Afbeelding van de auteur.

Angela Carter (1940–1992)

Auteur van The Bloody Chamber and Other Stories

93+ Werken 22,824 Leden 438 Besprekingen Favoriet van 224 leden

Over de Auteur

A powerful and disturbing writer, Angela Carter created haunting fiction about travelers surviving their passage through a disintegrating universe. Often based on myth or fairy tale-borrowed or invented for the occasion-her work evokes the most powerful aspects of sexuality and selfhood, of life toon meer and death, of apocalypse. Carter's most successful novels include The Magic Toyshop (1967), which received the John Llewellyn Rhys Prize and Several Perceptions (1968), winner of the Somerset Maugham Award. The Passion of New Eve (1977), a story of the end of the world and its possible new beginning with failed mankind replaced by a self-generating womankind. She translated many fairy tales and wrote several collections of short stories, including The Bloody Chamber (1979) which won the Cheltenham Festival of Literature Award and was the basis for the powerful movie A Company of Wolves. She worked as a journalist and as a professor at Brown and the University of Texas. She published two nonfiction books of interest: Nothing Sacred, selected writings, and The Sadeian Woman (1979). (Bowker Author Biography) toon minder

Reeksen

Werken van Angela Carter

The Bloody Chamber and Other Stories (1979) 5,558 exemplaren
Circusnachten (1984) 2,688 exemplaren
Wise Children (1991) 1,926 exemplaren
Het nichtje van de poppenspeler (1967) 1,921 exemplaren
The Passion of New Eve (1977) 1,056 exemplaren
Black Venus (1986) 788 exemplaren
Heroes and Villains (1969) 678 exemplaren
Fireworks (1974) 483 exemplaren
The Virago Book of Fairy Tales (1990) 454 exemplaren
Love (1971) 402 exemplaren
Shadow Dance (1966) 251 exemplaren
Expletives Deleted (1992) 186 exemplaren
Nothing Sacred: Selected Writings (1982) 182 exemplaren
The Fairy Tales of Charles Perrault (1977) — Vertaler — 167 exemplaren
Several Perceptions (1968) 151 exemplaren
Comic and Curious Cats (1979) 136 exemplaren
Zeekat en Koning Draak (2000) — Auteur — 68 exemplaren
Bluebeard (2011) 58 exemplaren
Artificial Fire (1988) 31 exemplaren
In gezelschap van wolven (1985) 22 exemplaren
The donkey prince (1970) 17 exemplaren
Lizzie Borden (1996) 16 exemplaren
Miss Z, the dark young lady (1970) 14 exemplaren
Moonshadow (1982) 10 exemplaren
Mästerkatten i stövlar (2020) 3 exemplaren
The War of Dreams 3 exemplaren
The Snow Pavilion 2 exemplaren
Wise Children - play (2018) — Original novel — 2 exemplaren
Vampirella 2 exemplaren
Peter And The Wolf 1 exemplaar
Every Child's Cookery Book (1949) 1 exemplaar
La pasión de la nueva Eva (1982) 1 exemplaar
Kytice dívčích pohádek (1993) 1 exemplaar
Krvava odaja 1 exemplaar
Sirk Geceleri (2015) 1 exemplaar
Carter Angela 1 exemplaar
Maître 1 exemplaar

Gerelateerde werken

De man die van kinderen hield roman (1940) — Voorwoord, sommige edities1,450 exemplaren
The Story and Its Writer: An Introduction to Short Fiction (1983) — Medewerker — 1,136 exemplaren
The Classic Fairy Tales [Norton Critical Edition] (1998) — Medewerker — 1,021 exemplaren
The Weird: A Compendium of Strange and Dark Stories (2011) — Medewerker — 833 exemplaren
Sprookjes van Moeder de Gans (1697) — Vertaler, sommige edities621 exemplaren
Ik griezel van genot nieuwe verhalen vol erotiek en horror (1991) — Medewerker — 550 exemplaren
The Oxford Book of Gothic Tales (1992) — Medewerker — 544 exemplaren
The Flying Sorcerers: More Comic Tales of Fantasy (1997) — Medewerker — 514 exemplaren
The Penguin Book of Modern British Short Stories (1989) — Medewerker — 433 exemplaren
The Oxford Book of Modern Fairy Tales (1993) — Medewerker — 370 exemplaren
The Year's Best Fantasy and Horror: Tenth Annual Collection (1997) — Medewerker — 285 exemplaren
The New Gothic: A Collection of Contemporary Gothic Fiction (1991) — Medewerker — 259 exemplaren
The Year's Best Fantasy and Horror: Sixth Annual Collection (1993) — Medewerker — 209 exemplaren
The Oxford Book of English Short Stories (1998) — Medewerker — 197 exemplaren
The Oxford Book of Fantasy Stories (1994) — Medewerker — 191 exemplaren
Erotica: Women's Writing from Sappho to Margaret Atwood (1990) — Medewerker — 168 exemplaren
Opium and Other Stories (1980) — Introductie — 166 exemplaren
The Penguin Book of Modern Fantasy by Women (1995) — Medewerker — 166 exemplaren
Granta 25: The Murderee (1988) — Medewerker — 162 exemplaren
The Year's Best Fantasy and Horror: Fourth Annual Collection (1991) — Medewerker — 155 exemplaren
The Virago Book of Ghost Stories (2006) — Medewerker — 141 exemplaren
The Oxford Book of Villains (1992) — Medewerker — 136 exemplaren
Bedtime Stories (Everyman's Pocket Classics) (2011) — Medewerker — 125 exemplaren
Mistresses of the Dark [Anthology] (1998) — Medewerker — 122 exemplaren
The Penguin Book of International Women's Stories (1996) — Medewerker — 114 exemplaren
The Big Book of Modern Fantasy (2020) — Medewerker — 113 exemplaren
Nights at the Circus - play (1984) — Original novel — 110 exemplaren
Werewolves and Shape Shifters (2010) — Medewerker — 107 exemplaren
Elsewhere, Vol. II (1982) — Medewerker — 105 exemplaren
Cat Stories (Everyman's Pocket Classics) (2011) — Medewerker — 101 exemplaren
Elsewhere, Vol. III (1984) — Medewerker — 91 exemplaren
The Granta Book of the Family (1995) — Medewerker — 88 exemplaren
The State of the Language [1980] (1980) — Medewerker — 84 exemplaren
The Treasury of English Short Stories (1985) — Medewerker — 84 exemplaren
The Penguin Book of Erotic Stories by Women (1995) — Medewerker — 82 exemplaren
Granta 120: Medicine (2012) — Medewerker — 82 exemplaren
Interzone: The 1st Anthology (1985) 73 exemplaren
Granta 8: Dirty Realism (1983) — Medewerker — 72 exemplaren
The Oxford Book of Twentieth-Century Ghost Stories (1996) — Medewerker — 72 exemplaren
Granta 147: 40th Birthday Special (2019) — Medewerker — 58 exemplaren
Passievruchten (1986) — Medewerker — 56 exemplaren
Extreme Fiction: Fabulists and Formalists (2003) — Medewerker — 51 exemplaren
Reel Terror (1992) — Medewerker — 48 exemplaren
Over Our Dead Bodies: Women Against the Bomb (1983) — Voorwoord — 47 exemplaren
Puss in Boots (Ladybird Favourite Tales) (1993) — Retold by, sommige edities45 exemplaren
Granta 3: The End of the English Novel (1980) — Medewerker — 41 exemplaren
The Virago Book of Wanderlust and Dreams (1998) — Medewerker — 36 exemplaren
The Secret Self: A Century of Short Stories by Women (1995) — Medewerker — 34 exemplaren
Mothers and Daughters: An Anthology (1998) — Medewerker — 33 exemplaren
Stories To Get You Through The Night (2010) — Medewerker — 33 exemplaren
Lands of Never: Anthology of Modern Fantasy (1984) — Medewerker — 32 exemplaren
Vampire and Werewolf Stories (1998) — Medewerker — 22 exemplaren
Crossing the Border (1998) — Medewerker — 21 exemplaren
Horror by Lamplight (1993) — Medewerker — 18 exemplaren
The Young Oxford Book of Supernatural Stories (1996) — Medewerker — 15 exemplaren
The Uncanny Gastronomic: Strange Tales of the Edible Weird (2023) — Medewerker — 15 exemplaren
Best Short Stories 1992 (1992) — Medewerker — 13 exemplaren
More Devil's Kisses (1977) — Medewerker — 10 exemplaren
Images of Frida Kahlo (1989) — Introductie, sommige edities9 exemplaren
Dangerous Ladies (1992) — Medewerker — 8 exemplaren
Das Hobbit-Buch (1988) — Auteur — 7 exemplaren
The Black Cabinet (1989) — Medewerker — 7 exemplaren
Cook book note book (2017) — Notes, sommige edities6 exemplaren
Doomed Romances: Strange Tales of Uncanny Love (2024) — Medewerker — 5 exemplaren
Mørkets gjerninger : 21 hårreisende kriminalhistorier (2001) — Medewerker — 3 exemplaren
Οι κυρίες του τρόμου (1994) — Medewerker — 2 exemplaren
Erotiske fortællinger fortalt af kvinder (1996) — Auteur, sommige edities2 exemplaren

Tagged

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Algemene kennis

Leden

Discussies

THE DEEP ONES: "The Snow Pavilion" by Angela Carter in The Weird Tradition (april 2021)
Nights at the Circus by Angela Carter--Bowie's Top 100 in 75 Books Challenge for 2016 (november 2016)
BRITISH AUTHOR CHALLENGE APRIL 2015 - CARTER & SOMERSET MAUGHAM in 75 Books Challenge for 2015 (september 2015)

Besprekingen

The Bloody Chamber - The first and titular story of the collection was quite disturbing, but beautiful all the same. All of Angela Carter's writing is beautiful and I really felt like I just understood this one. It's a retelling of Bluebeard which I didn't actually know the plot of and wouldn't have recognized without looking it up. So, I don't know how it compares to the original story but this was definitely the best of the collection and I think it was the longest as well.

The Courtship of Mr Lyon - This was the first of two Beauty and the Beast stories. I liked this one slightly better although I thought that the ending was a little rushed maybe. In this Beauty and the Beast story, Beauty's father steals a rose and so the Beast tells him to bring Beauty to have dinner with him at his house and she does and stays there out of obligation while the Beast helps her father regain his wealth. Eventually she leaves and promises to come back but gets distracted by her new wealth and almost returns too late. I tend to like Beauty and the Beast and once again Carter's writing was beautiful.

The Tiger's Bride - In this Beauty and the Beast story, Beauty's father looses her to the Beast at cards and the Beast just wants to see Beauty naked... eventually she does reveal herself to him and stays with him and is a beast as well? I found this one kind of confusing and didn't like any of the characters. It was definitely more unique than the first but I just didn't like it as much. There was also some abrasive licking that made my skin itch,

Puss-in-Boots - Similarly to Bluebeard, I don't think I'd ever read a Puss-in-Boots story before... This one was fine. Puss helps his Master get with a pretty lady in a tower even though she's married. I do appreciate hearing from a cat's perspective I guess.

The Erl-King - This was probably my second favorite story after The Bloody Chamber. I had never heard of the story this is based off before, but I really enjoyed it, especially the ending. In a weird way it kind of reminded me of Hansel and Gretel but just with Gretel and the Witch who in this case would be the Erl-King. (He's not a witch... more of a forest spirit/fairy/monster).

The Snow Child - This one was only two pages long but it still somehow managed to be the worst in the collection. There was necrophilia/pedophilia involved and I simply could have gone without. I mean obviously the two main characters the Count and his wife were meant to be awful so I can maybe understand what it was going for but the disgusting bits ruined this story for me and there wasn't enough of anything else to really redeem it for me.

The Lady in the House of Love - A vampire lady lives alone with her nurse until a young man comes and I guess she turns human and dies. This one was okay I guess, but it was when reading this one that I noticed just how often virginity is mentioned. Why does every story have to mention that somebody is a virgin over and over again... It's such a tiresome trope. Sometimes I think it's definitely okay and can make sense, but in almost every story.... Idk. This one had some interesting bits about how the young man is also fighting in a war that he comes from and then returns to after the events of the story but I don't really know what to make of that..

The Werewolf - This was a Little Red Riding Hood retelling. I do like Little Red Riding Hood stories but in this one and the next there was a lot of chopping off the limbs of wolves and that just makes me kind of sad. Red Riding Hood is a badass here and chops off the wolf's paw only to find that it was her grandma who was a werewolf. I kind of liked the Salem Witch Trial vibes of this one. It was okay I guess but it mostly just made me sad.

The Company of Wolves - This was another sort of Red Riding Hood story, but also not. I appreciate the details about how if you burn a werewolf's clothing they will remain a werewolf forever. That is one of my favorite pieces of werewolf lore and I think it is sorely underutilized. It reminds me of the Lais of Marie de France's werewolves which I like a lot. However, even though I read this just last night maybe 10 hours ago I already forgot most of it. I think a woman marries a man who disappears (because he is a werewolf) so she gets remarried and has kids but then the first husband finally returns and gets mad. Something like that...

Wolf-Alice - This one was possibly the weirdest in the collection and the most difficult to follow. I thought it was a weak end to the collection. A girl is raised as a wolf even though she's human and she works for a duke and grows up and... I honestly don't really know what happened. Maybe I could reread it but I was also pretty drained at this point. Regardless, I think this was one of the weaker stories of the collection and could have been cut (along with The Snow Child).
… (meer)
½
 
Gemarkeerd
ZetaRiemann | 149 andere besprekingen | Jun 9, 2024 |
Concept: 4 stars
Magical realism: 5 stars
Symbolism: 4 stars
Literary merit: 4 stars
Narrative coherence: 3 stars
 
Gemarkeerd
therebelprince | 17 andere besprekingen | Apr 21, 2024 |
I think Carter is at her best writing novels, but these short stories are still pretty grand. Little snippets of postcolonialist feminist academia is perhaps a better description than "story", however.
 
Gemarkeerd
therebelprince | 16 andere besprekingen | Apr 21, 2024 |
A remarkable work of the imagination and magical realism, "Nights at the Circus" is one of my favourite novels, and one I can always turn to to remind me that writing is an artform of limitless possibility.

The characters and setting are rich and vibrant and, while I don't particularly enjoy fantasy or sci-fi works, Carter's world here is like that of Gabriel Garcia Marquez: anything is possible, but what happens always seems hauntingly, and depressingly, real. The difference between this and a Marquez work is that our protagonist is a reporter from the equally real world of fin-de-siecle England who finds himself unable to ascertain the boundaries between reality and fantasy. I acknowledge that not everyone will "get it", although I think that is BECAUSE there is nothing to get. This isn't a book with one meaning to be found on the last page, nor a book in which the fantastic elements are hiding some kind of comment on the 'real world'. This is instead a work of boundless beauty and effervescent figures living in an historical era, as all historical eras are: filled - or so it seems from our viewpoint - with possibility and impossibility. What it means, if anything, is for us to open our eyes to the world, even if - at the end of the day - seeing won't necessarily mean believing. Anything is possible but nothing is as it seems. Accept the confusion, relish it, and live amongst it. Or that's what I think, anyway.… (meer)
 
Gemarkeerd
therebelprince | 51 andere besprekingen | Apr 21, 2024 |

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Statistieken

Werken
93
Ook door
89
Leden
22,824
Populariteit
#926
Waardering
3.9
Besprekingen
438
ISBNs
405
Talen
19
Favoriet
224

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