Aeon J. Skoble
Auteur van The Simpsons and Philosophy: The D'oh! of Homer
Over de Auteur
Aeon J. Skoble is Associate Professor of Philosophy at Bridgewater State College in Massachusetts.
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The Simpsons and Philosophy: The D'oh! of Homer… door William Irwin
https://archidose.blogspot.com/2014/04/book-review-simpsons-and-philosophy.html
El propio Homer Simpson afirma que «las series animadas no tienen significado profundo. Son sólo unos dibujos estúpidos para pasar el rato» (T03 E02). Con todo, este libro no sólo tiene mucho que decir sobre ese gran artefacto cultural de nuestro tiempo que es Los Simpson a entusiastas y detractores de la serie por igual, sino que es una introducción entretenida y al mismo tiempo rigurosa a la obra de pensadores como Aristóteles, Kant, Heidegger o Sartre, entre muchos otros.
Just the fact that this book exists is awesome. I love the chapter about Lisa and how we live in an anti-intellectual society. However, there is a downside: the essays are written in an academic format, and thus don't read fluidly, which I think would have made this book perfect.
Disappointing
I was not terribly impressed by this book. The problem is not that I'm not a fan of "The Simpsons"; I watch that show in reruns just about every day. The problem is not that I don't find philosophy interesting; I own about 40 books on philosophy and tend to spend a lot of my spare time reading them. I gave the first book in this series (_Seinfeld and Philosophy_) 4 stars. The authors of that book had meaningful things to say about the philosophical aspects of "Seinfeld", but they seemed to think it would be hilarious if they liberally and randomly inserted phrases like "not that there's anything wrong with that" into their essays, and that got old really quick. (To get an idea how annoying this can be, think of your acquaintances who can't seem to carry on a conversation without repeating dialogue from _Monty Python and the Holy Grail_.)
In _The Simpsons and Philosophy_, the editors have managed to keep the cuteness under control, but the authors don't establish too many non-obvious connections between philosophy and the show. Part of the problem is that some of them don't seem to be very familiar with the program and with popular culture, in general. For example, the author of one essay asserts that Maude Flanders was killed at a football game and that the running character on the old Letterman show was the "equalizer guy", and seems unaware that the song "Jazzman" that was featured in the episode about the death of Bleeding Gums Murphy was an old Carole King hit. Another essay reveals the shocking fact that "The Simpsons" does not, to the essay's author's dismay, push a consistent Marxist agenda.
Several of the essays make only tangential and superficial reference to the Simpsons. It's hard to suppress the impression that many of the authors are junior faculty members who jumped at the chance to pad their CV's by taking an old essay of theirs and dressing it up with token reference to the Simpsons. There is also an essay or two that reads like another Alan Sokal parody.… (meer)
I was not terribly impressed by this book. The problem is not that I'm not a fan of "The Simpsons"; I watch that show in reruns just about every day. The problem is not that I don't find philosophy interesting; I own about 40 books on philosophy and tend to spend a lot of my spare time reading them. I gave the first book in this series (_Seinfeld and Philosophy_) 4 stars. The authors of that book had meaningful things to say about the philosophical aspects of "Seinfeld", but they seemed to think it would be hilarious if they liberally and randomly inserted phrases like "not that there's anything wrong with that" into their essays, and that got old really quick. (To get an idea how annoying this can be, think of your acquaintances who can't seem to carry on a conversation without repeating dialogue from _Monty Python and the Holy Grail_.)
In _The Simpsons and Philosophy_, the editors have managed to keep the cuteness under control, but the authors don't establish too many non-obvious connections between philosophy and the show. Part of the problem is that some of them don't seem to be very familiar with the program and with popular culture, in general. For example, the author of one essay asserts that Maude Flanders was killed at a football game and that the running character on the old Letterman show was the "equalizer guy", and seems unaware that the song "Jazzman" that was featured in the episode about the death of Bleeding Gums Murphy was an old Carole King hit. Another essay reveals the shocking fact that "The Simpsons" does not, to the essay's author's dismay, push a consistent Marxist agenda.
Several of the essays make only tangential and superficial reference to the Simpsons. It's hard to suppress the impression that many of the authors are junior faculty members who jumped at the chance to pad their CV's by taking an old essay of theirs and dressing it up with token reference to the Simpsons. There is also an essay or two that reads like another Alan Sokal parody.… (meer)
Misschien vindt je deze ook leuk
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Statistieken
- Werken
- 8
- Leden
- 1,494
- Populariteit
- #17,196
- Waardering
- 3.5
- Besprekingen
- 12
- ISBNs
- 30
- Talen
- 5