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Bezig met laden... Getting The Picturedoor Sarah Salway
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. An interestingly developed tale - told in email, phone messages and letters - of the inhabitants of a nursing home in England. The main characters: Martin Morris,George Griffiths, Nell Baker and Angie Griffiths are inter-related in a twisting and turning way. Well done and look forward to more by the author. geen besprekingen | voeg een bespreking toe
Description 'Do you remember that first time we met? It was in the old studio in Brunson Road. How much did we miss, love, by not being together?' In the early 1960s, Maureen Griffiths, married with children, accompanies a friend to a modelling shoot, never intending to be in front of the camera herself. But after meeting photographer Martin Morris, Maureen is transformed ?? and Martin quickly falls for her. It is forty years later. Shortly after Maureen's death, Martin moves into Pilgrim House, a retirement home, in part because Maureen's husband, George, is also a resident there. Through t. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.92Literature English English fiction Modern Period 2000-LC-classificatieWaarderingGemiddelde:
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This is truly a unique work -- the multi-narrator format is used to its full potential, showing a multitude of characters first from an external perspective, and then, once the reader has her loyalty set, Salway changes narrators in order to reveal the motivations of another characters, changing our sympathies all over again. The ending is telegraphed about three-quarters of the way through, but that makes the redemption theme no less sweet or rewarding.
The real charm of Getting the Picture is the quirky, full-of-life characterizations that Salway brings to her geriatric characters. They are colorful, storied and ultimately extremely believable. The younger characters are also well-drawn, but less memorable. ( )