsens to the site and their erection. To illustrate the lives of the people involved over this time, the authors draw evidence form not only the arear around Stonehenge, but show how they were influenced from far afield, with items drawn from across not only from the length and breadth of Britain, but Ireland, France, Scandinavia, Germany, Switzerland, Spain and Portugal. This leads to a fascinating account of how the monument and its use changed over the period in response to new customs arising from these far-flung contacts.
1 stem camharlow2 | Sep 25, 2022 |
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Stonehenge is one of the best known, but most misunderstood, monuments in the world. Contrary to common belief, it was not a static, unchanging structure built by shadowy figures or druids. Rather it represents the cumulative achievement of numerous generations who were woven into a complex and widespread network of cultural interactions, environmental change, and belief systems. This publication, which accompanies the first exhibition about Stonehenge ever staged in London, uses the monument as a gateway to explore the communities and civilizations active at the time of its construction and beyond, between 4,000 and 1,000 BCE.Recent archaeological findings regarding the origin of Stonehenge's striking 'bluestones' have re-ignited interest in this ancient wonder, the people who built it, and the beliefs they held. Through the 'iconic' structure, spectacular objects of precious and exotic material and more humble, personal objects, authors Duncan Garrow and Neil Wilkin examine the dramatic cultural and societal shifts that characterized the world of Stonehenge, including the introduction of farming and development of metalworking.Covering a period of thousands of years, the publication traces the appearance of the first monuments in the landscape of Britain around 4,000 BCE, the arrival of the bluestones from the Preseli Hills in Pembrokeshire 1,000 years later, all the way up to a remarkable era of cross-Channel connectivity and trade between 1,500 and 800 BCE.Through a new study of the enigmatic and beautiful objects made and circulated during the age of Stonehenge, connections are charted in the shared religious practices and beliefs of communities from across Britain, Ireland, and continental Europe. The presence of other stone and wooden circles hundreds of miles from Salisbury Plain - including Seahenge, discovered on a beach in Norfolk in 1998 - is further evidence of these shared ways of thinking.At a critical moment in the narrative of Stonehenge, around 2,500 BCE, the significance of the cosmos and the heavens expressed through the construction of stone circles and megalithic passage tombs began to wane and portable objects gained increasing importance. This key transformation is demonstrated by a highlight object from Germany: the Nebra Sky Disc, a bronze disc inlaid with gold symbols believed to represent the Sun, a crescent moon and the Pleiades constellation. More modest items found in tombs, burials and settlements are no less important in shedding light on the development of ideas relating to identity, religious practices, and relationships between the living and dead.Monuments such as Stonehenge cannot be understood in isolation. Stonehenge was not always a static, monolithic structure: over generations it was adapted and added to by communities that changed and developed the landscape on which it still stands today.

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