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Types Best Remembered/Types Best Forgotten: A Collection of Observations on Types Best Remembered/Forgotten

door Robert Norton

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Above all this is a fun book. A large part of what might be called the Graphic Mafia was canvassed for its views on what typefaces were good & what typefaces were lousy. Answers come from a wide range of people working in America & Europe, from type designers like Hermann Zapf & Matthew Carter, through journalists like Daniel Will-Harris & Kathleen Tinkel, scholars like John Dreyfus, printers like Sebastian Carter & Jack Stauffacher, & graphic designers like John Miles & Alan Fletcher to type founders like Cynthia Hollandsworth & Mark Batty. Some pieces are witty. Some pieces are serious. Some are very short. One or two are far too long. What one person loves another might hate. Now that more than thirty million computers a year are being added to the desk top publishing pool, the book is revealing for a growing number of neophytes. It is probably valuable for design students. And it is certainly fun for the professionals. Enquiries to Parsimony Press, #407, 9715 Juanita Drive NE, Kirkland, WA 98034.… (meer)
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This would have been a delightful keepsake after a typographical convention (perhaps that's what it actually is), but as an actual book out in the world for laypeople to read, nope. Various typographers or type designers were asked about a favourite or hated typeface, and responded with varying intensity and amounts, from sentences like "I enjoy Garamond" to two-page small print diatribes. It's a bit like when your knitting circle exchanges recipes--fun, but not the stuff that literary greatness is made of. If you're interested in learning more about typefaces, make sure you read Stop Stealing Sheep first, and then branch out from there into the less satisfying esoterica.

(Note: 5 stars = amazing, wonderful, 4 = very good book, 3 = decent read, 2 = disappointing, 1 = awful, just awful. I'm fairly good at picking for myself so end up with a lot of 4s). I feel a lot of readers automatically render any book they enjoy 5, but I grade on a curve! ( )
  ashleytylerjohn | Oct 13, 2020 |
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Above all this is a fun book. A large part of what might be called the Graphic Mafia was canvassed for its views on what typefaces were good & what typefaces were lousy. Answers come from a wide range of people working in America & Europe, from type designers like Hermann Zapf & Matthew Carter, through journalists like Daniel Will-Harris & Kathleen Tinkel, scholars like John Dreyfus, printers like Sebastian Carter & Jack Stauffacher, & graphic designers like John Miles & Alan Fletcher to type founders like Cynthia Hollandsworth & Mark Batty. Some pieces are witty. Some pieces are serious. Some are very short. One or two are far too long. What one person loves another might hate. Now that more than thirty million computers a year are being added to the desk top publishing pool, the book is revealing for a growing number of neophytes. It is probably valuable for design students. And it is certainly fun for the professionals. Enquiries to Parsimony Press, #407, 9715 Juanita Drive NE, Kirkland, WA 98034.

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