Afbeelding van de auteur.

Laurence Sterne (1713–1768)

Auteur van Het leven en de opvattingen van de heer Tristram Shandy

196+ Werken 11,573 Leden 157 Besprekingen Favoriet van 70 leden

Over de Auteur

If Fielding showed that the novel (like the traditional epic or drama) could make the chaos of life coherent in art, Sterne only a few years later in The Life and Opinions of Tristram Shandy, Gentleman (1760--67) laughed away the notion of order. In Sterne's world, people are sealed off in their toon meer own minds so that only in unpredictable moments of spontaneous feeling are they aware of another human being. Reviewers attacked the obscenity of Tristram's imagined autobiography as it was published (two volumes each in 1759, early 1761, late 1761, 1765, and one in 1767), particularly when the author revealed himself as a clergyman, but the presses teemed with imitations of this great literary hit of the 1760s. Through the mind of the eccentric hero, Sterne subverted accepted ideas on conception, birth, childhood, education, and the contemplation of maturity and death, so that Tristram's concerns touched his contemporaries and are still important. Since Tristram Shandy is patently a great and lasting comic work that yet seems, as E. M. Forster said, "ruled by the Great God Muddle," much recent criticism has centered on the question of its unity or lack of it; and its manipulation of time and of mental processes has been considered particularly relevant to the problems of fiction in our day. Sterne's Sentimental Journey (1768) has been immensely admired by some critics for its superb tonal balance of irony and sentiment. His Sermons of Mr. Yorick (1760) catches the spirit of its time by dramatically preaching benevolence and sympathy as superior to doctrine. Whether as Tristram or as Yorick, Sterne is probably the most memorably personal voice in eighteenth-century fiction. (Bowker Author Biography) toon minder
Fotografie: From Wikipedia

Werken van Laurence Sterne

Het leven en de opvattingen van de heer Tristram Shandy (1759) — Auteur — 7,742 exemplaren, 115 besprekingen
Een sentimentele reis door Frankrijk en Italië (1768) 1,758 exemplaren, 24 besprekingen
Tristram Shandy [Norton Critical Edition] (1980) 396 exemplaren, 5 besprekingen
Britannica Great Books: Swift and Sterne (1726) 286 exemplaren, 1 bespreking
A Sentimental Journey & Journal to Eliza (1975) 92 exemplaren, 2 besprekingen
The Works of Laurence Sterne (2010) 43 exemplaren
A Political Romance (1759) 26 exemplaren
The sermons of Mr. Yorick (1973) 22 exemplaren
Delphi Complete Works of Laurence Sterne (Illustrated) (2011) 14 exemplaren, 1 bespreking
The Journal to Eliza (2012) 8 exemplaren
Letters of Laurence Sterne (1935) 8 exemplaren
Laurence Sterne (Pocket Books) (2009) 5 exemplaren
Briefe und Dokumente (1985) 4 exemplaren
Torisutoramu Shandi 001 (1969) 3 exemplaren
Duygusal Bir Yolculuk (2015) 3 exemplaren
The novels of Laurence Sterne (1905) 2 exemplaren
Briefe (2018) 2 exemplaren
The Works of Sterne 1 exemplaar
Dario para Eliza 1 exemplaar
Tristram Sendi (2004) 1 exemplaar
Per Eliza. Diario e lettere (1981) 1 exemplaar
Un romanzo politico 1 exemplaar
Sterne's Sermons 1 exemplaar
Novels 1 exemplaar
Sternes novels 1 exemplaar

Gerelateerde werken

Love Letters (1996) — Medewerker — 186 exemplaren, 1 bespreking
The Penguin Book of Irish Fiction (1999) — Medewerker — 152 exemplaren
The Norton Book of Travel (1987) — Medewerker — 112 exemplaren, 1 bespreking
Tristram Shandy: A Cock and Bull Story [2005 film] (2005) 64 exemplaren, 1 bespreking
The Lock and Key Library (Volume 7: Oldtime English) (1909) — Medewerker — 42 exemplaren, 1 bespreking
Pathetic Literature (2022) — Medewerker — 26 exemplaren, 1 bespreking
The World's Greatest Books Volume 08 Fiction (2004) — Medewerker — 24 exemplaren
Great English Short Stories (1930) — Medewerker — 19 exemplaren, 1 bespreking
Englische Essays aus drei Jahrhunderten (1980) — Medewerker — 10 exemplaren

Tagged

Algemene kennis

Gangbare naam
Sterne, Laurence
Geboortedatum
1713-11-24
Overlijdensdatum
1768-03-18
Graflocatie
St. Michael's Churchyard, Coxwold, Yorkshire, England, UK (reinterred 1969)
St. George's Churchyard, Hanover Square, London, England, UK
Geslacht
male
Nationaliteit
Ireland (birth)
England
Geboorteplaats
Clonmel, County Tipperary, Ireland
Plaats van overlijden
London, England
Oorzaak van overlijden
tuberculosis
Woonplaatsen
Coxwold, North Yorkshire, England, UK
Opleiding
Jesus College, Cambridge University (BA|1737|MA|1740)
Beroepen
Anglican Cleric (Deacon, 1737|Priest, 1738)
Novelist
Organisaties
Church of England
Korte biografie
Laurence Sterne was born in Clonmel, Ireland in 1713, son of an army ensign. During his first ten years the family moved from barracks to barracks. At the age of ten, Laurence went to school in Halifax and later went on to study divinity and classics at Jesus College, Cambridge. He was ordained into the Church of England as a deacon in 1737 after graduating that year. With the help of his uncle, Dr Jaques Sterne (Precentor of York), he began to make a moderately successful ecclesiastical career. He was ordained priest in 1738 and was granted the living of Sutton-on-the-Forest, to which he added six years later the living of Stillington. He married Elizabeth Lumley in 1741 and had a daughter, Lydia – the only one of his children to survive infancy.

Two of his sermons were published in 1747 and 1750, but the publication of a satirical pamphlet in 1759 displayed his talents as a writer.

The pamphlet, A Political Romance, was suppressed; but it gave Sterne the inspiration for a more ambitious work, and he contacted the London bookseller, Robert Dodsley with the draft of one volume of a work entitled The Life and Opinions of Tristram Shandy. Unable to secure a guarantee of publication, Sterne revised the work and in 1759 printed and published the first two volumes of Tristram Shandy by paying for it himself and sending it to London.

Tristram Shandy was an immediate success. Sterne became famous virtually overnight and following the exhibition of his portrait painted by Joshua Reynolds became a celebrity within the first few months of the book's release.

Sterne had already published the first two volumes of The Life and Opinions of Tristram Shandy, Gentleman when he came to Coxwold in 1760. He wrote the next seven volumes of Tristram Shandy and A Sentimental Journey through France and Italy while living at Shandy Hall.

His friends celebrated his success as a writer by christening his new home ‘Shandy Hall', the word Shandy being a dialect word for ‘wild, nonsensical, merry or odd'.
Alterations to the house were made by Sterne including the building of a coach house, a cellar and a box-like two-storey brick façade at the west end.

He had been afflicted all his life with illness, and travelled for his health to France, where his wife and daughter took up residence. In the last years of his life he fell in love with Eliza Draper, and wrote A Journal to Eliza after she returned to India and her husband.

Laurence Sterne died in 1768, and was buried three times: once in the graveyard of St. George's, Hanover Square; again when he was recognized after having been disinterred for anatomists; and finally, when development took place at the London burial ground, his skull and a femur were taken to Coxwold and buried outside the church where he was once the preacher.

Leden

Discussies

the life and Opinions of Tristram Shandy in Folio Society Devotees (juni 2022)
Laurence Sterne - Resources and General Discussion in Literary Centennials (januari 2016)
Laurence Sterne - Tristram Shandy in Literary Centennials (maart 2014)
Laurence Sterne - A Sentimental Journey in Literary Centennials (december 2013)
Tristram Shandy: Books 7-9 in Group Reads - Literature (februari 2012)
Tristram Shandy, Books 4-6 in Group Reads - Literature (augustus 2011)
Tristram Shandy: Books 1-3 in Group Reads - Literature (augustus 2011)

Besprekingen

I was a bit hesitant when I started this novel. I had previously tried Sterne’s best-known work, Tristam Shandy (published in 1767), and that was a tough job. Satirical, hilarious and ironic, yes, but also pompous and especially verbose due to his constant digressions. I was afraid that this Sentimental Journey would suffer from that as well. But that turned out not to be the case. Not only is this book much shorter (it remained unfinished due to Sterne’s premature death), but the author also stays on point a bit better. Yet once again the ‘compulsive talkativeness’ of the chatterbox Sterne is noticeable, it’s his trademark, so to speak. The picaresque slant (again with explicit references to Rabelais and Cervantes) is also present, including the many double meanings. But, as I said, this book is more homogeneous. To be clear: of course this is not really a travelogue as we know it today. Sterne does report on his stay in Calais and Paris, and his departure from there to Northern Italy, but that is only a peg to talk about the amusing things that happen to him, and especially about the feelings he has about them. Because this stress on emotions (or presumed emotions) is striking: Sterne highlights the feelings that are evoked in him and his fellow travelers at every opportunity, so it is not without reason that the title contains the word ‘sentimental’. I read in some reviews that this was perhaps intentional, as a resistance to the materialistic-mechanistic vision of Enlightenment philosophers (l’homme machine’). A regularly cited quote at the end of the book, “I am positive I have a soul; nor can all the books with which materialists have pestered the world ever convince me of the contrary”, even explicitly refers to this. In that sense, this book is certainly also interesting from a historical point of view (the evolution of ideas). And what about the reading pleasure? That is certainly there, at least with the strongly ironically charged scenes. But the 18th century word usage and the sometimes very contrived sentence constructions are a threshold, especially if you want to read this in the original version.… (meer)
 
Gemarkeerd
bookomaniac | 23 andere besprekingen | Jul 26, 2024 |
Zoals bij zovele andere lezers wekte dit vroegmoderne boek bij mij afwisselend gevoelens van ergernis én van geamuseerdheid op. De ergernissen hebben natuurlijk te maken met de eindeloze digressies, die Sterne trouwens bewust als stijlfiguur gebruikt, maar waar je wel hoorndol van wordt. En de geamuseerdheid vooral met de komische situaties die hij beschrijft, de kleinmenselijke trekken van zijn personages, en de pseudo-geleerde stijl. De humoristische elementen buitelen over elkaar, en drijven het satirisch gehalte van dit boek zeker bijna tot op het niveau van de Don Quichote. De verwijzingen naar Cervantes en Rabelais zijn trouwens dikwijls ook expliciet.
Ik moet bekennen dat ik dit boek niet helemaal gelezen heb. Na de eerste twee delen heb ik grote gedeelten overgeslagen, maar ik ben wel tot het einde door blijven lezen. En dan viel het me op dat Sterne’s digressies iets beperkter werden, dat hij veel frequenter naar zijn eigen, slechte gezondheidstoestand verwees, en dat zijn levensverhaal meer en meer een reisverslag werd. Alleen de antipathieke, dikwijls misogyne uitlatingen van zijn vader, en de militaire stokpaardjes van zijn veel sympathieker oom Toby, blijven een constante.
Dikwijls wordt Jean-Jacques Rousseau aangewezen als de eerste schrijver die een echte autobiografie neerpende (in zijn Confessions). Dat werd gepubliceerd in 1770. Met deze Tristram Shandy was Sterne hem 10 jaar voor, maar eigenlijk is het tegelijk een aanfluiting van een genre dat ooit stevig in de canon van de Westerse literatuur zou komen.
… (meer)
 
Gemarkeerd
bookomaniac | 114 andere besprekingen | Jul 9, 2022 |
Eigenlijk een niemandalletje. Het lijkt een reisverslag van een rijke jongeman. Maar je kunt de reis niet echt serieus nemen. Hij komt ook niet in Italie, maar dat kan verklaart worden doordat de schrijver eerder overleed. Desalniettemin is het boek heel grappig om te lezen, de schrijver draaft regelmatig bewust door en gebruikt nutteloze uitweidingen. De logika is vaak ver te zoeken. Toch is het een vermakelijk boek dat ik met plezier heb gelezen.
 
Gemarkeerd
Pieter_Goldhoorn | 23 andere besprekingen | Nov 1, 2013 |
Ok, Yorick stort tranen, leeft mee met lijdende meisjes, stelt zijn hart zelfs open voor zijn knecht, en beleeft allerlei hooggestemde gevoelens als hij een eenvoudige boeren-dansavond bijwoont. Dat is zeker sentimentalisme. Maar ondertussen is hij een bijdehandte, spitsvondige society-figuur, die ons voortdurend probeert te overtuigen dat hij heel geen vleselijke bedoelingen heeft bij al die huilende of juist vrolijk lachende, maar in ieder geval gevoelvolle meisjes. Het boek heeft niets van de zwaarte die andere sentimentelen wel aankleeft (Feith, Werther). Al het gehuil en de subtiele gevoels-uitwisselinkjes worden ons wel medegedeeld, maar zonder veel uitnodiging om mee te voelen; meer als een spel. Als een mode waar je misschien deels oprecht maar toch vooral ook parodiërend aan meedoet. Misschien is dat grappig, en het is zeker luchtig. Maar vooral ook oppervlakkig, en een beetje flauw.… (meer)
 
Gemarkeerd
pingdjip | 23 andere besprekingen | Nov 25, 2009 |

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AP Lit (1)
1750s (1)

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Statistieken

Werken
196
Ook door
17
Leden
11,573
Populariteit
#2,033
Waardering
3.8
Besprekingen
157
ISBNs
488
Talen
21
Favoriet
70

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