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The Metropolitan Opera Murders (1951)

door Helen Traubel, Harold Q. Masur (Auteur)

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553471,744 (3.86)6
"A scandalous and satisfying behind-the-scenes look at the glamorous world of opera, from an insider who was herself the lead soprano at the Met for many years, and a popular performer on radio and television. The backstage drama at the Metropolitan Opera often rivals the onstage performances but generally doesn't prove fatal. Not so for prompter Rudolf Salz, who chose a most inopportune moment during the second act of Wagner's Die Walküre to die of strychnine poisoning-directly in view of the star of the opera, Elsa Vaughn. Not surprisingly, she misses a note or two. When Detective-Lieutenant Sam Quentin arrives on the scene, he learns that the poison was in a bottle of scotch whiskey pilfered from Miss Vaughn's dressing room. Was she the intended victim? Several attempts had been made recently to harm the soprano-ground glass in her cold cream, toppling scenery, flowers treated to induce an allergic reaction. Was this all the work of her understudy, the very ambitious Miss Hilda Semple? Or was the poison truly intended for Salz, an embittered former Wagnerian tenor, once world-famous, and now reduced to coaching other singers? When a second murder takes place, Vaughn can no longer deny that she may be a target"--… (meer)
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Toon 3 van 3
This is a lively whodunnit murder mystery story, set in New York City circa 1950. It opens with a dramatic death on stage at the Metropolitan Opera. There's a closed circle of suspects and the pacing of the storytelling creates suspense. The setting is the Metropolitan Opera and there's plenty of opera trivia included in the story. Most of the characters are connected with the world of opera, either as a performer or a behind-the-scenes person. They bring their egos and ambitions to the story giving a real life dimension to their actions. Detective Sam Quentin of the New York Police leads the search for the killer and follows a trail of red herrings.
A "contextual" Introduction and explanatory footnotes help the reader put the book in perspective. (One revelation is that it was ghostwritten by Harold Q. Masur, a writer of several crime novels).
Recommended. ( )
  BrianEWilliams | Aug 9, 2022 |
As a fan of opera i Love the setting of this mystery. Keeps u guessing. ( )
  kakadoo202 | Jan 12, 2019 |
Note: I accessed a digital review copy of this book through Edelweiss.
  fernandie | Sep 15, 2022 |
Toon 3 van 3
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» Andere auteurs toevoegen

AuteursnaamRolType auteurWerk?Status
Helen Traubelprimaire auteuralle editiesberekend
Masur, Harold Q.Auteurprimaire auteuralle editiesbevestigd

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"A scandalous and satisfying behind-the-scenes look at the glamorous world of opera, from an insider who was herself the lead soprano at the Met for many years, and a popular performer on radio and television. The backstage drama at the Metropolitan Opera often rivals the onstage performances but generally doesn't prove fatal. Not so for prompter Rudolf Salz, who chose a most inopportune moment during the second act of Wagner's Die Walküre to die of strychnine poisoning-directly in view of the star of the opera, Elsa Vaughn. Not surprisingly, she misses a note or two. When Detective-Lieutenant Sam Quentin arrives on the scene, he learns that the poison was in a bottle of scotch whiskey pilfered from Miss Vaughn's dressing room. Was she the intended victim? Several attempts had been made recently to harm the soprano-ground glass in her cold cream, toppling scenery, flowers treated to induce an allergic reaction. Was this all the work of her understudy, the very ambitious Miss Hilda Semple? Or was the poison truly intended for Salz, an embittered former Wagnerian tenor, once world-famous, and now reduced to coaching other singers? When a second murder takes place, Vaughn can no longer deny that she may be a target"--

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