Ian Tregillis
Auteur van Bitter Seeds
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Werken van Ian Tregillis
When God Sits in Your Lap [short fiction] 2 exemplaren
Steady Hands & A Heart of Oak 1 exemplaar
The Tin Man's Lament 1 exemplaar
Gerelateerde werken
The Best Science Fiction and Fantasy of the Year Volume Five (2011) — Medewerker — 149 exemplaren, 4 besprekingen
The Magazine of Fantasy and Science Fiction July/August 2014, Vol. 127, Nos. 1 & 2 (2014) — Medewerker — 14 exemplaren, 1 bespreking
Six Tor.com Science Fiction & Fantasy Stories from the 2010 Locus Recommended Reading List (2011) — Medewerker — 7 exemplaren, 2 besprekingen
Tor.com Short Fiction: Nov/Dec 2020 — Medewerker — 7 exemplaren
Asimov's Science Fiction: Vol. 44, No. 9 & 10 [September/October 2020] (2020) — Medewerker — 3 exemplaren
Tagged
Algemene kennis
- Geboortedatum
- 1973-06-22
- Geslacht
- male
- Nationaliteit
- USA
- Geboorteplaats
- McLeod County, Minnesota, USA
- Woonplaatsen
- Santa Fe, New Mexico, USA
- Opleiding
- University of Minnesota (PhD | Physics)
Clarion Writers Workshop - Beroepen
- physicist
- Agent
- Kay McCauley
[UK & Commonwealth] John Berlyne (Zeno Agency)
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Misschien vindt je deze ook leuk
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Statistieken
- Werken
- 25
- Ook door
- 21
- Leden
- 2,852
- Populariteit
- #8,996
- Waardering
- 3.8
- Besprekingen
- 165
- ISBNs
- 82
- Talen
- 6
- Favoriet
- 2
The book until page 144 to get interesting. After that, we finally got into the swing of things -- possibly because we finally got some more personas to working with that weren't just constructs of the Plemora, heavenly domain of the Angels. After that, it slowly began to accelerate up until we finally hit the dime drop. The conclusion came too fast, with too much exposition, and I was left a little reeling by it.
The good: some of this stuff is amazing. Some of the rules are interesting. Molly is a bitchin' lesbian protagonist, which we don't really get much, and she don't take no shit. Her agency -- which is a huge crux of the plot -- is great, and Tregillis never disappoints with amazing, dynamic women. The near future the story is only hinted at. The penitente, as a concept, is amazing, especially once you know what's at the root of the movement.
The bad: The adherence to crime noir slang and tropes -- to the point where a librarian can piece this shit together with a single literary reference is beyond silly. We never understand why our inevitable con man chooses that mode, why that type of story is the sort of story that must play in, and why.
The middling: That is one hell of an unreliable narrator, and I felt indignant, having been lied to for nearly 300 pages.
So: Did like bits of, super frustrated by other bits, but it definitely ranks a 3 out of 5. Think I'm going to take a break with another author for my next book, though. I've read a lot of Tregillis over the last couple of months, and I need to have a palette cleanser before I take on Milkweed.… (meer)