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Chuang Tsu / Inner Chapters (2011)

door Zhuangzi

Andere auteurs: Zie de sectie andere auteurs.

Reeksen: Eeuwige momenten (5), Eeuwige momenten (5)

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Revered for millennia in the Chinese spiritual tradition, Chuang Tzu stands alongside the Tao Te Ching as a founding classic of Taoism. The Inner Chapters are the only sustained section of this text widely believed to be the work of Chuang Tzu himself, dating to the fourth century B.C.E. Witty and engaging, spiced with the lyricism of poetry, Chuang Tzu's Taoist insights are timely and eternal, profoundly concerned with spiritual ecology. Indeed, the Tao of Chuang Tzu was a wholesale rejection of a human-centered approach. Zen traces its sources back to these Taoist roots -- roots at least as deep as those provided by Buddhism. But this is an ancient text that yields a surprisingly modern effect. In bold and startling prose, David Hinton's translation captures the "zany texture and philosophical abandon" of the original. The Inner Chapters' fantastical passages -- in which even birds and trees teach us what they know -- offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. And interwoven with Chuang Tzu's sharp instruction on the Tao are short-short stories that are often rough and ribald, rich with satire and paradox. On their deepest level, the Inner Chapters are a meditation on the mysteries of knowledge itself. "Chuang Tzu's propositions," the translator's introduction reminds us, "seem to be in constant transformation, for he deploys words and concepts only to free us of words and concepts." Hinton's vital new translation makes this ancient text from the golden age of Chinese philosophy come alive for contemporary readers.… (meer)
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Los Capítulos interiores de Zhuang Zi

Según los bibliógrafos chinos, estos siete primeros capítulos son los únicos que pueden atribuirse al propio Zhuang Zi, siglo IV antes de Cristo.
  URBEZCALVO | Feb 11, 2018 |
A beautiful and enlightened collection of sayings from Taoist master Chuang-Tsu, and in a stunning edition, with black and white photographs that fit the text, as well as the original Chinese.

Quotes:
On accepting fate:
“Tsu Yu fell ill, and Tsu Szu went to see him. Tsu Yu said, ‘Great is the maker of things that He should make me as deformed as this!’
His crooked spine was curled round like a hunchback; his five organs were upside down; his chin rested on his navel; his shoulders rose up above his head; his neckbone pointed to the sky. His body was sick, yet he was calm and carefree. He limped to the well and looked at his reflection and said ‘Ah! The Maker of Things has made me all crooked like this!’
‘Does this upset you?’ asked Tsu Szu.
‘No, why should it? If my left arm became a rooster, I would use it herald the dawn. If my right arm became a crossbow, I would shoot down a bird for roasting. If my buttocks became wheels and my spirits a horse, I would ride them. What need would I have for a wagon? For we were born because it was time, and we die in accordance with nature. If we are content with whatever happens and follow the flow, joy and sorrow cannot affect us. This is what the ancients called freedom from bondage. There are those who cannot free themselves because they are bound by material existence. But nothing can overcome heaven. That is the way it has always been. Why should I be upset?’”

On effortlessness:
“This was the true man of old. He stood straight and firm and did not waver. He was of humble mien but was not servile. He was independent but not stubborn, open to everything yet made no boast. He smiled as if pleased, and responded to things naturally. His radiance came from his inner light. He remained centered even in the company of others. He was broadminded as if he agreed with everyone, high-minded as if beyond influence, inward-minded as if he would like to withdraw from the world, and absent-minded as if unaware of what he was going to say. ... He acted effortlessly, yet people thought that he was trying very hard.”

On opinions:
“Great knowledge is all-encompassing; small knowledge is limited. Great words are inspiring; small words are chatter. When we are asleep, we are in touch with our souls. When we are awake, our senses open. We get involved with our activities and our minds are distracted. Sometimes we are hesitant, sometimes underhanded, and sometimes secretive. Little fears cause anxiety, and great fears cause panic. Our words fly off like arrows, as though we knew what was right and wrong. We cling to our own point of view, as though everything depended on it. And yet our opinions have no permanence: like autumn and winter, they gradually pass away. We are caught in the current and cannot return. We are tied up in knots like an old clogged drain; we are getting closer to death with no way to regain our youth. Joy and anger, sorrow and happiness, hope and fear, indecision and strength, humility and willfulness, enthusiasm and insolence, like music sounding from an empty reed or mushrooms rising from the warm dark earth, continually appear before us day and night. No one knows whence they come. Don’t worry about it! Let them be! How can we understand it all in one day?”

On the ‘true man’, interesting to compare this translation to the one in Merton’s book:
“But what is a true man? The true man of old did not mind being poor. He took no pride in his achievements. He made no plans. Thus, he could commit an error and not regret it. He could succeed without being proud. Thus, he could climb mountains without fear, enter water without getting wet, and pass through fire unscathed. This is the knowledge that leads to Tao.
The true man of old slept without dreaming and woke without anxiety. His food was plain, and his breath was deep. For the breath of the true man rose up from his heels while the breath of common men rises from their throats. When they are overcome, their words catch in their throats like vomit. As their lusts and desires deepen, their heavenly nature grows shallow.
The true man of old knew nothing about loving life or hating death. When he was born, he felt no elation. When he entered death, there was no sorrow. Carefree he went. Carefree he came. That was all. He did not seek his end. He accepted what he was given with delight, and when it was gone, he gave it no more thought. This is called not using the mind against Tao and not using man to help heaven. Such was the true man.”

And this one:
“Do not seek fame. Do not make plans. Do not be absorbed by activities. Do not think that you know. Be aware of all that is and dwell in the infinite. Wander where there is no path. Be all that heaven gave you, but act as though you have received nothing. Be empty, that is all.
The mind of a perfect man is like a mirror. It grasps nothing. It expects nothing. It reflects but does not hold. Therefore, the perfect man can act without effort.” ( )
1 stem gbill | Nov 25, 2012 |
"Long ago, a certain Chuang Tzu dreamt he was a butterfly -- a butterfly fluttering here and there on a whim, happy and carefree, knowing nothing of Chuang Tzu. Then all of a sudden he woke to find that he was, beyond all doubt, Chuang Tzu. Who knows if it was Chuang Tzu dreaming a butterfly, or a butterfly dreaming Chuang Tzu?" -- Chapter 2, Chuang Tzu: The Inner Chapters

Chuang Tzu: The Inner Chapters is a collection of parables believed to have been written by the Taoist teacher Chuang Tzu during the 4th century BCE. This work, along with the Tao Te Ching of Lao Tzu, is considered to be the framework over which the philosophy of Taoism developed.

Parables tend to be enigmatic at the best of times and this collection, written not only centuries but millennia ago, is no exception. This isn't a work to be read once and then put aside. These stories will send you off down a path you didn't intend to follow and then bring you back where you started, with the story itself. I found reading this overview of Chuang Tzu from the Internet Encyclopedia of Philosophy, in conjunction with the text, to be very helpful.

This was my first time reading Chuang Tzu: The Inner Chapters and I still haven't tried the Outer Chapters or the Mixed Chapters. I'm sure I'll be coming back to these stories again, and probably coming away with something different each time. ( )
1 stem aleahmarie | Sep 23, 2011 |
can't live without ( )
  p_stillman | Oct 10, 2010 |
Not your typical analytic or continental stuff. Nothing more to say (pun). ( )
  adammademe | Feb 10, 2009 |
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» Andere auteurs toevoegen (26 mogelijk)

AuteursnaamRolType auteurWerk?Status
ZhuangziAuteurprimaire auteuralle editiesbevestigd
English, JaneVertalerprimaire auteursommige editiesbevestigd
Feng, Gia-FuVertalerprimaire auteursommige editiesbevestigd
Graham, A. C.VertalerSecundaire auteursommige editiesbevestigd
Hinton, DavidVertalerSecundaire auteursommige editiesbevestigd
Klaveren, Karl vanVertalerSecundaire auteursommige editiesbevestigd
Qiu YingArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
Schipper, KristoferVertalerSecundaire auteursommige editiesbevestigd
Towler, SolalaVertalerSecundaire auteursommige editiesbevestigd
Woestijne, Joost van deOntwerperSecundaire auteursommige editiesbevestigd
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Wikipedia in het Engels (6)

Revered for millennia in the Chinese spiritual tradition, Chuang Tzu stands alongside the Tao Te Ching as a founding classic of Taoism. The Inner Chapters are the only sustained section of this text widely believed to be the work of Chuang Tzu himself, dating to the fourth century B.C.E. Witty and engaging, spiced with the lyricism of poetry, Chuang Tzu's Taoist insights are timely and eternal, profoundly concerned with spiritual ecology. Indeed, the Tao of Chuang Tzu was a wholesale rejection of a human-centered approach. Zen traces its sources back to these Taoist roots -- roots at least as deep as those provided by Buddhism. But this is an ancient text that yields a surprisingly modern effect. In bold and startling prose, David Hinton's translation captures the "zany texture and philosophical abandon" of the original. The Inner Chapters' fantastical passages -- in which even birds and trees teach us what they know -- offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. And interwoven with Chuang Tzu's sharp instruction on the Tao are short-short stories that are often rough and ribald, rich with satire and paradox. On their deepest level, the Inner Chapters are a meditation on the mysteries of knowledge itself. "Chuang Tzu's propositions," the translator's introduction reminds us, "seem to be in constant transformation, for he deploys words and concepts only to free us of words and concepts." Hinton's vital new translation makes this ancient text from the golden age of Chinese philosophy come alive for contemporary readers.

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Boekbeschrijving
Verhalen en levenslessen uit een eeuwenoude, klassieke taoïstische tekst komen opnieuw tot leven in een fraai geïllustreerde uitgave. De ‘Chuang Tzu’ is de bekendste taoïstische tekst na de ‘Tao Te Ching’. De prachtige verhalen en spitsvondige metaforen zijn geschreven door Meester Chuang in de vierde eeuw v. Chr. In deze tekst vind je verhalen over vissen die vogels worden, over eigenwijze leerlingen van Confucius en over wijze mannen met magische krachten. De verhalen zijn doorspekt met adviezen over alle aspecten van het bestaan. Meester Chuang nodigt je uit om op een simpele en zuivere manier in het leven te staan. Hier vind je de vredige en verstilde sfeer van klassiek China terug. Deze nieuwe vertaling van de klassieke taoïstische tekst verrast je, ontroert je en zet je aan het denken.
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