If you have not discovered Guy de Maupassant, this collection is an excellent way to do so. Containing the short novel Pierre and Jean, the novelette “The Roque Girl”, and eleven short stories, it provides a nice perspective of his work.

Pierre and Jean, in some respects, shouldn’t work. The plot, stripped to its barest bones, could easily be taken as soap opera. It is the story of two brothers who are in constant competition (not much of a stretch there). One receives an inheritance windfall from an unexpected source. The second brother (around whom most of the story revolves) then begins to explore what is actually occurring. At the same time, he explores his relationship with his brother, mother, father, and, as one would expect, the world around him. There could be much “soap-operary” about what ensues and, at times, it slips that way (for example, in the wrapping up of particulars at the end of the story). However, the testament to de Maupassant’s skill is the way he transcends what could be a trivial plot. In particular, the second brother’s discovery of the truth behind all that has transpired is as much about his mental anguish as it is the discovery of that final truth. We watch him constantly struggling between opposing interpretations of events in a way that feels natural; that feels like the way any of us would swing between these feelings if we were caught in the dilemma. An excellent story, this stands with any other de Maupassant you may read.

Now add the excellent novelette “The Roque Girl” about the mysterious and brutal death of a young girl and the ensuing investigation. Just over half-way through, we learn the ugly truth, but de Maupassant has left us just enough clues that we already know that truth, and don’t want to believe. Yet, even though we know the truth, there is still more story to tell, and de Maupassant keeps us intrigued throughout.

Finally, the short stories. There is an interesting mix here. Some are merely clever (amusing tales). Others hinge on a sly twist or revelation (to mixed effect.) And others are pure classics with enough detail to engross the reader, a good story that is well told, and surprises that also amuse. All told, an excellent collection with very few slightly false notes. ( )