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Bezig met laden... Gil Blas de Santillane. T. Idoor Alain René Lesage, Ernest Rhys (Introductie), Tobias Smollett
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Aventuras De Gil Blas De Santillana Robadas Espa a, Volume 1; Aventuras De Gil Blas De Santillana Robadas Espa a; Alain Ren Le Sage 4 Alain Ren Le Sage Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)843.5Literature French and related languages French fiction 18th century 1715–89LC-classificatieWaarderingGemiddelde:
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The novel concerns one Gil Blas, who sets out to display his slack-jawed idiocy to the world. As just one example of what I mean by multiple levels, early on (I don't think I'm giving away too much here) he is captured by bandits, imprisoned and forced into servitude. He effects his escape by robbing a member of the clergy and is consequently plunged into a series of adventures where he is alternately imprisoned or in servitude. So you have an interesting story, a moral and character development. Also, by placing Gil Blas at the bottom of society, Le Sage can aim his satire squarely at the ruling classes.
This is an episodic novel. I like an episodic novel but I'm prepared to admit that the main problem with them is that they are, well, episodic. But here there's a smooth richness to the segues that really adds something. And the whole undertaking is elevated by recurring themes and characters and a mirroring of incident from one episode to another.
Just a word on this edition, the Everyman. It's Malkin's revision of Smollett's translation. I had a quick look at Smottlett's and Malkin appears to follow him structurally clause by clause, but often using different words, near synonyms etc. I suppose it was an updating at the time, but now both are old-fashioned. But don't let that put you off. It's well written and the style fits the nature of the story. There are no notes in the Everyman and there are a number of references which I couldn't understand specifically though they're usually clear from the context. Le Sage categorically denies that the characters who are objects of his satire are based on real people. Frankly, I don't believe him. I suspect that a scholarly edition would identify those individuals. That's the only place where I really missed having notes. ( )