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Bezig met laden... Hawksong: The Kiesha'ra: Volume One (The Keisha'ra, 1) (editie 2003)door Amelia Atwater-Rhodes (Auteur)
Informatie over het werkHawksong door Amelia Atwater-Rhodes
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Atwater-Rhodes is perhaps best known for her first novel, “In the Forests of the Night,” published at a precocious age fourteen. But “Hawksong” marks her venture into the shapeshifter realm, and an excellent one it is. Danica Shardae is the heir to the avian shapeshifter kingdom, which has long been at war with the royal serpent family, which is about to be inherited by Zane Cobriana. The royal families have been decimated by the wars, and both kingdoms have grown tired of the battles. In a peace meeting mediated by the royal cats, a treaty cemented by marriage is suggested, much to the horror of both royal houses. Still, both Danica and Zane cannot help but wonder what such a peace would be like, and after some under-the-table negotiation, decide to pledge to one another despite their natural antipathy. Though the novel draws on familiar storylines — “Beauty and the Beast” and “Romeo and Juliet” are the most obvious — young Twilight fans will certainly enjoy this book, which also has several sequels of varying quality. Personally I find that this first book is the best of the series. It is a quick read and can easily be completed in one sitting. Hawksong may look like a short book, but there is certainly nothing simple about it. I liked it best out of the series, but the others still captured my attention. One hawk-shapeshifter, heiress to an avian race. One cobra-shapeshifter, prince of the serpents. One cool and aloof, the other sensual and sensitive. Both of them sick of the endless war between their people. Both willing to do anything to end it...even when it means becoming pair-bonded with each other. Danica and Zane's emotional and political journey never fails to awe and move me. The lessons about love, emotion, race, and stereotype are there, but they are woven intricately into the characters and story. You travel right along with them, find yourself falling in love with both of them, and at the end, you leave with an enduring sense of inspiration and hope. Incredible fantasy, especially when you consider Atwater-Rhodes wrote it as a teen! geen besprekingen | voeg een bespreking toe
Onderdeel van de reeks(en)The Kiesha'ra (1) Is opgenomen inPrijzenErelijsten
In a land that has been at war so long that no one remembers the reason for fighting, the shapeshifters who rule the two factions agree to marry in the hope of bringing peace, despite deep-seated fear and distrust of each other. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC-classificatieWaarderingGemiddelde:
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This book is amazing in terms of character, plot, and world-building. Danica and Zane are steeped in their respective cultures and this creates complex and dynamic characters as they are challenged to overcome their prejudice and learn to live in each other’s world. Their successes and failures at adapting is what adds the tension to the plot—oh, and assassination attempts. Those cause tension too.
One aspect of the world building that I would critique is that Atwater-Rhodes decided to set this novel in our world without any explanation or connection. There is a Chinese pillow mentioned, then later we learn the origins of the shapeshifters are from Egypt, and they briefly mention the human world. Besides these puzzling moments, there’s no real explanation of how these large and complex kingdoms of animal shapeshifters exist inside the human world. That being said, it’s rarely mentioned and doesn’t affect anything, so while it is puzzling I choose not to let it bother me.
One reviewer remarked that since this book is pre-Twilight the way the romance is written perhaps wouldn’t feel as exciting to current YA readers. That may be true, but I’m fascinated how each era tells stories in a different way. We can’t tell a story like they did in the early 2000s just like they couldn’t tell a 2010s story. It’s not good or bad, it’s just the nature of storytelling. For better or worse, the publishing world today wouldn’t print such a short high fantasy novel. From my perspective, because pre-Twilight YA is so different from now, that makes this story even more refreshing.
One of the most astounding things about this novel is that it stands the test of time. There are books that I loved as a teen that just weren’t as good on a second read, but this book—the characters, the cultures, the plot—is still as addicting as it was when I first read it during the ice storm that hit the Midwest more than a decade ago. ( )