Ramsey Campbell

A collection of the author's short fiction ranging from his early efforts in the early 1960s to mature work of the early 1980s when this collection was published. The earlier, very Lovecraft influenced, stories are rather clumsy pastiches and didn't really hold my interest, but the later work where the name checking of standard Lovecraft entities recedes into the background and only minor references are made, such as to books from the Mythos which people come across, are much more successful.

The final story in the book, 'The Voice of the Beach', is influenced by Algernon Blackwood's 'The Willows' as Campbell acknowledges in his introduction to the collection where he says that he attempted in it to return to the aims of Lovecraft who was a great admirer of Blackwood's story. As in the best of Campbell's fiction, it is unsettling and disturbing, with things only half seen or sensed providing the chills. Mainly due to such later tales, my rating is raised to a respectable 3 stars.… (meer)

Rather bleak even for a novel by this author, this deals with the plight of literary agent, Barbara, whose husband was killed while working abroad. His death brought on labour, but she and her daughter survived and all seemed well, until she decided to go back to work in London - and her daughter was snatched from nursery while in the care of others. The woman running the nursery fetches a psychic round against Barbara's wishes while the police are still searching, and the woman has just told Barbara that her daughter is gifted but those who have her must be prevented from corrupting that, when a policeman arrives. A child's body, which cannot be identified due to gunshot wounds, has been found. (The book was written in the late 1980s or so, therefore there is no DNA testing which could perhaps prove otherwise).

Nine years later Barbara is trying to rebuild her life and has a tenuous relationship with a man who is divorced but trying to see his daughter despite the mother's opposition, when she starts to receive phone calls from a girl who claims to be her daughter, who would be around 13. And so starts a wild goose chase where Barbara is sent from place to place, even to Scotland, in order to meet her daughter who somehow is never at the hinted at locations. Meanwhile, others who are drawn into Barbara's quest find they have a very short life expectancy.

The book begins with a prologue where a man visits a murderer on death row in the 1940s, posing as a psychiatrist, in order to question him on why he carried out a barbaric torture and murder of his victim. Eventually it is revealed that this man was the founder of a cult, one built on the idea of torture and murder in order to somehow feed a force from beyond. This is as far as the slightly Lovecraftian/Cthulhu Mythos parallel goes, but Barbara comes to believe that this cult has her daughter and there is a deadline to rescue her, as children are fully initiated into the cult at age 13.

The atmosphere of the story is well conveyed: urban decay, noise pollution, filth and rubbish abound and are well evoked. The cult thrives in such settings. However the ending is distinctly weak: I found it unconvincing firstly that the dead father manages to manifest to his daughter in time to reawaken her conscience when he has failed to do so for the past 9 years and secondly that the daughter does completely change her mind so conveniently and spectacularly. So on balance I can only rate this as an 'OK' at 2 stars.… (meer)