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Bezig met laden... De linkerhand van het duister (1969)door Ursula K. Le Guin
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![]() Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. https://www.goodreads.com/review/show/5734490247 I really enjoyed this, though am having a hard time figuring out what I'd like to say about it. I found the exploration of sex and gender pretty extraordinary for late 60s science fiction, prescient even for today (the afterword has some good additional notes on how it was perceived then and how it has aged). I was a little surprised at how many concepts and words I stumbled upon that have become more or less grammar in science fiction (notably, ansible). There are a few lines that I really like, that stood above the rest for me on this, my first read: "'We are not a sophisticated people.'" Perhaps this doesn't stand as well outside of its context. This is one of our primary characters comparing a neighboring government (a "full-blown bureaucracy") that has developed Orwellian methods of population control and thought-policing. A few lines before, there is a discussion of the Farms and how the neighboring government would boast about them. This lie in the truth of the thing is a theme throughout the book that I found fascinating. That line pairs well with a line about 50 pages before, also comparing these governments, with the monarchy the 'more primitive' of the two: "It was odd that in the less primitive society, the more sinister note was struck." It's hard not to think about 1984 here, and maybe Brave New World (though this one I've never given a thorough read and always sort of glazed over). Later in the book, there begins an exploration of nationalism and patriotism. "Very few Orgota know how to cook. Hate Orgoreyn? No, how should I? How does one hate a country, or love one? Tibe talks about it; I lack the trick of it.I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry? ..." (Another dash of Orwell in the "un" language, to my eye.) And then: "And I wondered, not for the first time, what patriotism is, what the love of country truly consists of, how that yearning loyalty that had shaken my friend's voice arises, and how so real a love can become, too often, so foolish and vile a bigotry. Where does it go wrong?" I'll be reflecting on the book for a while, but these all stand out to me. I'm basically reading the whole Hainish Cycle (in random order), and that's what made me re-read this book, and I'm so glad I did. All I remembered is that they suffer in the snow, but that's only a small part of the book. Le Guin is at her best making up very interesting civilizations, and we get two societies and two religions in this book. I really liked how the core plot is interspersed with "folk tales". For me this is not a heavy hitter like some of the short stories and Dispossessed but it's certainly a great book. Right now the Hainish Cycle gives me a really weird feeling, because I'm familiar with wanting to spend more time in a fictional universe (like binge-watching 450 episodes of Start Trek even though most of the episode are not even good) but with the Hainish Cycle it's not escapism at all because it's always touching on real world problems, and it's not even really just one fictional universe. I don't think the world is ready for the Hainish Cinematic Universe, but I certainly am. I would imagine it as disconnected original stories by different directors, definitely not the existing books made into movies. DNF Dude goes to a winter world where its inhabitants are ambisexual and he has trouble accepting it. The writing is fantastic and the world building is well done. This is a very intellectual novel mostly focusing on the topics of gender. After listening for 4 hours there wasn’t much in way of plot development, and whilst I did find a lot of the discussions thought provoking, I wasn’t that entertained and my interest was waning. I might try another of this authors works but this one wasn’t doing it for me.
Bei dem Roman "Die linke Hand der Dunkelheit" handelt es sich um nicht weniger als die erste Geschlechter-Utopie: Die Menschen auf dem Planeten Winter, die Gethianer, sind vier Fünftel ihres Erwachsenenlebens geschlechtslos, nur während der sogenannten Kemmer entwickeln sie vorübergehend männliche oder weibliche Geschlechtsorgane, wobei sie vorher weder wissen, welches Geschlecht sie annehmen werden, noch Einfluss darauf haben. Auch haben sie keine bestimmte Vorliebe für eines der Geschlechter. Sind sie nach dem Verständnis des auf ihrem Planeten gelandeten männlichen Terraners die meiste Zeit ihres Lebens "hermaphroditische Neutren", so sehen sie sich selbst als "Potentiale" oder "Integrale". Der lebenslänglich auf ein Geschlecht festgelegte und ständig sexualisierte Terraner hingegen ist für sie ein "sexuelles Monstrum". In einer Gesellschaft wie der gethenianischen gibt es keine Vergewaltigung und natürlich keinen Ödipus-Mythos. Da kein Individuum weiß, ob es sich in der nächsten Kemmer-Phase zur Frau oder zum Mann entwickelt, jedeR Mutter des einen und Vater eines anderen Kindes sein kann, ist die gethenianische Gesellschaft "in ihren alltäglichen Funktionen und ihrer Kontinuität frei von Konflikten, die ihren Ursprung in der Sexualität haben", denn "jeder kann alles machen". Überhaupt, so heißt es an einer Stelle, ist "die Tendenz zum Dualismus, die das Denken der Menschen so beherrscht, auf Winter weit weniger stark ausgeprägt". Eine solche Gesellschaft vorzustellen, ist zumindest das Anliegen Le Guins, doch gelingt es ihr nur bedingt. Zwar sind Denken und Gemeinschaft nicht durch die Geschlechterdichotomie bestimmt, doch ist "alles [...] dem Somer-Kemmer-Zyklus unterworfen", einer anderen Dichotomie also. An instant classic Onderdeel van de reeks(en)Hainish Cycle (4) Onderdeel van de uitgeversreeks(en)Mirabilia (32) Mirabilia (32) ハヤカワ文庫 SF (252) Is opgenomen inFive Complete Novels: Rocannon's World / Planet of Exile / City of Illusions / The Left Hand of Darkness / The Word for World door Ursula K. Le Guin Three Ekumen Novels: The Left Hand of Darkness / City of Illusions / Planet of Exile door Ursula K. Le Guin Hainish Novels and Stories, Volume One: Rocannon's World / Planet of Exile / City of Illusions / The Left Hand of Darkness / The Dispossessed / Stories door Ursula K. Le Guin Ursula K. Le Guin: The Hainish Novels and Stories [Library of America Boxed Set] door Ursula K. Le Guin (indirect) Heeft de bewerkingBestudeerd inHeeft als een commentaar op de tekstHeeft als studiegids voor studentenPrijzenOnderscheidingenErelijsten
Fiction.
Science Fiction.
Winner of the Hugo and Nebula Awards A groundbreaking work of science fiction, The Left Hand of Darkness tells the story of a lone human emissary to Winter, an alien world whose inhabitants can change their gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters. Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction. Geen bibliotheekbeschrijvingen gevonden. |
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![]() GenresDewey Decimale Classificatie (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC-classificatieWaarderingGemiddelde:![]()
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