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Bezig met laden... Against Voluptuous Bodies: Late Modernism and the Meaning of Paintingdoor J. M. Bernstein
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The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)759.06The arts Painting History, geographic treatment, biography History 1900-1999LC-classificatieWaarderingGemiddelde:
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In this collection of related essays, Bernstein examines the role of modern art as it relates to the modern predicament as diagnosed by Adorno (i.e. alienation from society and from nature through reification). Within this context, Bernstein analyzes the work of artists such as Soutine, Pollock, Cindy Sherman and Anthony Caro.
Another caveat: If you don't share buy the claims made by Adorno in works such as _Dialectic of Enlightenment_ or _Aesthetic Theory_, then this book may not be for you. Bernstein working within this context rather than attempting to defend it. ( )