I've never really been a fan of circuses, real or imagined. I definitely don't search them out in my reading but so many people love books about them that I keep trying them despite knowing that they are likely to be a miss for me. Unfortunately, that is the case here. I found Lindsay Eagar's The Family Fortuna slightly off-kilter, slightly disturbing, and honestly, slightly boring.

The Family Fortuna is a traveling circus that travels the West. Arturo Fortuna is the patriarch of the family and ringmaster but youngest daughter, Avita, is the headliner and star of the entire spectacle. She is a monstrous, feathered and beaked girl whose snarling, chicken slaughtering show terrifies and thrills and rakes in money. She delights in being able to inspire fear, horror, and nightmares until she sees a young man who does not gasp at her theatrics. He is an artist and he might just see her inner person, beyond the freak of circus hype, so she helps him get a commission to paint new posters for the show. She is convinced he will expose the truth of her humanity. What he shows her is other people's perception of her, which pushes her to find a way to become the person she wants to be, all while there are crises, large and small, financial and personal, brewing in the circus as a whole.

This YA novel is incredibly character driven, to the point that it is almost plotless. Avita and her search for freedom and an authentic sense of self are the main focus. There are occasional shifts to other characters, emotionally abusive, narcissistic father Arturo; long-suffering, superstitious and religious Mama; older sister Luna, who is the silvery, stunning goddess who rules over the kootchy girl tent; and older brother Ren, who is a little person (non-performing) and the circus' frugal accountant. The chapters from the other characters are so few in number that they seem like interruptions to the story and don't truly serve to fully flesh those characters out. There is an antique feel to the whole story, and a feeling that the reader shouldn't look beyond the illusions or too closely at the peeling paint in the shadows here. The writing is filled with florid descriptions, similes, and metaphors in the way that a circus barker or ringmaster might exaggerate in their patter but it comes off as slightly ridiculous and strange on the page. Those who enjoy circus-set stories might like this overly long novel far better than I did; I just wasn't drawn into the grotesquerie. ( )

Trigger Warnings: Verbal abuse

The Family Fortuna is a story set in 1889 that follows a carnival circus run by the Fortuna family. It mostly follows Avita, a monstrous looking bird woman who is the daughter of the ringmaster of The Family Fortuna. It also goes into the POV of her family members: her brother, Lorenzo, her sister, Luna, and her mother and father. They’ve all lived and worked at the circus together, but their world changes when Avita meets an artist who isn’t afraid of her and gets commissioned to make new portraits of all the acts.

I enjoyed this historical fiction young adult debut novel set in a carnival/circus. It really gave a good dive into the behind the scenes of a circus in the 1880’s.

Some of the word choices threw me off, though I did chalk it up to the time period as well as the word choices of the characters, who do live in a circus. Though the word “fart(s)” always throws me off way more than it probably should, and the characters use it quite frequently to describe the worth of others. Sometimes the way that Avita would talk about her sister, Luna, was a little weird too - like talking about her breasts and her figure.

What I will say is the word choices that Avita uses to describe herself, thanks to being who she was and especially the way her dad would talk about her, was what really described to me how she looked. Because it slightly changed the further into the book you would go, because the confidence level of Avita changed. She was still a bird woman, but it felt less like the horror movie monster towards the end of the book.

The pacing of this was a little slow and towards the end I did end up skimming a lot of it. I feel like it could have been cut down a bit and the story still would have been fantastic.

Overall, this was a good historical read that shows the inner runnings of the circus back in the day. I can see those who like a little horror mixed with family drama enjoying this book.

*Thanks Publishers Weekly and Candlewick Press for a digital advance copy of this book in exchange for an honest review ( )