Carolyn Forché
Auteur van The Country Between Us
Over de Auteur
Carolyn Forche is the author of Gathering the Tribes, winner of the Yale Younger Poets Award; The Country Between Us, which received awards from the Academy of American Poets and the Poetry Society of America; and The Angel of History, winner of the Los Angeles Times Book Prize. She is also the toon meer editor of the anthology Against Forgetting: Twentieth-Century Poetry of Witness. Recently, she was presented with the Edita and Ira Morris Hiroshima Foundation Award for Peace and Culture in Stockholm. toon minder
Fotografie: MDCarchives
Werken van Carolyn Forché
The Mighty Stream: Poems in celebration of Martin Luther King (Newcastle/Bloodaxe Poetry) (2017) 5 exemplaren
Landet Mellan Oss 2 exemplaren
The Colonel 2 exemplaren
Cast i Trishtw dhe Poezi tw tjera 1 exemplaar
Forché, Carolyn Archive 1 exemplaar
En el Ocaso del Mundo 1 exemplaar
Gerelateerde werken
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Medewerker, sommige edities — 919 exemplaren
Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (2008) — Voorwoord — 118 exemplaren
True Stories, Well Told: From the First 20 Years of Creative Nonfiction Magazine (2014) — Medewerker — 51 exemplaren
Oppressive Light: Selected Poems by Robert Walser (2012) — Introductie, sommige edities — 20 exemplaren
Firsts: 100 Years of Yale Younger Poets (Yale Series of Younger Poets) (2019) — Medewerker — 12 exemplaren
Peace or perish : a crisis anthology — Medewerker — 4 exemplaren
Antaeus No. 18, Summer 1975 — Medewerker — 2 exemplaren
Antaeus No. 34, Summer 1979 — Medewerker — 1 exemplaar
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- Forché, Carolyn Louise
Sidlosky, Carolyn Louise (born) - Geboortedatum
- 1950-04-28
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- Detroit, Michigan, USA
- Woonplaatsen
- Detroit, Michigan, USA
El Salvador - Opleiding
- Michigan State University
Bowling Green State Univesrity - Beroepen
- poet
professor (English)
translator
journalist - Relaties
- Mattison, Harry (husband)
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- Georgetown University
- Prijzen en onderscheidingen
- Lannan Literary Award ( [1990])
Yale Series of Younger Poets
LA Times Book Critics Circle Award
Robert Creeley Award
Windham Campbell Award (2017)
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Forche spoke of a necessary space between the personal and political where witness poetry emerged – a space made necessary because of the too-narrow definitions that existed. That, in a time when young writers tended toward labels - political or confessional or romantic maybe - helped break the illusion that lives could be so compartmentalized.
The poems in her latest collection ‘In the Lateness of the World’ emerge out of this social realm but not without taking a hard look at Western minds that still want to keep lives wracked by war, and our unsavory histories, out of our mind’s eye. The poet shines a light migrations and crossings, and the harm and illusion of insulating ones' self whether in Asia, Central America, Detroit or on the Greek Isles where an overwhelming number of refugees pass. Her work alludes to earliest depictions of war in Western literature, a feeling of intergenerational trauma that overcomes our best efforts to shut it off.
In her poem 'Charmolypi,' this grief descends across generations, an “ache in the cage of breath” or a “light sound of wings brushing the walls” (57), being something brought down from Parnassus by Clio the Muse of History, a feeling that catches us unaware as if all the collective loss across generations were still present. The poem exists both as an acknowledgment of public grief but perhaps also as a rebuke for trying to distance ourselves.
There seem to be at least two certainties about the desire to wall ourselves off – its futility and our repeated efforts to do it.
In ‘Transport,’ Forche provides the reader with a catalog of ways to travel through this ancient land from rickshaws, to oxcarts, to taxis and small trucks. The speaker relates a set of instructions, saying that if the driver ‘struck/a man on foot we should run away before the car / is torched by the crowd and the driver killed.’ The idea of being a bystander collapses and the visions of burning cars invades the speaker’s dreams. Her poem is an answer to the idea of viewing the world from a mythical place of safety – which doesn’t exist. Our likelihood of doing harm diminishes as we stop trying to insulate ourselves – when we ‘go on foot’ (68).
Insulating creates a world surrounded by treachery, an area outside the light’s radius that is cause for fear. This is not the world of the poet whose proper work is to illuminate. Work that demands living like ‘the lensmaker who died / with his lungs full of glass’ or the ‘yew in blossom when the bees swarm’ becoming ‘their amber cathedral.’ The cost of this, like the case of the lensmaker, may be fatal but perhaps the reward ‘Nothing/to be afraid’ is greater. (13).
Forche, who has introduced so many newer readers to poets of witness such as Lorca and Mandelstam, has devoted much of her poetic life to this idea of illumination and implied the danger of writing from behind barriers. The images here put us in the scenes of atrocity, seeing many of them emerging from history, with Forche acting as our guide saying 'I will get you there' (6).
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